Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychology

Detalhes bibliográficos
Autor(a) principal: Souza, Kátia Ovídia José
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Fractal : Revista de Psicologia
Texto Completo: https://periodicos.uff.br/fractal/article/view/4936
Resumo: This work aims to establish a dialogue between the movie “The Phantom of the Opera (2004)” by Joel Schumacher, with the application of Jungian concepts. We seek to understand the film following the interpretative model proposed by Franz, which is used in Fairy Tales. We applied Jungian categories to narrative film, with the main plot an example of the difficulty of the heroine of the film with the male, that is the consequence of aspects not included in its shadow, ie a feminine identification that place as a woman and not just as daughter, girl, puela. The non-integrated aspects relate to her female sexuality, her anima. The complex possess Christine, he favors what aspects of her femininity are not integrated into the ego.
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spelling Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychologyAnálise cinematográfica do filme “O Fantasma da Ópera” segundo a psicologia junguianaanalytical psychologyarchetypeanima and animusfather complexpsicologia analíticaarquétipoanima e animuscomplexo paternoPsicologiaThis work aims to establish a dialogue between the movie “The Phantom of the Opera (2004)” by Joel Schumacher, with the application of Jungian concepts. We seek to understand the film following the interpretative model proposed by Franz, which is used in Fairy Tales. We applied Jungian categories to narrative film, with the main plot an example of the difficulty of the heroine of the film with the male, that is the consequence of aspects not included in its shadow, ie a feminine identification that place as a woman and not just as daughter, girl, puela. The non-integrated aspects relate to her female sexuality, her anima. The complex possess Christine, he favors what aspects of her femininity are not integrated into the ego.Este trabalho pretende estabelecer um diálogo entre o filme “O Fantasma da Ópera (2004)” de Joel Schumacher, com a aplicação de conceitos junguianos. Buscamos compreender o filme seguindo o modelo interpretativo proposto por Franz, que é utilizado em contos de fada. Aplicamos categorias junguianas à narrativa cinematográfica, sendo a trama principal um exemplo da dificuldade da heroína do filme com o masculino, isso é a consequência dos aspectos não integrados em sua sombra: ou seja, uma identificação feminina que a coloque como mulher e não apenas como filha, menina, puela. Os aspectos não integrados dizem respeito à sua sexualidade feminina, sua anima. O complexo a possui, ele favorece que aspectos de sua feminilidade não sejam integrados ao ego.ABEC2013-04-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por paresEstudo Teóricoapplication/pdfhttps://periodicos.uff.br/fractal/article/view/4936Fractal: Journal of Psychology; Vol. 25 No. 1 (2013); 177-188Fractal: Revista de Psicologia; v. 25 n. 1 (2013); 177-1881984-0292reponame:Fractal : Revista de Psicologiainstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/fractal/article/view/4936/4778Copyright (c) 2018 Fractalinfo:eu-repo/semantics/openAccessSouza, Kátia Ovídia José2018-06-05T12:03:32Zoai:ojs.pkp.sfu.ca:article/4936Revistahttps://periodicos.uff.br/fractalPUBhttps://periodicos.uff.br/fractal/oai||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com1984-02921984-0292opendoar:2018-06-05T12:03:32Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychology
Análise cinematográfica do filme “O Fantasma da Ópera” segundo a psicologia junguiana
title Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychology
spellingShingle Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychology
Souza, Kátia Ovídia José
analytical psychology
archetype
anima and animus
father complex
psicologia analítica
arquétipo
anima e animus
complexo paterno
Psicologia
title_short Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychology
title_full Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychology
title_fullStr Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychology
title_full_unstemmed Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychology
title_sort Cinematographic analysis of the film “The Phantom of the Opera” according to jungian psychology
author Souza, Kátia Ovídia José
author_facet Souza, Kátia Ovídia José
author_role author
dc.contributor.author.fl_str_mv Souza, Kátia Ovídia José
dc.subject.por.fl_str_mv analytical psychology
archetype
anima and animus
father complex
psicologia analítica
arquétipo
anima e animus
complexo paterno
Psicologia
topic analytical psychology
archetype
anima and animus
father complex
psicologia analítica
arquétipo
anima e animus
complexo paterno
Psicologia
description This work aims to establish a dialogue between the movie “The Phantom of the Opera (2004)” by Joel Schumacher, with the application of Jungian concepts. We seek to understand the film following the interpretative model proposed by Franz, which is used in Fairy Tales. We applied Jungian categories to narrative film, with the main plot an example of the difficulty of the heroine of the film with the male, that is the consequence of aspects not included in its shadow, ie a feminine identification that place as a woman and not just as daughter, girl, puela. The non-integrated aspects relate to her female sexuality, her anima. The complex possess Christine, he favors what aspects of her femininity are not integrated into the ego.
publishDate 2013
dc.date.none.fl_str_mv 2013-04-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado por pares
Estudo Teórico
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/fractal/article/view/4936
url https://periodicos.uff.br/fractal/article/view/4936
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/fractal/article/view/4936/4778
dc.rights.driver.fl_str_mv Copyright (c) 2018 Fractal
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Fractal
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv Fractal: Journal of Psychology; Vol. 25 No. 1 (2013); 177-188
Fractal: Revista de Psicologia; v. 25 n. 1 (2013); 177-188
1984-0292
reponame:Fractal : Revista de Psicologia
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Fractal : Revista de Psicologia
collection Fractal : Revista de Psicologia
repository.name.fl_str_mv Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com
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