Simple things
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Fractal : Revista de Psicologia |
Texto Completo: | https://periodicos.uff.br/fractal/article/view/5052 |
Resumo: | The essay presents some impressions produced by a Paul Cézanne’s picture. Authentic connections are contagious; they do not work through erudition. When by the end to the Nineteenth Century Cézanne’s works start to emerge, nobody, not even himself, knew what it was all about. The first ones to have a glimpse of a mutation were some artists, painters, poets, writers, then slowly some critics joined them, and at last a few philosophers. |
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Simple thingsCosas simplesPaul CézannecontagionartpaintingPaul CézannecontagioartepinturaThe essay presents some impressions produced by a Paul Cézanne’s picture. Authentic connections are contagious; they do not work through erudition. When by the end to the Nineteenth Century Cézanne’s works start to emerge, nobody, not even himself, knew what it was all about. The first ones to have a glimpse of a mutation were some artists, painters, poets, writers, then slowly some critics joined them, and at last a few philosophers.El presente ensayo presenta algunas impresiones producidas por un cuadro de Paul Cézanne. Las auténticas conexiones se establecen por contagio, no por transmisión erudita. Cuando a fines del siglo 19 comienzan a emerger las obras de Cézanne, nadie, ni él mismo, entendía con claridad qué es lo que estaba en juego en ellas. Los primeros en vislumbrar la irrupción de una mutación profunda fueron algunos artistas, pintores, poetas, escritores, luego se sumaron algunos críticos y por fin varios filósofos.ABEC2014-10-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/fractal/article/view/5052Fractal: Journal of Psychology; n. esp. - Dossiê Arte, Narrativas e Subjetividade; 749-754Fractal: Revista de Psicologia; n. esp. - Dossiê Arte, Narrativas e Subjetividade; 749-7541984-0292reponame:Fractal : Revista de Psicologiainstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/fractal/article/view/5052/4902Copyright (c) 2018 Fractalinfo:eu-repo/semantics/openAccessGorlier, Juan Carlos2018-06-05T12:06:42Zoai:ojs.pkp.sfu.ca:article/5052Revistahttps://periodicos.uff.br/fractalPUBhttps://periodicos.uff.br/fractal/oai||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com1984-02921984-0292opendoar:2018-06-05T12:06:42Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Simple things Cosas simples |
title |
Simple things |
spellingShingle |
Simple things Gorlier, Juan Carlos Paul Cézanne contagion art painting Paul Cézanne contagio arte pintura |
title_short |
Simple things |
title_full |
Simple things |
title_fullStr |
Simple things |
title_full_unstemmed |
Simple things |
title_sort |
Simple things |
author |
Gorlier, Juan Carlos |
author_facet |
Gorlier, Juan Carlos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gorlier, Juan Carlos |
dc.subject.por.fl_str_mv |
Paul Cézanne contagion art painting Paul Cézanne contagio arte pintura |
topic |
Paul Cézanne contagion art painting Paul Cézanne contagio arte pintura |
description |
The essay presents some impressions produced by a Paul Cézanne’s picture. Authentic connections are contagious; they do not work through erudition. When by the end to the Nineteenth Century Cézanne’s works start to emerge, nobody, not even himself, knew what it was all about. The first ones to have a glimpse of a mutation were some artists, painters, poets, writers, then slowly some critics joined them, and at last a few philosophers. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-10-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/fractal/article/view/5052 |
url |
https://periodicos.uff.br/fractal/article/view/5052 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/fractal/article/view/5052/4902 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Fractal info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Fractal |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
Fractal: Journal of Psychology; n. esp. - Dossiê Arte, Narrativas e Subjetividade; 749-754 Fractal: Revista de Psicologia; n. esp. - Dossiê Arte, Narrativas e Subjetividade; 749-754 1984-0292 reponame:Fractal : Revista de Psicologia instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Fractal : Revista de Psicologia |
collection |
Fractal : Revista de Psicologia |
repository.name.fl_str_mv |
Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com |
_version_ |
1799695290870005760 |