NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/33361 |
Resumo: | It remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (in this case, commenting an obscure partnership between Andrade and the pianist Marcelo Tupinambá, "Canção marinha"). Far less than a mechanical refusal, the author creates a complex elective operation of elements for exaltation or rejection in the works of artists of Popular Music. |
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NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARSNEM NACIONAL, NEM REALMENTE ARTÍSTICA, MAS NEM POR ISSO DESPREZÍVEL: A MÚSICA POPULAR AOS OUVIDOS DE MÁRIO DE ANDRADEModernismNacionalismPopular MusicMário de AndradeModernismoNacionalismoMúsica PopularMário de AndradeIt remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (in this case, commenting an obscure partnership between Andrade and the pianist Marcelo Tupinambá, "Canção marinha"). Far less than a mechanical refusal, the author creates a complex elective operation of elements for exaltation or rejection in the works of artists of Popular Music.Persiste uma visão bastante negativa na crítica a respeito da relação dos modernistas, sobretudo de Mário de Andrade, com a Música Popular. O presente estudo busca reavaliar a questão à luz dos escritos de Mário, explorando tanto as interlocuções internas do modernismo, quanto a produção crítica e a prática artística (em que se comenta uma obscura parceria de Mário de Andrade com o pianista Marcelo Tupinambá, “Canção marinha”). Bem menos do que uma recusa mecânica, observa-se no autor uma complexa operação eletiva de elementos para exaltação ou repúdio nas obras de artistas da Música Popular.Universidade Federal Fluminense2015-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3336110.22409/gragoata.v20i39.33361Gragoatá; Vol. 20 No. 39 (2015): Literature StudiesGragoatá; v. 20 n. 39 (2015): Estudos de Literatura2358-41141413-907310.22409/gragoata.v20i39reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33361/19348Copyright (c) 2015 Gragoatáinfo:eu-repo/semantics/openAccessSantos, André Domingues dos2019-08-23T11:06:19Zoai:ojs.pkp.sfu.ca:article/33361Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T11:06:19Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS NEM NACIONAL, NEM REALMENTE ARTÍSTICA, MAS NEM POR ISSO DESPREZÍVEL: A MÚSICA POPULAR AOS OUVIDOS DE MÁRIO DE ANDRADE |
title |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
spellingShingle |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS Santos, André Domingues dos Modernism Nacionalism Popular Music Mário de Andrade Modernismo Nacionalismo Música Popular Mário de Andrade |
title_short |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
title_full |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
title_fullStr |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
title_full_unstemmed |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
title_sort |
NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS |
author |
Santos, André Domingues dos |
author_facet |
Santos, André Domingues dos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, André Domingues dos |
dc.subject.por.fl_str_mv |
Modernism Nacionalism Popular Music Mário de Andrade Modernismo Nacionalismo Música Popular Mário de Andrade |
topic |
Modernism Nacionalism Popular Music Mário de Andrade Modernismo Nacionalismo Música Popular Mário de Andrade |
description |
It remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (in this case, commenting an obscure partnership between Andrade and the pianist Marcelo Tupinambá, "Canção marinha"). Far less than a mechanical refusal, the author creates a complex elective operation of elements for exaltation or rejection in the works of artists of Popular Music. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33361 10.22409/gragoata.v20i39.33361 |
url |
https://periodicos.uff.br/gragoata/article/view/33361 |
identifier_str_mv |
10.22409/gragoata.v20i39.33361 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33361/19348 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 20 No. 39 (2015): Literature Studies Gragoatá; v. 20 n. 39 (2015): Estudos de Literatura 2358-4114 1413-9073 10.22409/gragoata.v20i39 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1799705501455351808 |