Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and Hudinilson

Detalhes bibliográficos
Autor(a) principal: Oliveira Junior, Ribamar José de
Data de Publicação: 2022
Outros Autores: Gil, Huber Jaramillo
Tipo de documento: Artigo
Idioma: eng
por
Título da fonte: Contracampo
Texto Completo: https://periodicos.uff.br/contracampo/article/view/52795
Resumo: This study examines queer sensibilities as they emerge in the photographic oeuvres of Severo Sarduy (Cuba, 1937-1993), Pedro Lemebel (Chile, 1952-2015), Alair Gomes (Brazil, 1921-1991) and Hudinilson Junior (Brazil, 1957-2013). In doing so, we consider in the images what can be seen as queer baroque. Within beauty, mystery and seduction, we find queer affect that revisits not only the baroque, but the neo-baroque in its aesthetic dimension. What the photographs transmit are performative overflows that emulate in the bodies ways of refusing social conventions. When working with sensitivity, we touch the images through affective interaction, and we realize how the body can be read by desire and trauma.
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spelling Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and HudinilsonSensibilidades queer e estética neobarroca nas dobras fotográficas: o trauma e a melancolia por Sarduy, Lemebel, Alair e HudinilsonQueerBaroquePhotographyAestheticsBodyQueerBarrocoFotografiaEstéticaCorpoThis study examines queer sensibilities as they emerge in the photographic oeuvres of Severo Sarduy (Cuba, 1937-1993), Pedro Lemebel (Chile, 1952-2015), Alair Gomes (Brazil, 1921-1991) and Hudinilson Junior (Brazil, 1957-2013). In doing so, we consider in the images what can be seen as queer baroque. Within beauty, mystery and seduction, we find queer affect that revisits not only the baroque, but the neo-baroque in its aesthetic dimension. What the photographs transmit are performative overflows that emulate in the bodies ways of refusing social conventions. When working with sensitivity, we touch the images through affective interaction, and we realize how the body can be read by desire and trauma.Este estudo analisa as sensibilidades queer à medida que emergem nas obras fotográficas de Severo Sarduy (Cuba, 1937-1993), Pedro Lemebel (Chile, 1952-2015), Alair Gomes (Brasil, 1921-1991) e Hudinilson Júnior (Brasil, 1957-2013). Ao fazê-lo, consideramos nas imagens o que pode ser visto como um barroco queer. Entre a beleza, o mistério e a sedução, encontramos afetos queer que revisitam não só o barroco, mas o neobarroco em sua dimensão estética. O que as fotografias transmitem são transbordamentos performáticos que emulam nos corpos modos de recusar convenções sociais. Ao trabalhar com a sensibilidade, tocamos as imagens por meio da interação afetiva e percebemos como o corpo pode ser lido entre desejo e trauma.Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense2022-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.uff.br/contracampo/article/view/5279510.22409/contracampo.v41i1.52795Contracampo; v. 41 n. 1 (2022): Corpo, Violência e Trauma nas dobras do Sul Global 2238-25771414-748310.22409/contracampo.v41i1reponame:Contracampoinstname:Universidade Federal Fluminense (UFF)instacron:UFFengporhttps://periodicos.uff.br/contracampo/article/view/52795/34113https://periodicos.uff.br/contracampo/article/view/52795/31992Copyright (c) 2022 Ribamar José de Oliveira Junior, Huber Jaramillo Gilhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessOliveira Junior, Ribamar José deGil, Huber Jaramillo 2022-05-01T01:00:36Zoai:ojs.pkp.sfu.ca:article/52795Revistahttps://periodicos.uff.br/contracampoPUBhttps://periodicos.uff.br/contracampo/oai||contracampo.uff@gmail.com2238-25771414-7483opendoar:2022-05-01T01:00:36Contracampo - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and Hudinilson
Sensibilidades queer e estética neobarroca nas dobras fotográficas: o trauma e a melancolia por Sarduy, Lemebel, Alair e Hudinilson
title Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and Hudinilson
spellingShingle Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and Hudinilson
Oliveira Junior, Ribamar José de
Queer
Baroque
Photography
Aesthetics
Body
Queer
Barroco
Fotografia
Estética
Corpo
title_short Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and Hudinilson
title_full Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and Hudinilson
title_fullStr Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and Hudinilson
title_full_unstemmed Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and Hudinilson
title_sort Queer sensibilities and neo-baroque aesthetics in photographic folds: trauma and melancholy by Sarduy, Lemebel, Alair and Hudinilson
author Oliveira Junior, Ribamar José de
author_facet Oliveira Junior, Ribamar José de
Gil, Huber Jaramillo
author_role author
author2 Gil, Huber Jaramillo
author2_role author
dc.contributor.author.fl_str_mv Oliveira Junior, Ribamar José de
Gil, Huber Jaramillo
dc.subject.por.fl_str_mv Queer
Baroque
Photography
Aesthetics
Body
Queer
Barroco
Fotografia
Estética
Corpo
topic Queer
Baroque
Photography
Aesthetics
Body
Queer
Barroco
Fotografia
Estética
Corpo
description This study examines queer sensibilities as they emerge in the photographic oeuvres of Severo Sarduy (Cuba, 1937-1993), Pedro Lemebel (Chile, 1952-2015), Alair Gomes (Brazil, 1921-1991) and Hudinilson Junior (Brazil, 1957-2013). In doing so, we consider in the images what can be seen as queer baroque. Within beauty, mystery and seduction, we find queer affect that revisits not only the baroque, but the neo-baroque in its aesthetic dimension. What the photographs transmit are performative overflows that emulate in the bodies ways of refusing social conventions. When working with sensitivity, we touch the images through affective interaction, and we realize how the body can be read by desire and trauma.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/contracampo/article/view/52795
10.22409/contracampo.v41i1.52795
url https://periodicos.uff.br/contracampo/article/view/52795
identifier_str_mv 10.22409/contracampo.v41i1.52795
dc.language.iso.fl_str_mv eng
por
language eng
por
dc.relation.none.fl_str_mv https://periodicos.uff.br/contracampo/article/view/52795/34113
https://periodicos.uff.br/contracampo/article/view/52795/31992
dc.rights.driver.fl_str_mv Copyright (c) 2022 Ribamar José de Oliveira Junior, Huber Jaramillo Gil
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Ribamar José de Oliveira Junior, Huber Jaramillo Gil
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense
publisher.none.fl_str_mv Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense
dc.source.none.fl_str_mv Contracampo; v. 41 n. 1 (2022): Corpo, Violência e Trauma nas dobras do Sul Global
2238-2577
1414-7483
10.22409/contracampo.v41i1
reponame:Contracampo
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Contracampo
collection Contracampo
repository.name.fl_str_mv Contracampo - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||contracampo.uff@gmail.com
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