The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work
Autor(a) principal: | |
---|---|
Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/33057 |
Resumo: | This article is dedicated to the discussion launched by Valère Novarina about man’s limits and possibilities, understanding his theater as the performing of the language and of the human. The dense metaphors, created under the “animal mask”, contribute to form the conflict between the man and the world. Performing the animal, in this context, does not mean, therefore, turn the stage into an imitation or representation space, but into a questioning one. Novarina review, thus, an entire metaphysical tradition, present in the theater, but also in our thoughts. We should do the same, if we are to understand the scope of his writing and its poetic and philosophical implications. Time’s animal is the work from which we will make such an analysis. |
id |
UFF-6_c237d49d64ed0e375d667a6e063d3a69 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/33057 |
network_acronym_str |
UFF-6 |
network_name_str |
Gragoatá |
repository_id_str |
|
spelling |
The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s workO teatro das quimeras: um estudo das fronteiras entre o homem e o animal na obra de Valère NovarinaNovarinarepresentationtheateranimalismmetaphysicsNovarinarepresentaçãoteatroanimalidademetafísicaThis article is dedicated to the discussion launched by Valère Novarina about man’s limits and possibilities, understanding his theater as the performing of the language and of the human. The dense metaphors, created under the “animal mask”, contribute to form the conflict between the man and the world. Performing the animal, in this context, does not mean, therefore, turn the stage into an imitation or representation space, but into a questioning one. Novarina review, thus, an entire metaphysical tradition, present in the theater, but also in our thoughts. We should do the same, if we are to understand the scope of his writing and its poetic and philosophical implications. Time’s animal is the work from which we will make such an analysis.O presente artigo dedica-se à reflexão proposta por Valère Novarina sobre os limites do homem, compreendendo seu teatro como uma encenação da linguagem, e, portanto do humano, com metáforas densas, criadas sob a “máscara do animal”, que se prestam à constituição do conflito entre homem e mundo. Encenar a animalidade, nesse contexto, não significa, pois, tornar o palco lugar da imitação ou da representação, mas antes um espaço para questioná-las. Novarina revê, destarte, toda uma tradição metafísica, presente no teatro, mas também no pensamento. Propomo-nos, assim, a percorrer esse mesmo caminho, se quisermos compreender a amplitude da escrita novariniana e suas implicações poéticas e filosóficas. O animal do tempo é a obra que elegemos para fazer convergir uma tal análise.Universidade Federal Fluminense2011-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3305710.22409/gragoata.v16i31.33057Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersectionsGragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais2358-41141413-907310.22409/gragoata.v16i31reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33057/19044Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessAlmeida, Milla Benício Ribeiro de2019-08-23T10:58:11Zoai:ojs.pkp.sfu.ca:article/33057Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T10:58:11Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work O teatro das quimeras: um estudo das fronteiras entre o homem e o animal na obra de Valère Novarina |
title |
The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work |
spellingShingle |
The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work Almeida, Milla Benício Ribeiro de Novarina representation theater animalism metaphysics Novarina representação teatro animalidade metafísica |
title_short |
The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work |
title_full |
The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work |
title_fullStr |
The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work |
title_full_unstemmed |
The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work |
title_sort |
The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work |
author |
Almeida, Milla Benício Ribeiro de |
author_facet |
Almeida, Milla Benício Ribeiro de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Almeida, Milla Benício Ribeiro de |
dc.subject.por.fl_str_mv |
Novarina representation theater animalism metaphysics Novarina representação teatro animalidade metafísica |
topic |
Novarina representation theater animalism metaphysics Novarina representação teatro animalidade metafísica |
description |
This article is dedicated to the discussion launched by Valère Novarina about man’s limits and possibilities, understanding his theater as the performing of the language and of the human. The dense metaphors, created under the “animal mask”, contribute to form the conflict between the man and the world. Performing the animal, in this context, does not mean, therefore, turn the stage into an imitation or representation space, but into a questioning one. Novarina review, thus, an entire metaphysical tradition, present in the theater, but also in our thoughts. We should do the same, if we are to understand the scope of his writing and its poetic and philosophical implications. Time’s animal is the work from which we will make such an analysis. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-12-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33057 10.22409/gragoata.v16i31.33057 |
url |
https://periodicos.uff.br/gragoata/article/view/33057 |
identifier_str_mv |
10.22409/gragoata.v16i31.33057 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33057/19044 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersections Gragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais 2358-4114 1413-9073 10.22409/gragoata.v16i31 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1799705500188672000 |