The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga

Detalhes bibliográficos
Autor(a) principal: Helich Lopes, Tatiana
Data de Publicação: 2023
Outros Autores: Gomberg, Felipe
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mídia.e.Cotidiano
Texto Completo: https://periodicos.uff.br/midiaecotidiano/article/view/57783
Resumo: If in the 19th century serials and fait divers guaranteed the public's emotion with shocking “realistic” narratives or based on news published in newspapers; today, the spectacle of crime can also be followed through contemporary series, transmitted via streaming, as is the case of Elize Matsunaga: Once Upon a Crime (Netflix/2021). To this end, an overview of the media role in narratives about real crimes is outlined (MEYER, 1996; BROOKS, 1995; SINGER, 2004). The paper also discusses the spectacularized life in the voice of the confessed defendant herself (SCHWARTZ, 2004; SIBILIA, 2008; GUNNING, 2004) to finally take a look at the narrative structure of the documentary series (MUNGIOLI, 2017; ECO, 1989; 1997).
id UFF-19_4bc5aba7872df6f16dae4f14f5c1e308
oai_identifier_str oai:ojs.pkp.sfu.ca:article/57783
network_acronym_str UFF-19
network_name_str Mídia.e.Cotidiano
repository_id_str
spelling The Crime as spectacle in documentary narrative: the Netflix series about Elize MatsunagaEl espectáculo del crimen en las producciones audiovisuales contemporáneas la serie documental sobre Elize MatsunagaO crime como espetáculo na narrativa documental: a série Netflix sobre Elize MatsunagaAudiovisualserie documentalnarrativacrimenNetflixNarrativecrimeaudiovisualNetflixdocumentary seriesAudiovisualNarrativaserie documentalcrimeNetflixIf in the 19th century serials and fait divers guaranteed the public's emotion with shocking “realistic” narratives or based on news published in newspapers; today, the spectacle of crime can also be followed through contemporary series, transmitted via streaming, as is the case of Elize Matsunaga: Once Upon a Crime (Netflix/2021). To this end, an overview of the media role in narratives about real crimes is outlined (MEYER, 1996; BROOKS, 1995; SINGER, 2004). The paper also discusses the spectacularized life in the voice of the confessed defendant herself (SCHWARTZ, 2004; SIBILIA, 2008; GUNNING, 2004) to finally take a look at the narrative structure of the documentary series (MUNGIOLI, 2017; ECO, 1989; 1997).Las transformaciones ocurridas en el siglo XIX ampliaron las narrativas que mezclaban la literatura con las noticias de los diarios, presentando al individuo los desafíos de vivir en la ciudad urbana. Si en el siglo XIX los seriales y fait divers garantizaban la emoción del público con impactantes narraciones “realistas” o basadas en noticias publicadas en periódicos; hoy, el espectáculo del crimen también se puede seguir a través de series contemporáneas, transmitidas vía streaming, como es el caso de Elize Matsunaga: Once Upon a Crime, en Netflix. A partir del creciente número de series documentales sobre crímenes que tuvieron amplia repercusión mediática, este artículo busca analizar la serie documental Elize Matsunaga: Érase una vez un crimen desde los dilemas que trae la contemporaneidad. Como producción original de Netflix en la voz del acusado, se considera que la imagen dialéctica que produce la obra audiovisual sería la imagen de la memoria rescatada de una situación anacrónica, de un presente evocador (DIDI-HUBERMAN, [1953] 2010). Vanessa Schwartz (2004), Paula Sibilia (2008), Tom Gunning (2004) y Foucault (1988) también se destacan como aportes teóricos en la discusión sobre el espectáculo del crimen y las transformaciones provocadas en el siglo XIX a la vida urbana que han repercusiones hasta la actualidad; Marlyse Meyer (1996), Peter Brooks (1995) y Ben Singer (2004), en el diálogo sobre seriales, imaginación melodramática y sensaciones provocadas por la modernidad; y Maria Cristina Mungioli (2017) y Umberto Eco (1989; 1997), para comprender la estructura narrativa serial actual.No século XIX, os folhetins e fait divers garantiam a emoção do público com narrativas “realistas” chocantes ou baseadas em notícias publicadas nos jornais; hoje, o crime como espetáculo pode ser acompanhado através das séries contemporâneas, transmitidas por streaming. Busca-se, neste artigo, analisar a narrativa documental da série Elize Matsunaga: Era uma vez um crime (Netflix/2021) a partir dos dilemas trazidos pela contemporaneidade. Para isso, traça-se um panorama do papel