The sleepless poet
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/33571 |
Resumo: | This article is aimed at understanding, through the analysis of the poem “Campo, chinês e sono”, from A rosa do povo (1945), how Carlos Drummond de Andrade answers, critically and creatively, to João Cabral de Melo Neto’s the compositions in the book Pedra do sono, guided by the attempt to unsubjectify and forget the self. To that end, the text uses the correspondence between the authors and theoretical formulations of Cabral himself. The poetic and political answer given by Drummond in “Campo, chinês e sono”, in which one may foresee, in a utopian fashion, the building of a fair and emancipated society, allow us to also rethink the supposed intransitivity of some of the hermetic poems in A rosa do povo. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n45a1086. |
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The sleepless poetO poeta insoneCarlos Drummond de AndradeJoão Cabral de Melo Netolyricism and societymodern lyricismCommunism.Carlos Drummond de AndradeJoão Cabral de Melo Netolírica e sociedadelírica modernaComunismo.This article is aimed at understanding, through the analysis of the poem “Campo, chinês e sono”, from A rosa do povo (1945), how Carlos Drummond de Andrade answers, critically and creatively, to João Cabral de Melo Neto’s the compositions in the book Pedra do sono, guided by the attempt to unsubjectify and forget the self. To that end, the text uses the correspondence between the authors and theoretical formulations of Cabral himself. The poetic and political answer given by Drummond in “Campo, chinês e sono”, in which one may foresee, in a utopian fashion, the building of a fair and emancipated society, allow us to also rethink the supposed intransitivity of some of the hermetic poems in A rosa do povo. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n45a1086.O objetivo do artigo é o de compreender, por meio da análise do poema “Campo, chinês e sono”, de A rosa do povo (1945), a maneira pela qual Carlos Drummond de Andrade responde, crítica e criativamente, às composições cabralinas de Pedra do sono, pautadas pela tentativa de dessubjetivação e esquecimento de si. Para esse fim, o texto se vale da correspondência entre os autores e de formulações teóricas do próprio Cabral. A resposta poética e política de Drummond em “Campo, chinês e sono”, no qual se pressente utopicamente a construção de uma sociedade justa e emancipada, permite repensar também a suposta intransitividade de alguns dos poemas herméticos de A rosa do povo. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n45a1086.Universidade Federal Fluminense2018-04-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3357110.22409/gragoata.v23i45.33571Gragoatá; Vol. 23 No. 45 (2018): Literature and Democracy; 190-207Gragoatá; v. 23 n. 45 (2018): Literatura e Democracia; 190-2072358-41141413-907310.22409/gragoata.v23i45reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33571/19558Copyright (c) 2018 Gragoatáinfo:eu-repo/semantics/openAccessAlves, Fabio Cesar2019-08-23T11:12:46Zoai:ojs.pkp.sfu.ca:article/33571Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T11:12:46Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
The sleepless poet O poeta insone |
title |
The sleepless poet |
spellingShingle |
The sleepless poet Alves, Fabio Cesar Carlos Drummond de Andrade João Cabral de Melo Neto lyricism and society modern lyricism Communism. Carlos Drummond de Andrade João Cabral de Melo Neto lírica e sociedade lírica moderna Comunismo. |
title_short |
The sleepless poet |
title_full |
The sleepless poet |
title_fullStr |
The sleepless poet |
title_full_unstemmed |
The sleepless poet |
title_sort |
The sleepless poet |
author |
Alves, Fabio Cesar |
author_facet |
Alves, Fabio Cesar |
author_role |
author |
dc.contributor.author.fl_str_mv |
Alves, Fabio Cesar |
dc.subject.por.fl_str_mv |
Carlos Drummond de Andrade João Cabral de Melo Neto lyricism and society modern lyricism Communism. Carlos Drummond de Andrade João Cabral de Melo Neto lírica e sociedade lírica moderna Comunismo. |
topic |
Carlos Drummond de Andrade João Cabral de Melo Neto lyricism and society modern lyricism Communism. Carlos Drummond de Andrade João Cabral de Melo Neto lírica e sociedade lírica moderna Comunismo. |
description |
This article is aimed at understanding, through the analysis of the poem “Campo, chinês e sono”, from A rosa do povo (1945), how Carlos Drummond de Andrade answers, critically and creatively, to João Cabral de Melo Neto’s the compositions in the book Pedra do sono, guided by the attempt to unsubjectify and forget the self. To that end, the text uses the correspondence between the authors and theoretical formulations of Cabral himself. The poetic and political answer given by Drummond in “Campo, chinês e sono”, in which one may foresee, in a utopian fashion, the building of a fair and emancipated society, allow us to also rethink the supposed intransitivity of some of the hermetic poems in A rosa do povo. ---DOI: http://dx.doi.org/10.22409/gragoata.2018n45a1086. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-04-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33571 10.22409/gragoata.v23i45.33571 |
url |
https://periodicos.uff.br/gragoata/article/view/33571 |
identifier_str_mv |
10.22409/gragoata.v23i45.33571 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33571/19558 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 23 No. 45 (2018): Literature and Democracy; 190-207 Gragoatá; v. 23 n. 45 (2018): Literatura e Democracia; 190-207 2358-4114 1413-9073 10.22409/gragoata.v23i45 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1799705502372855808 |