Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”

Detalhes bibliográficos
Autor(a) principal: Carvalho, Sônia Maria Materno de
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/33058
Resumo: This text is intended as a study of Samuel Beckett’s theatre done in the perspective of an analysis of the visual dimension of the plays Waiting for Godot and Endgame. The attention will be focused on body’s fragmentation, space’s reduction and on the economy of gesture and colors with an emphasis on the Beckett’s insistence on the obscure and monochromatic stage.
id UFF-6_935fe0c376befbd4c9b2d07fb2056790
oai_identifier_str oai:ojs.pkp.sfu.ca:article/33058
network_acronym_str UFF-6
network_name_str Gragoatá
repository_id_str
spelling Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”Procedimentos de escrita e manejo de pigmentos: uma leitura de “Esperando Godot e Fim de Jogo” de Samuel BecketttheatreimageBeckettteatroimagemBeckettThis text is intended as a study of Samuel Beckett’s theatre done in the perspective of an analysis of the visual dimension of the plays Waiting for Godot and Endgame. The attention will be focused on body’s fragmentation, space’s reduction and on the economy of gesture and colors with an emphasis on the Beckett’s insistence on the obscure and monochromatic stage.Este trabalho analisa as peças Esperando Godot e Fim de Jogo de Samuel Beckett, investigando de que modo, nesses textos, os procedimentos de escrita dramatúrgica incluem a rigorosa construção de uma visualidade cênica, pautada pela redução do espaço cênico, pelo apagamento dos corpos, pela insistência da obscuridade e pela configuração de um palco monocromático.Universidade Federal Fluminense2011-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3305810.22409/gragoata.v16i31.33058Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersectionsGragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais2358-41141413-907310.22409/gragoata.v16i31reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33058/19045Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessCarvalho, Sônia Maria Materno de2019-08-23T10:58:11Zoai:ojs.pkp.sfu.ca:article/33058Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T10:58:11Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”
Procedimentos de escrita e manejo de pigmentos: uma leitura de “Esperando Godot e Fim de Jogo” de Samuel Beckett
title Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”
spellingShingle Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”
Carvalho, Sônia Maria Materno de
theatre
image
Beckett
teatro
imagem
Beckett
title_short Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”
title_full Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”
title_fullStr Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”
title_full_unstemmed Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”
title_sort Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”
author Carvalho, Sônia Maria Materno de
author_facet Carvalho, Sônia Maria Materno de
author_role author
dc.contributor.author.fl_str_mv Carvalho, Sônia Maria Materno de
dc.subject.por.fl_str_mv theatre
image
Beckett
teatro
imagem
Beckett
topic theatre
image
Beckett
teatro
imagem
Beckett
description This text is intended as a study of Samuel Beckett’s theatre done in the perspective of an analysis of the visual dimension of the plays Waiting for Godot and Endgame. The attention will be focused on body’s fragmentation, space’s reduction and on the economy of gesture and colors with an emphasis on the Beckett’s insistence on the obscure and monochromatic stage.
publishDate 2011
dc.date.none.fl_str_mv 2011-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33058
10.22409/gragoata.v16i31.33058
url https://periodicos.uff.br/gragoata/article/view/33058
identifier_str_mv 10.22409/gragoata.v16i31.33058
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33058/19045
dc.rights.driver.fl_str_mv Copyright (c) 2019 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersections
Gragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais
2358-4114
1413-9073
10.22409/gragoata.v16i31
reponame:Gragoatá
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Gragoatá
collection Gragoatá
repository.name.fl_str_mv Gragoatá - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||revistagragoata@gmail.com
_version_ 1799705500190769152

Registros relacionados