The Trickster of Seville, Don Juan before the myth

Detalhes bibliográficos
Autor(a) principal: Zamorano Heras, Miguel Ángel
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/33499
Resumo: It’s reasonable to assume that many readers have an idea of a “Donjuanism” derived from other versions and orchestrated by other concerns and eras’ sensitivity. It is amazing to notice that what attracted the interest of writers and audiences from different literary traditions doesn’t match what its first author wanted to address, that is, the compulsive erotomania of a character that paradoxically expresses the inconstancy and the impossibility of love, such an attractive subject to the contemporary mentality, which wasn’t the main subject nor an end in itself but a way to dramatize other concerns such as the impunity of the powerful, Republic’s good government, the corruption of the nobiliary youth and the salvation of souls. In this article I’m going to discuss some aspects of this classic playwriting in order to awaken the lay reader’s interest in its connected themes and the complex intertext, both diachronic and synchronic where inevitably is inserted its interpretation: the Spanish theater of the Golden Age and the sociopolitical context of the time.---Original in Spanish. ---DOI: http://dx.doi.org/10.22409/gragoata.2017n43a938.
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spelling The Trickster of Seville, Don Juan before the mythEl burlador de Sevilla, don Juan antes del mitoDon Juan. The trickster of Seville. Tirso de Molina. Golden Age Spanish Theatre.Don Juan. O burlador de Sevilha. Tirso de Molina. Teatro do Século de Ouro.It’s reasonable to assume that many readers have an idea of a “Donjuanism” derived from other versions and orchestrated by other concerns and eras’ sensitivity. It is amazing to notice that what attracted the interest of writers and audiences from different literary traditions doesn’t match what its first author wanted to address, that is, the compulsive erotomania of a character that paradoxically expresses the inconstancy and the impossibility of love, such an attractive subject to the contemporary mentality, which wasn’t the main subject nor an end in itself but a way to dramatize other concerns such as the impunity of the powerful, Republic’s good government, the corruption of the nobiliary youth and the salvation of souls. In this article I’m going to discuss some aspects of this classic playwriting in order to awaken the lay reader’s interest in its connected themes and the complex intertext, both diachronic and synchronic where inevitably is inserted its interpretation: the Spanish theater of the Golden Age and the sociopolitical context of the time.---Original in Spanish. ---DOI: http://dx.doi.org/10.22409/gragoata.2017n43a938.Es posible suponer que muchos lectores tengan una idea del donjuanismo derivada de otras versiones y orquestada en la sensibilidad de otras preocupaciones y épocas. Sorprende constatar que aquello que atrajo posteriormente el interés de escritores y públicos de diferentes tradiciones literarias no coincida con lo que su primer autor quiso tratar, es decir, que la erotomanía compulsiva de un personaje que expresa paradójicamente la inconstancia y la imposibilidad de amar, asunto tan atractivo para la mentalidad contemporánea, no fuera una pieza original ni el tema vertebral ni un fin en sí mismo, sino un medio para teatralizar otras preocupaciones como la impunidad del poderoso, el buen gobierno de la república, la corrupción de los jóvenes nobles y la salvación de las almas. En este artículo comentaré algunos aspectos de este clásico de la dramaturgia, con el propósito de despertar en el lector no especializado el interés por sus temas conexos y el complejo intertexto, tanto sincrónico como diacrónico, en el que inevitablemente se inserta su interpretación: el teatro español del Siglo de Oro y el contexto sociopolítico de la época.---------------------------------------------------------------------------------O BURLADOR DE SEVILHA, DON JUAN ANTES DO MITOÉ plausível supor que muitos leitores possuam uma ideia do dom-juanismo derivada de outras versões e orquestrada na sensibilidade de outras preocupações e épocas. Assombra constatar que aquilo que atraiu posteriormente o interesse de escritores e públicos de diferentes tradições literárias não coincida com o que seu primeiro autor quis tratar, isto é, que a erotomania compulsiva de um personagem que expressa paradoxalmente a inconstância e a impossibilidade de amar, assunto tão atrativo para a mentalidade contemporânea, não foi na peça original nem o tema vertebral nem um fim em si mesmo, senão um meio para teatralizar outras preocupações como a impunidade do poderoso, o bom governo da república, a corrupção da juventude nobiliária e a salvação das almas. Neste artigo comentarei alguns aspectos deste clássico da dramaturgia, com o fim de despertar no leitor não especializado o interesse por seus temas conexos e o complexo intertexto, tanto sincrônico quanto diacrônico, em que inevitavelmente se insere sua interpretação: o teatro espanhol do Século de Ouro e o contexto sociopolítico da época.