Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida

Detalhes bibliográficos
Autor(a) principal: Amaral, Diego Granja
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
por
Título da fonte: Contracampo
Texto Completo: https://periodicos.uff.br/contracampo/article/view/52838
Resumo: The present paper tackles the issue of Brazilian visual memory in a discussion about the works of artists and researchers Rosana Paulino and Elian Almeida. More specifically, I discuss the strategies adopted by artists to revisit the representation of black bodies in critical fabulations that contribute to reconfiguring the gaze in/about Brazilian culture. From a conceptual point of view, the article discusses issues such as the role of archives, coloniality and visual culture. Building upon the notion of blotting (rasura) in Leda Martins, I propose the notion of erasure as a theoretical apparatus to understand Brazilian visual memory. Thus, it is expected to contribute with a conceptual category that allows to see the cracks and erasures of visuality in the Global South.
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spelling Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian AlmeidaBorrando el retrato, reconfigurando los cuerpos: El borrado como gesto político-estético en las obras de Rosana Paulino y Elian AlmeidaRasurando o retrato, reconfigurando os corpos: A rasura como gesto político-estético nas obras de Rosana Paulino e Elian AlmeidaThe present paper tackles the issue of Brazilian visual memory in a discussion about the works of artists and researchers Rosana Paulino and Elian Almeida. More specifically, I discuss the strategies adopted by artists to revisit the representation of black bodies in critical fabulations that contribute to reconfiguring the gaze in/about Brazilian culture. From a conceptual point of view, the article discusses issues such as the role of archives, coloniality and visual culture. Building upon the notion of blotting (rasura) in Leda Martins, I propose the notion of erasure as a theoretical apparatus to understand Brazilian visual memory. Thus, it is expected to contribute with a conceptual category that allows to see the cracks and erasures of visuality in the Global South.Este artigo aborda a memória visual brasileira a partir da obra dos artistas e pesquisadores Rosana Paulino e Elian Almeida. De forma mais específica, discuto as estratégias adotadas pelos artistas para revisitar a representação dos corpos negros em fabulações críticas que contribuem para reconfigurar os modos de ver a/na cultura brasileira. Sob um ponto de vista conceitual, o artigo discute questões como o papel do arquivo, colonialidade e cultura visual. A partir da noção de rasura no trabalho de Leda Martins, propõe a noção de rasura como um dispositivo teórico para o pensamento sobre a memória visual brasileira. Espera-se assim, contribuir com uma categoria conceitual que permita enxergar as frestas e rasuras da visualidade no Sul Global.Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense2022-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.uff.br/contracampo/article/view/5283810.22409/contracampo.v41i1.52838Contracampo; v. 41 n. 1 (2022): Corpo, Violência e Trauma nas dobras do Sul Global 2238-25771414-748310.22409/contracampo.v41i1reponame:Contracampoinstname:Universidade Federal Fluminense (UFF)instacron:UFFengporhttps://periodicos.uff.br/contracampo/article/view/52838/34114https://periodicos.uff.br/contracampo/article/view/52838/31979Copyright (c) 2022 Diego Granja Amaralhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAmaral, Diego Granja2022-05-01T01:00:36Zoai:ojs.pkp.sfu.ca:article/52838Revistahttps://periodicos.uff.br/contracampoPUBhttps://periodicos.uff.br/contracampo/oai||contracampo.uff@gmail.com2238-25771414-7483opendoar:2022-05-01T01:00:36Contracampo - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida
Borrando el retrato, reconfigurando los cuerpos: El borrado como gesto político-estético en las obras de Rosana Paulino y Elian Almeida
Rasurando o retrato, reconfigurando os corpos: A rasura como gesto político-estético nas obras de Rosana Paulino e Elian Almeida
title Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida
spellingShingle Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida
Amaral, Diego Granja
title_short Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida
title_full Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida
title_fullStr Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida
title_full_unstemmed Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida
title_sort Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida
author Amaral, Diego Granja
author_facet Amaral, Diego Granja
author_role author
dc.contributor.author.fl_str_mv Amaral, Diego Granja
description The present paper tackles the issue of Brazilian visual memory in a discussion about the works of artists and researchers Rosana Paulino and Elian Almeida. More specifically, I discuss the strategies adopted by artists to revisit the representation of black bodies in critical fabulations that contribute to reconfiguring the gaze in/about Brazilian culture. From a conceptual point of view, the article discusses issues such as the role of archives, coloniality and visual culture. Building upon the notion of blotting (rasura) in Leda Martins, I propose the notion of erasure as a theoretical apparatus to understand Brazilian visual memory. Thus, it is expected to contribute with a conceptual category that allows to see the cracks and erasures of visuality in the Global South.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/contracampo/article/view/52838
10.22409/contracampo.v41i1.52838
url https://periodicos.uff.br/contracampo/article/view/52838
identifier_str_mv 10.22409/contracampo.v41i1.52838
dc.language.iso.fl_str_mv eng
por
language eng
por
dc.relation.none.fl_str_mv https://periodicos.uff.br/contracampo/article/view/52838/34114
https://periodicos.uff.br/contracampo/article/view/52838/31979
dc.rights.driver.fl_str_mv Copyright (c) 2022 Diego Granja Amaral
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Diego Granja Amaral
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense
publisher.none.fl_str_mv Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense
dc.source.none.fl_str_mv Contracampo; v. 41 n. 1 (2022): Corpo, Violência e Trauma nas dobras do Sul Global
2238-2577
1414-7483
10.22409/contracampo.v41i1
reponame:Contracampo
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Contracampo
collection Contracampo
repository.name.fl_str_mv Contracampo - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||contracampo.uff@gmail.com
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