Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all values
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/55862 |
Resumo: | Herberto Helder is a privileged heir of Nietzsche. Conversely, Nietzschean philosophy offers strong subsidies to the poet’s reading. This essay intends to make an inventory of a small fraction of this rich kinship. In order to show that Herberto Helder fulfills in the artistic plane the revaluation of all values that Nietzsche projects in the philosophical realm, the Helderian-Nietzschean notions of “error” and “rhythm” are examined, being shown that the poet invests his writing with both the critical vigor and the productive efficiency that distinguish the philosopher’s work. By the notion of “error”, Herberto Helder dismantles the moral foundation of Western values. By the idea of “rhythm”, the poet shapes his own cosmology, for which the only legitimate criterion for creating values is life, conceived as will to power. |
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Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all valuesErro e ritmo: Herberto Helder e o projeto nietzschiano de transvaloração de todos os valoresHerberto HelderNietzscheErrorRhythmHerberto HelderNietzscheErroRitmoHerberto Helder is a privileged heir of Nietzsche. Conversely, Nietzschean philosophy offers strong subsidies to the poet’s reading. This essay intends to make an inventory of a small fraction of this rich kinship. In order to show that Herberto Helder fulfills in the artistic plane the revaluation of all values that Nietzsche projects in the philosophical realm, the Helderian-Nietzschean notions of “error” and “rhythm” are examined, being shown that the poet invests his writing with both the critical vigor and the productive efficiency that distinguish the philosopher’s work. By the notion of “error”, Herberto Helder dismantles the moral foundation of Western values. By the idea of “rhythm”, the poet shapes his own cosmology, for which the only legitimate criterion for creating values is life, conceived as will to power.Herberto Helder é um herdeiro privilegiado de Nietzsche. Reciprocamente, a filosofia nietzschiana oferece fortes subsídios à leitura do poeta. Este ensaio pretende inventariar uma pequena fração deste rico parentesco. Para demonstrar que Herberto Helder concretiza no plano artístico a transvaloração de todos os valores que Nietzsche projeta em âmbito filosófico, são examinadas as noções helderiano-nietzschianas de “erro” e “ritmo”, a partir das quais o poeta investe sua escrita do vigor crítico e da eficácia produtiva que distinguem a obra do filósofo. Com a noção de “erro”, Herberto Helder desmantela o fundamento moral dos valores do Ocidente. Com a ideia de “ritmo”, dá forma à sua própria cosmologia, para a qual o único critério legítimo para a criação de valores é a vida, concebida como vontade de potência.ABEC Brasil2023-04-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/5586210.22409/abriluff.v15i30.55862ABRIL – NEPA / UFF; Vol. 15 No. 30 (2023): Poesia e erro; 99-118Abril – NEPA / UFF; v. 15 n. 30 (2023): Poesia e erro; 99-1181984-209010.22409/abriluff.v15i30reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/55862/34227Copyright (c) 2023 Abril – NEPA / UFFhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessVelasco, Fernando2023-04-24T08:57:36Zoai:ojs.pkp.sfu.ca:article/55862Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2023-04-24T08:57:36Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all values Erro e ritmo: Herberto Helder e o projeto nietzschiano de transvaloração de todos os valores |
title |
Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all values |
spellingShingle |
Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all values Velasco, Fernando Herberto Helder Nietzsche Error Rhythm Herberto Helder Nietzsche Erro Ritmo |
title_short |
Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all values |
title_full |
Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all values |
title_fullStr |
Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all values |
title_full_unstemmed |
Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all values |
title_sort |
Error and rhythm: Herberto Helder and the Nietzschean project of revaluation of all values |
author |
Velasco, Fernando |
author_facet |
Velasco, Fernando |
author_role |
author |
dc.contributor.author.fl_str_mv |
Velasco, Fernando |
dc.subject.por.fl_str_mv |
Herberto Helder Nietzsche Error Rhythm Herberto Helder Nietzsche Erro Ritmo |
topic |
Herberto Helder Nietzsche Error Rhythm Herberto Helder Nietzsche Erro Ritmo |
description |
Herberto Helder is a privileged heir of Nietzsche. Conversely, Nietzschean philosophy offers strong subsidies to the poet’s reading. This essay intends to make an inventory of a small fraction of this rich kinship. In order to show that Herberto Helder fulfills in the artistic plane the revaluation of all values that Nietzsche projects in the philosophical realm, the Helderian-Nietzschean notions of “error” and “rhythm” are examined, being shown that the poet invests his writing with both the critical vigor and the productive efficiency that distinguish the philosopher’s work. By the notion of “error”, Herberto Helder dismantles the moral foundation of Western values. By the idea of “rhythm”, the poet shapes his own cosmology, for which the only legitimate criterion for creating values is life, conceived as will to power. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-04-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/55862 10.22409/abriluff.v15i30.55862 |
url |
https://periodicos.uff.br/revistaabril/article/view/55862 |
identifier_str_mv |
10.22409/abriluff.v15i30.55862 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/55862/34227 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Abril – NEPA / UFF https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Abril – NEPA / UFF https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 15 No. 30 (2023): Poesia e erro; 99-118 Abril – NEPA / UFF; v. 15 n. 30 (2023): Poesia e erro; 99-118 1984-2090 10.22409/abriluff.v15i30 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695309698236416 |