---Artigo em espanhol. ---DOI: http://dx.doi.org/10.22409/gragoata.2017n43a938.Universidade Federal Fluminense2017-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3349910.22409/gragoata.v22i43.33499Gragoatá; Vol. 22 No. 43 (2017): Founding Texts and their Literary and Cultural Productivity; 809-836Gragoatá; v. 22 n. 43 (2017): Textos Fundadores e sua Produtividade Literária e Cultural; 809-8362358-41141413-907310.22409/gragoata.v22i43reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33499/19486Copyright (c) 2017 Gragoatáinfo:eu-repo/semantics/openAccessZamorano Heras, Miguel Ángel2019-08-23T11:10:42Zoai:ojs.pkp.sfu.ca:article/33499Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T11:10:42Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv The Trickster of Seville, Don Juan before the myth
El burlador de Sevilla, don Juan antes del mito
title The Trickster of Seville, Don Juan before the myth
spellingShingle The Trickster of Seville, Don Juan before the myth
Zamorano Heras, Miguel Ángel
Don Juan. The trickster of Seville. Tirso de Molina. Golden Age Spanish Theatre.
Don Juan. O burlador de Sevilha. Tirso de Molina. Teatro do Século de Ouro.
title_short The Trickster of Seville, Don Juan before the myth
title_full The Trickster of Seville, Don Juan before the myth
title_fullStr The Trickster of Seville, Don Juan before the myth
title_full_unstemmed The Trickster of Seville, Don Juan before the myth
title_sort The Trickster of Seville, Don Juan before the myth
author Zamorano Heras, Miguel Ángel
author_facet Zamorano Heras, Miguel Ángel
author_role author
dc.contributor.author.fl_str_mv Zamorano Heras, Miguel Ángel
dc.subject.por.fl_str_mv Don Juan. The trickster of Seville. Tirso de Molina. Golden Age Spanish Theatre.
Don Juan. O burlador de Sevilha. Tirso de Molina. Teatro do Século de Ouro.
topic Don Juan. The trickster of Seville. Tirso de Molina. Golden Age Spanish Theatre.
Don Juan. O burlador de Sevilha. Tirso de Molina. Teatro do Século de Ouro.
description It’s reasonable to assume that many readers have an idea of a “Donjuanism” derived from other versions and orchestrated by other concerns and eras’ sensitivity. It is amazing to notice that what attracted the interest of writers and audiences from different literary traditions doesn’t match what its first author wanted to address, that is, the compulsive erotomania of a character that paradoxically expresses the inconstancy and the impossibility of love, such an attractive subject to the contemporary mentality, which wasn’t the main subject nor an end in itself but a way to dramatize other concerns such as the impunity of the powerful, Republic’s good government, the corruption of the nobiliary youth and the salvation of souls. In this article I’m going to discuss some aspects of this classic playwriting in order to awaken the lay reader’s interest in its connected themes and the complex intertext, both diachronic and synchronic where inevitably is inserted its interpretation: the Spanish theater of the Golden Age and the sociopolitical context of the time.---Original in Spanish. ---DOI: http://dx.doi.org/10.22409/gragoata.2017n43a938.
publishDate 2017
dc.date.none.fl_str_mv 2017-08-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33499
10.22409/gragoata.v22i43.33499
url https://periodicos.uff.br/gragoata/article/view/33499
identifier_str_mv 10.22409/gragoata.v22i43.33499
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33499/19486
dc.rights.driver.fl_str_mv Copyright (c) 2017 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 22 No. 43 (2017): Founding Texts and their Literary and Cultural Productivity; 809-836
Gragoatá; v. 22 n. 43 (2017): Textos Fundadores e sua Produtividade Literária e Cultural; 809-836
2358-4114
1413-9073
10.22409/gragoata.v22i43
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instname_str Universidade Federal Fluminense (UFF)
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repository.name.fl_str_mv Gragoatá - Universidade Federal Fluminense (UFF)
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