“Piazza del Popolo” or the exiled’s tone
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Gragoatá |
Texto Completo: | https://periodicos.uff.br/gragoata/article/view/33063 |
Resumo: | The article discusses the relationship between the poetry of Jaime Gil de Biedma, Spanish poet who belongs to the so-called Generation 50 and the configuration of the exodus and the exile of the Spanish Republicans in 1939. To launch the discussion, the text focuses on the poem “Piazza del Popolo” and seeks to understand the production of social poems of Gil de Biedma under an optical not limit itself to the path of bad propagandistic or political poem, but as a deed that goes beyond aesthetic-political project to establish themselves, mainly as a joint proposal and aesthetic that goes beyond the theoretical propositions and party, and establishes a new vision of what a poem would be linked to a social program: able to articulate a poem art and compromise without getting lost in the sea of verbs pamphlet, capable of combining evidence, solidarity, and aesthetics.---Original in Spanish |
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“Piazza del Popolo” or the exiled’s tone"Piazza del Popolo" o el tono del desterradoJaime Gil de Biedmaspanish exodus of 1939poetryexileJaime Gil de Biedmadesterro espanhol de 1939poesiaexílioThe article discusses the relationship between the poetry of Jaime Gil de Biedma, Spanish poet who belongs to the so-called Generation 50 and the configuration of the exodus and the exile of the Spanish Republicans in 1939. To launch the discussion, the text focuses on the poem “Piazza del Popolo” and seeks to understand the production of social poems of Gil de Biedma under an optical not limit itself to the path of bad propagandistic or political poem, but as a deed that goes beyond aesthetic-political project to establish themselves, mainly as a joint proposal and aesthetic that goes beyond the theoretical propositions and party, and establishes a new vision of what a poem would be linked to a social program: able to articulate a poem art and compromise without getting lost in the sea of verbs pamphlet, capable of combining evidence, solidarity, and aesthetics.---Original in SpanishO artigo discute as relações entre a poesia de Jaime Gil de Biedma, poeta espanhol que pertence à denominada Geração de 1950 e a configuração do êxodo e do desterro dos espanhóis republicanos em 1939. Para empreender a discussão, o texto se centra no poema “Piazza del Poppolo” e busca compreender a produção de poemas sociais de Gil de Biedma sob uma ótica que não se limita a percebê- los pela via do panfletário ou do poema político ruim, mas como uma escritura que transcende um projeto estético-político para estabelecer-se, fundamentalmente, como uma proposta solidária e estética, que vai além das proposições teóricas e partidárias e que instaura uma nova visão do que seria um poema vinculado a um programa social: um poema capaz de articular arte e compromisso sem perder-se no mar de verbos panfletários, capaz de conjugar testemunho, solidariedade e estética.---Artigo em EspanholUniversidade Federal Fluminense2011-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/3306310.22409/gragoata.v16i31.33063Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersectionsGragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais2358-41141413-907310.22409/gragoata.v16i31reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/33063/19050Copyright (c) 2019 Gragoatáinfo:eu-repo/semantics/openAccessSantos, Margareth dos2019-08-23T10:58:11Zoai:ojs.pkp.sfu.ca:article/33063Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2019-08-23T10:58:11Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
“Piazza del Popolo” or the exiled’s tone "Piazza del Popolo" o el tono del desterrado |
title |
“Piazza del Popolo” or the exiled’s tone |
spellingShingle |
“Piazza del Popolo” or the exiled’s tone Santos, Margareth dos Jaime Gil de Biedma spanish exodus of 1939 poetry exile Jaime Gil de Biedma desterro espanhol de 1939 poesia exílio |
title_short |
“Piazza del Popolo” or the exiled’s tone |
title_full |
“Piazza del Popolo” or the exiled’s tone |
title_fullStr |
“Piazza del Popolo” or the exiled’s tone |
title_full_unstemmed |
“Piazza del Popolo” or the exiled’s tone |
title_sort |
“Piazza del Popolo” or the exiled’s tone |
author |
Santos, Margareth dos |
author_facet |
Santos, Margareth dos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Margareth dos |
dc.subject.por.fl_str_mv |
Jaime Gil de Biedma spanish exodus of 1939 poetry exile Jaime Gil de Biedma desterro espanhol de 1939 poesia exílio |
topic |
Jaime Gil de Biedma spanish exodus of 1939 poetry exile Jaime Gil de Biedma desterro espanhol de 1939 poesia exílio |
description |
The article discusses the relationship between the poetry of Jaime Gil de Biedma, Spanish poet who belongs to the so-called Generation 50 and the configuration of the exodus and the exile of the Spanish Republicans in 1939. To launch the discussion, the text focuses on the poem “Piazza del Popolo” and seeks to understand the production of social poems of Gil de Biedma under an optical not limit itself to the path of bad propagandistic or political poem, but as a deed that goes beyond aesthetic-political project to establish themselves, mainly as a joint proposal and aesthetic that goes beyond the theoretical propositions and party, and establishes a new vision of what a poem would be linked to a social program: able to articulate a poem art and compromise without getting lost in the sea of verbs pamphlet, capable of combining evidence, solidarity, and aesthetics.---Original in Spanish |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-12-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33063 10.22409/gragoata.v16i31.33063 |
url |
https://periodicos.uff.br/gragoata/article/view/33063 |
identifier_str_mv |
10.22409/gragoata.v16i31.33063 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/33063/19050 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 16 No. 31 (2011): Intercultural intersections Gragoatá; v. 16 n. 31 (2011): Cruzamentos interculturais 2358-4114 1413-9073 10.22409/gragoata.v16i31 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
_version_ |
1799705500199157760 |