A media coup d’oeil: the political cartoon discourse between images and imaginaries
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/34164 |
Resumo: | This paper presents a description of discursive genre called political cartoon, based on the assumptions of the Semiolinguistic Theory of Discourse Analysis (CHARAUDEAU, 2010). In this perspective, these multimodal texts are limited to the clauses of a media communicative contract, whose restrictions lead to the production of a commented event, balanced between a double desire to inform and to capture. On the other hand, enjoying the freedom of a humorous and ironic “trace text”, and completely distant from journalistic objectivity, the enunciator explores specific strategies of the appeal of emotion rather than of reason, which is anchored in diverse knowledges that permeate the communicative exchanges and contribute to collective systems of representations. Through support of Theory of Social Representations (MOSCOVICI, 2013; JODELET, 2001), we will see how these knowledges are explored in the verb-visual commentary of the cartoon, impregnating its highly condensed structure with senses – which cannot be interpreted at first sight. The piece that serves as an object of study here is authored by the cartoonist Carlos Latuff and translates an intertextual point of view about education in Rio de Janeiro. |
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A media coup d’oeil: the political cartoon discourse between images and imaginariesUm golpe de vista midiático: o discurso da charge entre imagens e imagináriosSemiolinguisticsMediaContract of CommunicationSocio-discursive ImaginaryPolitical Cartoon.SemiolinguísticaMídiasContrato de ComunicaçãoImaginários SociodiscursivosCharge.This paper presents a description of discursive genre called political cartoon, based on the assumptions of the Semiolinguistic Theory of Discourse Analysis (CHARAUDEAU, 2010). In this perspective, these multimodal texts are limited to the clauses of a media communicative contract, whose restrictions lead to the production of a commented event, balanced between a double desire to inform and to capture. On the other hand, enjoying the freedom of a humorous and ironic “trace text”, and completely distant from journalistic objectivity, the enunciator explores specific strategies of the appeal of emotion rather than of reason, which is anchored in diverse knowledges that permeate the communicative exchanges and contribute to collective systems of representations. Through support of Theory of Social Representations (MOSCOVICI, 2013; JODELET, 2001), we will see how these knowledges are explored in the verb-visual commentary of the cartoon, impregnating its highly condensed structure with senses – which cannot be interpreted at first sight. The piece that serves as an object of study here is authored by the cartoonist Carlos Latuff and translates an intertextual point of view about education in Rio de Janeiro.O presente trabalho apresenta uma descrição do gênero discursivo charge, tendo por base os pressupostos da Teoria Semiolinguística de Análise do Discurso (CHARAUDEAU, 2010). Sob tal perspectiva, esse texto multimodal se limita às cláusulas de um contrato comunicativo midiático, cujas restrições conduzem à elaboração de um acontecimento comentado, equilibrado entre um duplo desejo de informar e captar. Por outro lado, desfrutando das liberdades de um “traço texto” de natureza humorística e irônica e plenamente afastado da objetividade jornalística, o enunciador chargista explora estratégias específicas de apelo da emoção mais do que da razão, o que está ancorado em saberes diversos, que permeiam as trocas comunicativas e sustentam sistemas coletivos de representações. Com o apoio da Teoria das Representações Sociais (MOSCOVICI, 2013; JODELET, 2001), veremos de que maneira tais saberes são explorados no comentário verbo-visual chargístico, impregnando de sentidos sua estrutura altamente condensada – que não se deixa interpretar à primeira vista. A peça que aqui nos serve como objeto de estudo é do cartunista carioca Carlos Latuff e traduz um olhar intertextual sobre a educação no Rio de Janeiro.Universidade Federal Fluminense2020-01-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3416410.22409/gragoata.v24i50.34164Gragoatá; Vol. 24 No. 50 (2019): Semiolinguistic Analysis of Discourse: conceptions and interfaces; 809-828Gragoatá; v. 24 n. 50 (2019): Análise Semiolinguística do Discurso: concepções e interfaces; 809-8282358-41141413-907310.22409/gragoata.v24i50reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/34164/23357Copyright (c) 2020 Gragoatáinfo:eu-repo/semantics/openAccessCardoso, Eveline Coelho2020-01-28T06:40:38Zoai:ojs.pkp.sfu.ca:article/34164Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2020-01-28T06:40:38Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
A media coup d’oeil: the political cartoon discourse between images and imaginaries Um golpe de vista midiático: o discurso da charge entre imagens e imaginários |
title |
A media coup d’oeil: the political cartoon discourse between images and imaginaries |
spellingShingle |
A media coup d’oeil: the political cartoon discourse between images and imaginaries Cardoso, Eveline Coelho Semiolinguistics Media Contract of Communication Socio-discursive Imaginary Political Cartoon. Semiolinguística Mídias Contrato de Comunicação Imaginários Sociodiscursivos Charge. |
title_short |
A media coup d’oeil: the political cartoon discourse between images and imaginaries |
title_full |
A media coup d’oeil: the political cartoon discourse between images and imaginaries |
title_fullStr |
A media coup d’oeil: the political cartoon discourse between images and imaginaries |
title_full_unstemmed |
A media coup d’oeil: the political cartoon discourse between images and imaginaries |
title_sort |
A media coup d’oeil: the political cartoon discourse between images and imaginaries |
author |
Cardoso, Eveline Coelho |
author_facet |
Cardoso, Eveline Coelho |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cardoso, Eveline Coelho |
dc.subject.por.fl_str_mv |
Semiolinguistics Media Contract of Communication Socio-discursive Imaginary Political Cartoon. Semiolinguística Mídias Contrato de Comunicação Imaginários Sociodiscursivos Charge. |
topic |
Semiolinguistics Media Contract of Communication Socio-discursive Imaginary Political Cartoon. Semiolinguística Mídias Contrato de Comunicação Imaginários Sociodiscursivos Charge. |
description |
This paper presents a description of discursive genre called political cartoon, based on the assumptions of the Semiolinguistic Theory of Discourse Analysis (CHARAUDEAU, 2010). In this perspective, these multimodal texts are limited to the clauses of a media communicative contract, whose restrictions lead to the production of a commented event, balanced between a double desire to inform and to capture. On the other hand, enjoying the freedom of a humorous and ironic “trace text”, and completely distant from journalistic objectivity, the enunciator explores specific strategies of the appeal of emotion rather than of reason, which is anchored in diverse knowledges that permeate the communicative exchanges and contribute to collective systems of representations. Through support of Theory of Social Representations (MOSCOVICI, 2013; JODELET, 2001), we will see how these knowledges are explored in the verb-visual commentary of the cartoon, impregnating its highly condensed structure with senses – which cannot be interpreted at first sight. The piece that serves as an object of study here is authored by the cartoonist Carlos Latuff and translates an intertextual point of view about education in Rio de Janeiro. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-01-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/34164 10.22409/gragoata.v24i50.34164 |
url |
https://periodicos.uff.br/gragoata/article/view/34164 |
identifier_str_mv |
10.22409/gragoata.v24i50.34164 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/34164/23357 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 24 No. 50 (2019): Semiolinguistic Analysis of Discourse: conceptions and interfaces; 809-828 Gragoatá; v. 24 n. 50 (2019): Análise Semiolinguística do Discurso: concepções e interfaces; 809-828 2358-4114 1413-9073 10.22409/gragoata.v24i50 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1799705502796480512 |