Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng por |
Título da fonte: | Contracampo |
Texto Completo: | https://periodicos.uff.br/contracampo/article/view/52838 |
Resumo: | The present paper tackles the issue of Brazilian visual memory in a discussion about the works of artists and researchers Rosana Paulino and Elian Almeida. More specifically, I discuss the strategies adopted by artists to revisit the representation of black bodies in critical fabulations that contribute to reconfiguring the gaze in/about Brazilian culture. From a conceptual point of view, the article discusses issues such as the role of archives, coloniality and visual culture. Building upon the notion of blotting (rasura) in Leda Martins, I propose the notion of erasure as a theoretical apparatus to understand Brazilian visual memory. Thus, it is expected to contribute with a conceptual category that allows to see the cracks and erasures of visuality in the Global South. |
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Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian AlmeidaBorrando el retrato, reconfigurando los cuerpos: El borrado como gesto político-estético en las obras de Rosana Paulino y Elian AlmeidaRasurando o retrato, reconfigurando os corpos: A rasura como gesto político-estético nas obras de Rosana Paulino e Elian AlmeidaThe present paper tackles the issue of Brazilian visual memory in a discussion about the works of artists and researchers Rosana Paulino and Elian Almeida. More specifically, I discuss the strategies adopted by artists to revisit the representation of black bodies in critical fabulations that contribute to reconfiguring the gaze in/about Brazilian culture. From a conceptual point of view, the article discusses issues such as the role of archives, coloniality and visual culture. Building upon the notion of blotting (rasura) in Leda Martins, I propose the notion of erasure as a theoretical apparatus to understand Brazilian visual memory. Thus, it is expected to contribute with a conceptual category that allows to see the cracks and erasures of visuality in the Global South.Este artigo aborda a memória visual brasileira a partir da obra dos artistas e pesquisadores Rosana Paulino e Elian Almeida. De forma mais específica, discuto as estratégias adotadas pelos artistas para revisitar a representação dos corpos negros em fabulações críticas que contribuem para reconfigurar os modos de ver a/na cultura brasileira. Sob um ponto de vista conceitual, o artigo discute questões como o papel do arquivo, colonialidade e cultura visual. A partir da noção de rasura no trabalho de Leda Martins, propõe a noção de rasura como um dispositivo teórico para o pensamento sobre a memória visual brasileira. Espera-se assim, contribuir com uma categoria conceitual que permita enxergar as frestas e rasuras da visualidade no Sul Global.Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense2022-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.uff.br/contracampo/article/view/5283810.22409/contracampo.v41i1.52838Contracampo; v. 41 n. 1 (2022): Corpo, Violência e Trauma nas dobras do Sul Global 2238-25771414-748310.22409/contracampo.v41i1reponame:Contracampoinstname:Universidade Federal Fluminense (UFF)instacron:UFFengporhttps://periodicos.uff.br/contracampo/article/view/52838/34114https://periodicos.uff.br/contracampo/article/view/52838/31979Copyright (c) 2022 Diego Granja Amaralhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAmaral, Diego Granja2022-05-01T01:00:36Zoai:ojs.pkp.sfu.ca:article/52838Revistahttps://periodicos.uff.br/contracampoPUBhttps://periodicos.uff.br/contracampo/oai||contracampo.uff@gmail.com2238-25771414-7483opendoar:2022-05-01T01:00:36Contracampo - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida Borrando el retrato, reconfigurando los cuerpos: El borrado como gesto político-estético en las obras de Rosana Paulino y Elian Almeida Rasurando o retrato, reconfigurando os corpos: A rasura como gesto político-estético nas obras de Rosana Paulino e Elian Almeida |
title |
Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida |
spellingShingle |
Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida Amaral, Diego Granja |
title_short |
Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida |
title_full |
Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida |
title_fullStr |
Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida |
title_full_unstemmed |
Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida |
title_sort |
Bloting the portrait, reconfiguring the bodies: Bloting the portrait, reconfiguring the bodies: Blotting as a political-aesthetic gesture in the works of Rosana Paulino and Elian Almeida |
author |
Amaral, Diego Granja |
author_facet |
Amaral, Diego Granja |
author_role |
author |
dc.contributor.author.fl_str_mv |
Amaral, Diego Granja |
description |
The present paper tackles the issue of Brazilian visual memory in a discussion about the works of artists and researchers Rosana Paulino and Elian Almeida. More specifically, I discuss the strategies adopted by artists to revisit the representation of black bodies in critical fabulations that contribute to reconfiguring the gaze in/about Brazilian culture. From a conceptual point of view, the article discusses issues such as the role of archives, coloniality and visual culture. Building upon the notion of blotting (rasura) in Leda Martins, I propose the notion of erasure as a theoretical apparatus to understand Brazilian visual memory. Thus, it is expected to contribute with a conceptual category that allows to see the cracks and erasures of visuality in the Global South. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-05-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/52838 10.22409/contracampo.v41i1.52838 |
url |
https://periodicos.uff.br/contracampo/article/view/52838 |
identifier_str_mv |
10.22409/contracampo.v41i1.52838 |
dc.language.iso.fl_str_mv |
eng por |
language |
eng por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/contracampo/article/view/52838/34114 https://periodicos.uff.br/contracampo/article/view/52838/31979 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Diego Granja Amaral https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Diego Granja Amaral https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Programa de Pós-Graduação em Comunicação da Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Contracampo; v. 41 n. 1 (2022): Corpo, Violência e Trauma nas dobras do Sul Global 2238-2577 1414-7483 10.22409/contracampo.v41i1 reponame:Contracampo instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Contracampo |
collection |
Contracampo |
repository.name.fl_str_mv |
Contracampo - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||contracampo.uff@gmail.com |
_version_ |
1799705522750881792 |