The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work

Detalhes bibliográficos
Autor(a) principal: Almeida, Milla Benício Ribeiro de
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/33057
Resumo: This article is dedicated to the discussion launched by Valère Novarina about man’s limits and possibilities, understanding his theater as the performing of the language and of the human. The dense metaphors, created under the “animal mask”, contribute to form the conflict between the man and the world. Performing the animal, in this context, does not mean, therefore, turn the stage into an imitation or representation space, but into a questioning one. Novarina review, thus, an entire metaphysical tradition, present in the theater, but also in our thoughts. We should do the same, if we are to understand the scope of his writing and its poetic and philosophical implications. Time’s animal is the work from which we will make such an analysis.
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spelling The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s workO teatro das quimeras: um estudo das fronteiras entre o homem e o animal na obra de Valère NovarinaNovarinarepresentationtheateranimalismmetaphysicsNovarinarepresentaçãoteatroanimalidademetafísicaThis article is dedicated to the discussion launched by Valère Novarina about man’s limits and possibilities, understanding his theater as the performing of the language and of the human. The dense metaphors, created under the “animal mask”, contribute to form the conflict between the man and the world. Performing the animal, in this context, does not mean, therefore, turn the stage into an imitation or representation space, but into a questioning one. Novarina review, thus, an entire metaphysical tradition, present in the theater, but also in our thoughts. We should do the same, if we are to understand the scope of his writing and its poetic and philosophical implications. Time’s animal is the work from which we will make such an analysis.O presente artigo dedica-se à reflexão proposta por Valère Novarina sobre os limites do homem, compreendendo seu teatro como uma encenação da linguagem, e, portanto do humano, com metáforas densas, criadas sob a “máscara do animal”, que se prestam à constituição do conflito entre homem e mundo. Encenar a animalidade, nesse contexto, não significa, pois, tornar o palco lugar da imitação ou da representação, mas antes um espaço para questioná-las. Novarina revê, destarte, toda uma tradição metafísica, presente no teatro, mas também no pensamento. Propomo-nos, assim, a percorrer esse mesmo caminho, se quisermos compreender a amplitude da escrita novariniana e suas implicações poéticas e filosóficas. O animal do tempo é a obra que elegemos para fazer convergir uma tal análise.Universidade Federal Fluminense2011-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3305710.22409/gragoata.v16i31.33057Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersectionsGragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais2358-41141413-907310.22409/gragoata.v16i31reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33057/19044Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessAlmeida, Milla Benício Ribeiro de2019-08-23T10:58:11Zoai:ojs.pkp.sfu.ca:article/33057Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T10:58:11Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work
O teatro das quimeras: um estudo das fronteiras entre o homem e o animal na obra de Valère Novarina
title The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work
spellingShingle The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work
Almeida, Milla Benício Ribeiro de
Novarina
representation
theater
animalism
metaphysics
Novarina
representação
teatro
animalidade
metafísica
title_short The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work
title_full The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work
title_fullStr The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work
title_full_unstemmed The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work
title_sort The theater of chimeras: a study on the boundaries between man and animal in Valère Novarina’s work
author Almeida, Milla Benício Ribeiro de
author_facet Almeida, Milla Benício Ribeiro de
author_role author
dc.contributor.author.fl_str_mv Almeida, Milla Benício Ribeiro de
dc.subject.por.fl_str_mv Novarina
representation
theater
animalism
metaphysics
Novarina
representação
teatro
animalidade
metafísica
topic Novarina
representation
theater
animalism
metaphysics
Novarina
representação
teatro
animalidade
metafísica
description This article is dedicated to the discussion launched by Valère Novarina about man’s limits and possibilities, understanding his theater as the performing of the language and of the human. The dense metaphors, created under the “animal mask”, contribute to form the conflict between the man and the world. Performing the animal, in this context, does not mean, therefore, turn the stage into an imitation or representation space, but into a questioning one. Novarina review, thus, an entire metaphysical tradition, present in the theater, but also in our thoughts. We should do the same, if we are to understand the scope of his writing and its poetic and philosophical implications. Time’s animal is the work from which we will make such an analysis.
publishDate 2011
dc.date.none.fl_str_mv 2011-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33057
10.22409/gragoata.v16i31.33057
url https://periodicos.uff.br/gragoata/article/view/33057
identifier_str_mv 10.22409/gragoata.v16i31.33057
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33057/19044
dc.rights.driver.fl_str_mv Copyright (c) 2019 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersections
Gragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais
2358-4114
1413-9073
10.22409/gragoata.v16i31
reponame:Gragoatá
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Gragoatá
collection Gragoatá
repository.name.fl_str_mv Gragoatá - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||revistagragoata@gmail.com
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