“Piazza del Popolo” or the exiled’s tone

Detalhes bibliográficos
Autor(a) principal: Santos, Margareth dos
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Gragoatá
Texto Completo: https://periodicos.uff.br/gragoata/article/view/33063
Resumo: The article discusses the relationship between the poetry of Jaime Gil de Biedma, Spanish poet who belongs to the so-called Generation 50 and the configuration of the exodus and the exile of the Spanish Republicans in 1939. To launch the discussion, the text focuses on the poem “Piazza del Popolo” and seeks to understand the production of social poems of Gil de Biedma under an optical not limit itself to the path of bad propagandistic or political poem, but as a deed that goes beyond aesthetic-political project to establish themselves, mainly as a joint proposal and aesthetic that goes beyond the theoretical propositions and party, and establishes a new vision of what a poem would be linked to a social program: able to articulate a poem art and compromise without getting lost in the sea of verbs pamphlet, capable of combining evidence, solidarity, and aesthetics.---Original in Spanish
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spelling “Piazza del Popolo” or the exiled’s tone"Piazza del Popolo" o el tono del desterradoJaime Gil de Biedmaspanish exodus of 1939poetryexileJaime Gil de Biedmadesterro espanhol de 1939poesiaexílioThe article discusses the relationship between the poetry of Jaime Gil de Biedma, Spanish poet who belongs to the so-called Generation 50 and the configuration of the exodus and the exile of the Spanish Republicans in 1939. To launch the discussion, the text focuses on the poem “Piazza del Popolo” and seeks to understand the production of social poems of Gil de Biedma under an optical not limit itself to the path of bad propagandistic or political poem, but as a deed that goes beyond aesthetic-political project to establish themselves, mainly as a joint proposal and aesthetic that goes beyond the theoretical propositions and party, and establishes a new vision of what a poem would be linked to a social program: able to articulate a poem art and compromise without getting lost in the sea of verbs pamphlet, capable of combining evidence, solidarity, and aesthetics.---Original in SpanishO artigo discute as relações entre a poesia de Jaime Gil de Biedma, poeta espanhol que pertence à denominada Geração de 1950 e a configuração do êxodo e do desterro dos espanhóis republicanos em 1939. Para empreender a discussão, o texto se centra no poema “Piazza del Poppolo” e busca compreender a produção de poemas sociais de Gil de Biedma sob uma ótica que não se limita a percebê- los pela via do panfletário ou do poema político ruim, mas como uma escritura que transcende um projeto estético-político para estabelecer-se, fundamentalmente, como uma proposta solidária e estética, que vai além das proposições teóricas e partidárias e que instaura uma nova visão do que seria um poema vinculado a um programa social: um poema capaz de articular arte e compromisso sem perder-se no mar de verbos panfletários, capaz de conjugar testemunho, solidariedade e estética.---Artigo em EspanholUniversidade Federal Fluminense2011-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3306310.22409/gragoata.v16i31.33063Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersectionsGragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais2358-41141413-907310.22409/gragoata.v16i31reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33063/19050Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessSantos, Margareth dos2019-08-23T10:58:11Zoai:ojs.pkp.sfu.ca:article/33063Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T10:58:11Gragoatá - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv “Piazza del Popolo” or the exiled’s tone
"Piazza del Popolo" o el tono del desterrado
title “Piazza del Popolo” or the exiled’s tone
spellingShingle “Piazza del Popolo” or the exiled’s tone
Santos, Margareth dos
Jaime Gil de Biedma
spanish exodus of 1939
poetry
exile
Jaime Gil de Biedma
desterro espanhol de 1939
poesia
exílio
title_short “Piazza del Popolo” or the exiled’s tone
title_full “Piazza del Popolo” or the exiled’s tone
title_fullStr “Piazza del Popolo” or the exiled’s tone
title_full_unstemmed “Piazza del Popolo” or the exiled’s tone
title_sort “Piazza del Popolo” or the exiled’s tone
author Santos, Margareth dos
author_facet Santos, Margareth dos
author_role author
dc.contributor.author.fl_str_mv Santos, Margareth dos
dc.subject.por.fl_str_mv Jaime Gil de Biedma
spanish exodus of 1939
poetry
exile
Jaime Gil de Biedma
desterro espanhol de 1939
poesia
exílio
topic Jaime Gil de Biedma
spanish exodus of 1939
poetry
exile
Jaime Gil de Biedma
desterro espanhol de 1939
poesia
exílio
description The article discusses the relationship between the poetry of Jaime Gil de Biedma, Spanish poet who belongs to the so-called Generation 50 and the configuration of the exodus and the exile of the Spanish Republicans in 1939. To launch the discussion, the text focuses on the poem “Piazza del Popolo” and seeks to understand the production of social poems of Gil de Biedma under an optical not limit itself to the path of bad propagandistic or political poem, but as a deed that goes beyond aesthetic-political project to establish themselves, mainly as a joint proposal and aesthetic that goes beyond the theoretical propositions and party, and establishes a new vision of what a poem would be linked to a social program: able to articulate a poem art and compromise without getting lost in the sea of verbs pamphlet, capable of combining evidence, solidarity, and aesthetics.---Original in Spanish
publishDate 2011
dc.date.none.fl_str_mv 2011-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33063
10.22409/gragoata.v16i31.33063
url https://periodicos.uff.br/gragoata/article/view/33063
identifier_str_mv 10.22409/gragoata.v16i31.33063
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/gragoata/article/view/33063/19050
dc.rights.driver.fl_str_mv Copyright (c) 2019 Gragoatá
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Gragoatá
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal Fluminense
publisher.none.fl_str_mv Universidade Federal Fluminense
dc.source.none.fl_str_mv Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersections
Gragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais
2358-4114
1413-9073
10.22409/gragoata.v16i31
reponame:Gragoatá
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Gragoatá
collection Gragoatá
repository.name.fl_str_mv Gragoatá - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||revistagragoata@gmail.com
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