LAND AT SIGHT: LANDING IN THE SONG
Autor(a) principal: | |
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Data de Publicação: | 2004 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/33347 |
Resumo: | The authors examine the three main models of integration between melody and lyrics in Brazilian popular songs, aiming to verify their interaction in some specific contexts. In order to do so, some semiotic techniques on song analysis are discussed. "Terra", by Caetano Veloso, has been chosen as an example of the descriptive capabilities of semiotics applied to this artistic language. In this paper, the authors distinguish between the contents in the melody and those associated to the lyrics, trying to identify the contribution of the relation between both components for the song's global meaning. |
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LAND AT SIGHT: LANDING IN THE SONGTERRA À VISTA: APORTANDO NA CANÇÃOsemioticsmusicpoetrylanguage.semióticamúsicapoesialinguagem.The authors examine the three main models of integration between melody and lyrics in Brazilian popular songs, aiming to verify their interaction in some specific contexts. In order to do so, some semiotic techniques on song analysis are discussed. "Terra", by Caetano Veloso, has been chosen as an example of the descriptive capabilities of semiotics applied to this artistic language. In this paper, the authors distinguish between the contents in the melody and those associated to the lyrics, trying to identify the contribution of the relation between both components for the song's global meaning.Os autores examinam, neste texto, os três principais modelos de integração entre melodia e letra empregados na composição de canções no Brasil, verificam seu entrosamento em casos específicos e expõem suas técnicas de aplicação. "Terra", de Caetano Veloso, é o exemplo escolhido para uma demonstração do rendimento descritivo de uma teoria semiótica dedicada a essa linguagem artística. O artigo distingue os conteúdos organizados pela melodia daqueles organizados pela letra, além de caracterizar o sentido que decorre da compatibilidade dos dois componentes no interior da referida canção.Universidade Federal Fluminense2004-07-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/33347Gragoatá; Vol. 9 No. 16 (2004): LanguagesGragoatá; v. 9 n. 16 (2004): Linguagens2358-41141413-9073reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33347/19334Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessTatit, LuizLopes, Ivã Carlos2020-08-18T23:22:34Zoai:ojs.pkp.sfu.ca:article/33347Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2020-08-18T23:22:34Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
LAND AT SIGHT: LANDING IN THE SONG TERRA À VISTA: APORTANDO NA CANÇÃO |
title |
LAND AT SIGHT: LANDING IN THE SONG |
spellingShingle |
LAND AT SIGHT: LANDING IN THE SONG Tatit, Luiz semiotics music poetry language. semiótica música poesia linguagem. |
title_short |
LAND AT SIGHT: LANDING IN THE SONG |
title_full |
LAND AT SIGHT: LANDING IN THE SONG |
title_fullStr |
LAND AT SIGHT: LANDING IN THE SONG |
title_full_unstemmed |
LAND AT SIGHT: LANDING IN THE SONG |
title_sort |
LAND AT SIGHT: LANDING IN THE SONG |
author |
Tatit, Luiz |
author_facet |
Tatit, Luiz Lopes, Ivã Carlos |
author_role |
author |
author2 |
Lopes, Ivã Carlos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Tatit, Luiz Lopes, Ivã Carlos |
dc.subject.por.fl_str_mv |
semiotics music poetry language. semiótica música poesia linguagem. |
topic |
semiotics music poetry language. semiótica música poesia linguagem. |
description |
The authors examine the three main models of integration between melody and lyrics in Brazilian popular songs, aiming to verify their interaction in some specific contexts. In order to do so, some semiotic techniques on song analysis are discussed. "Terra", by Caetano Veloso, has been chosen as an example of the descriptive capabilities of semiotics applied to this artistic language. In this paper, the authors distinguish between the contents in the melody and those associated to the lyrics, trying to identify the contribution of the relation between both components for the song's global meaning. |
publishDate |
2004 |
dc.date.none.fl_str_mv |
2004-07-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33347 |
url |
https://periodicos.uff.br/gragoata/article/view/33347 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33347/19334 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 9 No. 16 (2004): Languages Gragoatá; v. 9 n. 16 (2004): Linguagens 2358-4114 1413-9073 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1799705501435428864 |