The Silence contains time

Detalhes bibliográficos
Autor(a) principal: Rúbia Sant’Anna, Mara
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Poiésis (Niterói. Online)
Texto Completo: https://periodicos.uff.br/poiesis/article/view/59033
Resumo: According to Jacques Rancière (2012) all images have a power that stems from their double condition of “brute sensitive presence” and “discourse ciphering a story” (p. 20). Such a condition operates its own regime that articulates the visible and the sayable, so that one sees beyond what is shown and one thinks, deduces and speaks even without words or subtitles to restrict the image's power of expression. From the articulation between what is seen and what is said, a visual narrative is imposed. However, the charm of the photographic series that follows derives from how much what is shown, the referents of a landscape, impose silence, which does not avoid thinking, deducing and even speaking, however, the motto of this silence summons a distant time, a time of which nothing has to be said. There is only the feeling that “there was”. What? It doesn't matter.
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spelling The Silence contains timeEl silencio contiene tiempoo silêncio contém o tempoAccording to Jacques Rancière (2012) all images have a power that stems from their double condition of “brute sensitive presence” and “discourse ciphering a story” (p. 20). Such a condition operates its own regime that articulates the visible and the sayable, so that one sees beyond what is shown and one thinks, deduces and speaks even without words or subtitles to restrict the image's power of expression. From the articulation between what is seen and what is said, a visual narrative is imposed. However, the charm of the photographic series that follows derives from how much what is shown, the referents of a landscape, impose silence, which does not avoid thinking, deducing and even speaking, however, the motto of this silence summons a distant time, a time of which nothing has to be said. There is only the feeling that “there was”. What? It doesn't matter.Según Jacques Rancière (2012) toda imagen tiene un poder que se deriva de su doble condición de “presencia sensible bruta” y “discurso cifrando una historia” (p. 20). Tal condición opera su propio régimen que articula lo visible y lo decible, de modo que se ve más allá de lo mostrado y se piensa, deduce y habla aún sin palabras ni subtítulos que restrinjan el poder de expresión de la imagen. A partir de la articulación entre lo que se ve y lo que se dice, se impone una narrativa visual. Sin embargo, el encanto de la serie fotográfica que sigue deriva de cuánto lo que se muestra, los referentes de un paisaje, imponen el silencio, que no evita pensar, deducir y hasta hablar, sinembargo, el lema de este silencio convoca a un tiempo lejano, un tiempo del que nada hay que decir. Sólo existe la sensación de que “hubo”. Segundo Jacques Rancière (2012) todas as imagens possuem uma potência que decorre da sua dupla condição de “presença sensível bruta” e de “discurso cifrando uma história” (p. 20). Tal condição opera um regime próprio que articula o visível e o dizível, de maneira que se vê além do mostrado e se pensa, deduz e fala mesmo sem que hajam palavras ou legendas a restringir a potência de expressão da imagem. Da articulação entre o visto e o dito se impõe uma narrativa visual. Todavia, o encanto da série fotográfica a seguir deriva do quanto o mostrado, os referentes de uma paisagem, impõem o silêncio, que não evita o pensar, o deduzir e mesmo o falar, contudo, o mote deste silêncio convoca um tempo distante, um tempo do qual nada se tem a dizer. Há apenas a sensação que “houve”. O que? Não importa.Editora do PPGCA-UFF2023-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/poiesis/article/view/5903310.22409/poiesis.v24i41.59033REVISTA POIÉSIS; Vol. 24 No. 41 (2023): Science, Art, and the Dissolution of Boundaries; 142-155REVISTA POIÉSIS; Vol. 24 Núm. 41 (2023): La ciencia, el arte y la disolución de las fronteras; 142-155REVISTA POIÉSIS; v. 24 n. 41 (2023): Ciência, arte e a dissolução das fronteiras: Revista do Programa de Pós-Graduação em Estudos Contemporâneos das Artes da UFF Volume 24, Número 41, Jan./Jun. 2023; 142-1552177-856610.22409/poiesis.v24i41reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/59033/34558Copyright (c) 2023 Mara Rúbia Sant’Annahttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessRúbia Sant’Anna, Mara2023-07-01T04:13:14Zoai:ojs.pkp.sfu.ca:article/59033Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2023-07-01T04:13:14Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv The Silence contains time
El silencio contiene tiempo
o silêncio contém o tempo
title The Silence contains time
spellingShingle The Silence contains time
Rúbia Sant’Anna, Mara
title_short The Silence contains time
title_full The Silence contains time
title_fullStr The Silence contains time
title_full_unstemmed The Silence contains time
title_sort The Silence contains time
author Rúbia Sant’Anna, Mara
author_facet Rúbia Sant’Anna, Mara
author_role author
dc.contributor.author.fl_str_mv Rúbia Sant’Anna, Mara
description According to Jacques Rancière (2012) all images have a power that stems from their double condition of “brute sensitive presence” and “discourse ciphering a story” (p. 20). Such a condition operates its own regime that articulates the visible and the sayable, so that one sees beyond what is shown and one thinks, deduces and speaks even without words or subtitles to restrict the image's power of expression. From the articulation between what is seen and what is said, a visual narrative is imposed. However, the charm of the photographic series that follows derives from how much what is shown, the referents of a landscape, impose silence, which does not avoid thinking, deducing and even speaking, however, the motto of this silence summons a distant time, a time of which nothing has to be said. There is only the feeling that “there was”. What? It doesn't matter.
publishDate 2023
dc.date.none.fl_str_mv 2023-06-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/poiesis/article/view/59033
10.22409/poiesis.v24i41.59033
url https://periodicos.uff.br/poiesis/article/view/59033
identifier_str_mv 10.22409/poiesis.v24i41.59033
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/poiesis/article/view/59033/34558
dc.rights.driver.fl_str_mv Copyright (c) 2023 Mara Rúbia Sant’Anna
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Mara Rúbia Sant’Anna
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora do PPGCA-UFF
publisher.none.fl_str_mv Editora do PPGCA-UFF
dc.source.none.fl_str_mv REVISTA POIÉSIS; Vol. 24 No. 41 (2023): Science, Art, and the Dissolution of Boundaries; 142-155
REVISTA POIÉSIS; Vol. 24 Núm. 41 (2023): La ciencia, el arte y la disolución de las fronteras; 142-155
REVISTA POIÉSIS; v. 24 n. 41 (2023): Ciência, arte e a dissolução das fronteiras: Revista do Programa de Pós-Graduação em Estudos Contemporâneos das Artes da UFF Volume 24, Número 41, Jan./Jun. 2023; 142-155
2177-8566
10.22409/poiesis.v24i41
reponame:Poiésis (Niterói. Online)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Poiésis (Niterói. Online)
collection Poiésis (Niterói. Online)
repository.name.fl_str_mv Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv poiesis.uff@gmail.com||oliveira@vm.uff.br
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