A media coup d’oeil: the political cartoon discourse between images and imaginaries

Detalhes bibliográficos
Autor(a) principal: Cardoso, Eveline Coelho
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/34164
Resumo: This paper presents a description of discursive genre called political cartoon, based on the assumptions of the Semiolinguistic Theory of Discourse Analysis (CHARAUDEAU, 2010). In this perspective, these multimodal texts are limited to the clauses of a media communicative contract, whose restrictions lead to the production of a commented event, balanced between a double desire to inform and to capture. On the other hand, enjoying the freedom of a humorous and ironic “trace text”, and completely distant from journalistic objectivity, the enunciator explores specific strategies of the appeal of emotion rather than of reason, which is anchored in diverse knowledges that permeate the communicative exchanges and contribute to collective systems of representations. Through support of Theory of Social Representations (MOSCOVICI, 2013; JODELET, 2001), we will see how these knowledges are explored in the verb-visual commentary of the cartoon, impregnating its highly condensed structure with senses – which cannot be interpreted at first sight. The piece that serves as an object of study here is authored by the cartoonist Carlos Latuff and translates an intertextual point of view about education in Rio de Janeiro.
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spelling A media coup d’oeil: the political cartoon discourse between images and imaginariesUm golpe de vista midiático: o discurso da charge entre imagens e imagináriosSemiolinguisticsMediaContract of CommunicationSocio-discursive ImaginaryPolitical Cartoon.SemiolinguísticaMídiasContrato de ComunicaçãoImaginários SociodiscursivosCharge.This paper presents a description of discursive genre called political cartoon, based on the assumptions of the Semiolinguistic Theory of Discourse Analysis (CHARAUDEAU, 2010). In this perspective, these multimodal texts are limited to the clauses of a media communicative contract, whose restrictions lead to the production of a commented event, balanced between a double desire to inform and to capture. On the other hand, enjoying the freedom of a humorous and ironic “trace text”, and completely distant from journalistic objectivity, the enunciator explores specific strategies of the appeal of emotion rather than of reason, which is anchored in diverse knowledges that permeate the communicative exchanges and contribute to collective systems of representations. Through support of Theory of Social Representations (MOSCOVICI, 2013; JODELET, 2001), we will see how these knowledges are explored in the verb-visual commentary of the cartoon, impregnating its highly condensed structure with senses – which cannot be interpreted at first sight. The piece that serves as an object of study here is authored by the cartoonist Carlos Latuff and translates an intertextual point of view about education in Rio de Janeiro.O presente trabalho apresenta uma descrição do gênero discursivo charge, tendo por base os pressupostos da Teoria Semiolinguística de Análise do Discurso (CHARAUDEAU, 2010). Sob tal perspectiva, esse texto multimodal se limita às cláusulas de um contrato comunicativo midiático, cujas restrições conduzem à elaboração de um acontecimento comentado, equilibrado entre um duplo desejo de informar e captar. Por outro lado, desfrutando das liberdades de um “traço texto” de natureza humorística e irônica e plenamente afastado da objetividade jornalística, o enunciador chargista explora estratégias específicas de apelo da emoção mais do que da razão, o que está ancorado em saberes diversos, que permeiam as trocas comunicativas e sustentam sistemas coletivos de representações. Com o apoio da Teoria das Representações Sociais (MOSCOVICI, 2013; JODELET, 2001), veremos de que maneira tais saberes são explorados no comentário verbo-visual chargístico, impregnando de sentidos sua estrutura altamente condensada – que não se deixa interpretar à primeira vista. A peça que aqui nos serve como objeto de estudo é do cartunista carioca Carlos Latuff e traduz um olhar intertextual sobre a educação no Rio de Janeiro.Universidade Federal Fluminense2020-01-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3416410.22409/gragoata.v24i50.34164Gragoatá; Vol. 24 No. 50 (2019): Semiolinguistic Analysis of Discourse: conceptions and interfaces; 809-828Gragoatá; v. 24 n. 50 (2019): Análise Semiolinguística do Discurso: concepções e interfaces; 809-8282358-41141413-907310.22409/gragoata.v24i50reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/34164/23357Copyright (c) 2020 Gragoatáinfo:eu-repo/semantics/openAccessCardoso, Eveline Coelho2020-01-28T06:40:38Zoai:ojs.pkp.sfu.ca:article/34164Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2020-01-28T06:40:38Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv A media coup d’oeil: the political cartoon discourse between images and imaginaries
Um golpe de vista midiático: o discurso da charge entre imagens e imaginários
title A media coup d’oeil: the political cartoon discourse between images and imaginaries
spellingShingle A media coup d’oeil: the political cartoon discourse between images and imaginaries
Cardoso, Eveline Coelho
Semiolinguistics
Media
Contract of Communication
Socio-discursive Imaginary
Political Cartoon.
