Dead volume: performance and corporeity

Detalhes bibliográficos
Autor(a) principal: Mendes, Eloísa Brantes
Data de Publicação: 2017
Outros Autores: de Lima, Maurício da Silva, Emerich, Ana Paula Ferrari, Chilinque, Thaís Leitão
Tipo de documento: Artigo
Idioma: por
Título da fonte: Fractal : Revista de Psicologia
Texto Completo: https://periodicos.uff.br/fractal/article/view/5156
Resumo: The process of research and creation of the show Dead Volume is the starting point of this report on performance, body memory and aesthetic-political relations implied in the artistic trajectory of the Coletivo Líquida Ação since 2007. The presence of water as a vital element, used in the performances of urban intervention, is part of the artistic proposal of this collective that problematizes the boundaries between visibilities and invisibilities of the inhabited city. Water, coupled with the multiple temporalities of body-space experience in performance acting, is also in line with the practices of socializing and artistic production, geared towards the sustainability of the collective itself as an independent research space..
id UFF-7_dcbdc891aa1fd436cb436b4633504fd6
oai_identifier_str oai:ojs.pkp.sfu.ca:article/5156
network_acronym_str UFF-7
network_name_str Fractal : Revista de Psicologia
repository_id_str
spelling Dead volume: performance and corporeityVolume Morto: performance e corporeidadeperformancecorporeitymemorywater and compositionperformancecorporeidadememóriaágua e montagemThe process of research and creation of the show Dead Volume is the starting point of this report on performance, body memory and aesthetic-political relations implied in the artistic trajectory of the Coletivo Líquida Ação since 2007. The presence of water as a vital element, used in the performances of urban intervention, is part of the artistic proposal of this collective that problematizes the boundaries between visibilities and invisibilities of the inhabited city. Water, coupled with the multiple temporalities of body-space experience in performance acting, is also in line with the practices of socializing and artistic production, geared towards the sustainability of the collective itself as an independent research space..O processo de pesquisa e criação do espetáculo Volume Morto é o campo de partida deste relato sobre performance, memória corporal e relações estético-políticas implicadas na trajetória artística do Coletivo Líquida Ação desde 2007. A presença da água como elemento vital, utilizada nas performances de intervenção urbana, faz parte da proposta artística deste coletivo que problematiza as fronteiras entre visibilidades e invisibilidades da cidade habitada. A água, ligada às múltiplas temporalidades da experiência corpo-espaço na ação performática, também vai ao encontro das práticas de convívio e produção artística, voltadas para a sustentabilidade do próprio coletivo como espaço de pesquisa independente.ABEC2017-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/fractal/article/view/515610.22409/1984-0292/v29i2/2169Fractal: Journal of Psychology; Vol. 29 No. 2 (2017): Dossiê Corporeidade; 127-134Fractal: Revista de Psicologia; v. 29 n. 2 (2017): Dossiê Corporeidade; 127-1341984-029210.22409/1984-0292/v29i2reponame:Fractal : Revista de Psicologiainstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/fractal/article/view/5156/5010Copyright (c) 2017 Fractalinfo:eu-repo/semantics/openAccessMendes, Eloísa Brantesde Lima, Maurício da SilvaEmerich, Ana Paula FerrariChilinque, Thaís Leitão2018-07-25T17:54:00Zoai:ojs.pkp.sfu.ca:article/5156Revistahttps://periodicos.uff.br/fractalPUBhttps://periodicos.uff.br/fractal/oai||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com1984-02921984-0292opendoar:2018-07-25T17:54Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv Dead volume: performance and corporeity
Volume Morto: performance e corporeidade
title Dead volume: performance and corporeity
spellingShingle Dead volume: performance and corporeity
Mendes, Eloísa Brantes
performance
corporeity
memory
water and composition
performance
corporeidade
memória
água e montagem
title_short Dead volume: performance and corporeity
title_full Dead volume: performance and corporeity
title_fullStr Dead volume: performance and corporeity
title_full_unstemmed Dead volume: performance and corporeity
title_sort Dead volume: performance and corporeity
author Mendes, Eloísa Brantes
author_facet Mendes, Eloísa Brantes
de Lima, Maurício da Silva
Emerich, Ana Paula Ferrari
Chilinque, Thaís Leitão
author_role author
author2 de Lima, Maurício da Silva
Emerich, Ana Paula Ferrari
Chilinque, Thaís Leitão
author2_role author
author
author
dc.contributor.author.fl_str_mv Mendes, Eloísa Brantes
de Lima, Maurício da Silva
Emerich, Ana Paula Ferrari
Chilinque, Thaís Leitão
dc.subject.por.fl_str_mv performance
corporeity
memory
water and composition
performance
corporeidade
memória
água e montagem
topic performance
corporeity
memory
water and composition
performance
corporeidade
memória
água e montagem
description The process of research and creation of the show Dead Volume is the starting point of this report on performance, body memory and aesthetic-political relations implied in the artistic trajectory of the Coletivo Líquida Ação since 2007. The presence of water as a vital element, used in the performances of urban intervention, is part of the artistic proposal of this collective that problematizes the boundaries between visibilities and invisibilities of the inhabited city. Water, coupled with the multiple temporalities of body-space experience in performance acting, is also in line with the practices of socializing and artistic production, geared towards the sustainability of the collective itself as an independent research space..
publishDate 2017
dc.date.none.fl_str_mv 2017-08-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/fractal/article/view/5156
10.22409/1984-0292/v29i2/2169
url https://periodicos.uff.br/fractal/article/view/5156
identifier_str_mv 10.22409/1984-0292/v29i2/2169
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/fractal/article/view/5156/5010
dc.rights.driver.fl_str_mv Copyright (c) 2017 Fractal
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Fractal
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv Fractal: Journal of Psychology; Vol. 29 No. 2 (2017): Dossiê Corporeidade; 127-134
Fractal: Revista de Psicologia; v. 29 n. 2 (2017): Dossiê Corporeidade; 127-134
1984-0292
10.22409/1984-0292/v29i2
reponame:Fractal : Revista de Psicologia
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Fractal : Revista de Psicologia
collection Fractal : Revista de Psicologia
repository.name.fl_str_mv Fractal : Revista de Psicologia - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv ||anaclmonteiro@yahoo.com.br|| mlivianascimento@gmail.com
_version_ 1799695291448819712

Registros relacionados