midiático em narrativas sobre crimes reais (MEYER, 1996; BROOKS, 1995; SINGER, 2004) e discute-se a vida espetacularizada na voz da própria ré confessa (SCHWARTZ, 2004; SIBILIA, 2008; GUNNING, 2004) para, finalmente, olhar a estrutura narrativa da série documental (MUNGIOLI, 2017;  ECO, 1989; 1997).EdUFF2023-05-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/midiaecotidiano/article/view/5778310.22409/rmc.v17i2.57783Mídia e Cotidiano; v. 17 n. 2 (2023): Os múltiplos fluxos da imagem: o streaming e o audiovisual no cotidiano do século XXI2178-602X10.22409/rmc.v17i2reponame:Mídia.e.Cotidianoinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/midiaecotidiano/article/view/57783/34345Copyright (c) 2023 Revista Mídia e Cotidianoinfo:eu-repo/semantics/openAccessHelich Lopes, TatianaGomberg, Felipe2023-05-19T18:41:05Zoai:ojs.pkp.sfu.ca:article/57783Revistahttps://periodicos.uff.br/midiaecotidiano/indexPUBhttps://periodicos.uff.br/midiaecotidiano/oaimidiaecotidiano.ega@id.uff.br||revistamidiaecotidiano@gmail.com2178-602X2178-602Xopendoar:2023-05-19T18:41:05Mídia.e.Cotidiano - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga
El espectáculo del crimen en las producciones audiovisuales contemporáneas la serie documental sobre Elize Matsunaga
O crime como espetáculo na narrativa documental: a série Netflix sobre Elize Matsunaga
title The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga
spellingShingle The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga
Helich Lopes, Tatiana
Audiovisual
serie documental
narrativa
crimen
Netflix
Narrative
crime
audiovisual
Netflix
documentary series
Audiovisual
Narrativa
serie documental
crime
Netflix
title_short The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga
title_full The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga
title_fullStr The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga
title_full_unstemmed The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga
title_sort The Crime as spectacle in documentary narrative: the Netflix series about Elize Matsunaga
author Helich Lopes, Tatiana
author_facet Helich Lopes, Tatiana
Gomberg, Felipe
author_role author
author2 Gomberg, Felipe
author2_role author
dc.contributor.author.fl_str_mv Helich Lopes, Tatiana
Gomberg, Felipe
dc.subject.por.fl_str_mv Audiovisual
serie documental
narrativa
crimen
Netflix
Narrative
crime
audiovisual
Netflix
documentary series
Audiovisual
Narrativa
serie documental
crime
Netflix
topic Audiovisual
serie documental
narrativa
crimen
Netflix
Narrative
crime
audiovisual
Netflix
documentary series
Audiovisual
Narrativa
serie documental
crime
Netflix
description If in the 19th century serials and fait divers guaranteed the public's emotion with shocking “realistic” narratives or based on news published in newspapers; today, the spectacle of crime can also be followed through contemporary series, transmitted via streaming, as is the case of Elize Matsunaga: Once Upon a Crime (Netflix/2021). To this end, an overview of the media role in narratives about real crimes is outlined (MEYER, 1996; BROOKS, 1995; SINGER, 2004). The paper also discusses the spectacularized life in the voice of the confessed defendant herself (SCHWARTZ, 2004; SIBILIA, 2008; GUNNING, 2004) to finally take a look at the narrative structure of the documentary series (MUNGIOLI, 2017; ECO, 1989; 1997).
publishDate 2023
dc.date.none.fl_str_mv 2023-05-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/midiaecotidiano/article/view/57783
10.22409/rmc.v17i2.57783
url https://periodicos.uff.br/midiaecotidiano/article/view/57783
identifier_str_mv 10.22409/rmc.v17i2.57783
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/midiaecotidiano/article/view/57783/34345
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista Mídia e Cotidiano
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista Mídia e Cotidiano
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv EdUFF
publisher.none.fl_str_mv EdUFF
dc.source.none.fl_str_mv Mídia e Cotidiano; v. 17 n. 2 (2023): Os múltiplos fluxos da imagem: o streaming e o audiovisual no cotidiano do século XXI
2178-602X
10.22409/rmc.v17i2
reponame:Mídia.e.Cotidiano
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Mídia.e.Cotidiano
collection Mídia.e.Cotidiano
repository.name.fl_str_mv Mídia.e.Cotidiano - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv midiaecotidiano.ega@id.uff.br||revistamidiaecotidiano@gmail.com
_version_ 1797053444046979072

Registros relacionados