The end of colonialism in Angola and the weaving of the narrative-nation, under Pepetela’s view

• Autor(a) principal: Miranda, Maria Geralda de
• Data de Publicação: 2011
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Abril (Niterói)
• Texto Completo: https://periodicos.uff.br/revistaabril/article/view/29739
• topic: Pepetela; Yaka; colonialism; Angolan-related subjects; Pepetela; Yaka; colonialismo; nação

The novel Yaka, written by the angolan writer Pepetela, is structured in five segments: “The mouth – 1890-/1904”, “The eyes -1917”, “The he­art-1940/1941”, “The sex-1961”, and “The legs-1975”. Each segment corres­ponds to a generation of the Semedo’s family whose journey begins with the banishment of Oscar, Portuguese, and ends with Joel, Oscar’s great-grandchild as a member of the MPLA ranks; this is also related to a certain historical time characterized by the beginning of the military conflicts and the stirring up of the fight between the colonizer and those who were being colonized. Despite being labeled in fiction as a story of a Portuguese family of settlers settled in Angola, the Semedo’s saga reaches during its narrative, a wide meaning due to its intrinsic connection with the wars and with all the problems originated as a result of the colonization. The present work aims to show that all this process of rebuilding the past, through fiction, has to do , among other things, with the transcodification of the historiographic context that- the moment it goes through the fiction writer’s ink or, if we prefer, goes through the literary text screen – it suffers many changes. The narrative events described in the novel are threads in the Angolan history rewoven majestically by Pepetela, who with “skill and talent” reorganizes and, at the same time, weaves his “tale-nation”.