Semiolinguística
Mídias
Contrato de Comunicação
Imaginários Sociodiscursivos
Charge.
title_short A media coup d’oeil: the political cartoon discourse between images and imaginaries
title_full A media coup d’oeil: the political cartoon discourse between images and imaginaries
title_fullStr A media coup d’oeil: the political cartoon discourse between images and imaginaries
title_full_unstemmed A media coup d’oeil: the political cartoon discourse between images and imaginaries
title_sort A media coup d’oeil: the political cartoon discourse between images and imaginaries
author Cardoso, Eveline Coelho
author_facet Cardoso, Eveline Coelho
author_role author
dc.contributor.author.fl_str_mv Cardoso, Eveline Coelho
dc.subject.por.fl_str_mv Semiolinguistics
Media
Contract of Communication
Socio-discursive Imaginary
Political Cartoon.
Semiolinguística
Mídias
Contrato de Comunicação
Imaginários Sociodiscursivos
Charge.
topic Semiolinguistics
Media
Contract of Communication
Socio-discursive Imaginary
Political Cartoon.
Semiolinguística
Mídias
Contrato de Comunicação
Imaginários Sociodiscursivos
Charge.
description This paper presents a description of discursive genre called political cartoon, based on the assumptions of the Semiolinguistic Theory of Discourse Analysis (CHARAUDEAU, 2010). In this perspective, these multimodal texts are limited to the clauses of a media communicative contract, whose restrictions lead to the production of a commented event, balanced between a double desire to inform and to capture. On the other hand, enjoying the freedom of a humorous and ironic “trace text”, and completely distant from journalistic objectivity, the enunciator explores specific strategies of the appeal of emotion rather than of reason, which is anchored in diverse knowledges that permeate the communicative exchanges and contribute to collective systems of representations. Through support of Theory of Social Representations (MOSCOVICI, 2013; JODELET, 2001), we will see how these knowledges are explored in the verb-visual commentary of the cartoon, impregnating its highly condensed structure with senses – which cannot be interpreted at first sight. The piece that serves as an object of study here is authored by the cartoonist Carlos Latuff and translates an intertextual point of view about education in Rio de Janeiro.
publishDate 2020
dc.date.none.fl_str_mv 2020-01-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/34164
10.22409/gragoata.v24i50.34164
url https://periodicos.uff.br/gragoata/article/view/34164
identifier_str_mv 10.22409/gragoata.v24i50.34164
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/34164/23357
dc.rights.driver.fl_str_mv Copyright (c) 2020 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 24 No. 50 (2019): Semiolinguistic Analysis of Discourse: conceptions and interfaces; 809-828
Gragoatá; v. 24 n. 50 (2019): Análise Semiolinguística do Discurso: concepções e interfaces; 809-828
2358-4114
1413-9073
10.22409/gragoata.v24i50
reponame:Gragoatá
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Gragoatá
collection Gragoatá
repository.name.fl_str_mv Gragoatá - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||revistagragoata@gmail.com
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