Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesis
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29799 |
Resumo: | Taking as a starting point some excerpts from the Sermão da Sexagésima, by Fr. António Vieira, this paper investigates what role the development of rhetoric in the Baroque period might have played in the articulation of a new language pattern, always about to dismantle substancialist views about the world. Based upon some unexpected parallels, as the sole names of Homer, Pindar and Torquato Tasso may suggest, it is argued that the tension between rhetorical world and ontological world is so decisive for understanding Baroque as the tension between the earthly and the divine. |
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Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesisAntônio Vieira e a consciência do jogo: os mundos retórico e ontológico na gênese do período barrocoBaroquerhetoricsFr. António VieirabarrocoretóricaPe. António VieiraTaking as a starting point some excerpts from the Sermão da Sexagésima, by Fr. António Vieira, this paper investigates what role the development of rhetoric in the Baroque period might have played in the articulation of a new language pattern, always about to dismantle substancialist views about the world. Based upon some unexpected parallels, as the sole names of Homer, Pindar and Torquato Tasso may suggest, it is argued that the tension between rhetorical world and ontological world is so decisive for understanding Baroque as the tension between the earthly and the divine.Tomando por ponto de partida alguns trechos do Sermão da Sexagésima, do Pe. Antônio Vieira, o presente estudo examina que papel pode ter tido o desenvolvimento da retórica, na época barroca, para o estabelecimento de uma linguagem sempre em vias de fazer ruir as visões substancialistas do mundo. Com base em alguns paralelos imprevistos, como sugerem os nomes de Homero, Píndaro e Torquato Tasso, argumenta-se que a tensão entre mundo retórico e mundo ontológico será tão decisiva para a compreensão do barroco quanto a tensão entre o terreno e o divino.ABEC Brasil2009-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2979910.22409/abriluff.v2i3.29799ABRIL – NEPA / UFF; Vol. 2 No. 3 (2009): (NEO)BARROQUE AESTHETICS AND THE CRISIS OF THE SUBJECT; 31-46Abril – NEPA / UFF; v. 2 n. 3 (2009): ESTÉTICA (NEO)BARROCA E CRISE DO SUJEITO; 31-461984-209010.22409/abriluff.v2i3reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29799/17340Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessAtaíde, Artur Almeida de2019-08-09T09:30:23Zoai:ojs.pkp.sfu.ca:article/29799Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:30:23Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesis Antônio Vieira e a consciência do jogo: os mundos retórico e ontológico na gênese do período barroco |
title |
Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesis |
spellingShingle |
Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesis Ataíde, Artur Almeida de Baroque rhetorics Fr. António Vieira barroco retórica Pe. António Vieira |
title_short |
Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesis |
title_full |
Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesis |
title_fullStr |
Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesis |
title_full_unstemmed |
Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesis |
title_sort |
Antônio Vieira and the awareness of the play: the rectoric and ontological worlds in the baroque period genesis |
author |
Ataíde, Artur Almeida de |
author_facet |
Ataíde, Artur Almeida de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ataíde, Artur Almeida de |
dc.subject.por.fl_str_mv |
Baroque rhetorics Fr. António Vieira barroco retórica Pe. António Vieira |
topic |
Baroque rhetorics Fr. António Vieira barroco retórica Pe. António Vieira |
description |
Taking as a starting point some excerpts from the Sermão da Sexagésima, by Fr. António Vieira, this paper investigates what role the development of rhetoric in the Baroque period might have played in the articulation of a new language pattern, always about to dismantle substancialist views about the world. Based upon some unexpected parallels, as the sole names of Homer, Pindar and Torquato Tasso may suggest, it is argued that the tension between rhetorical world and ontological world is so decisive for understanding Baroque as the tension between the earthly and the divine. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-11-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29799 10.22409/abriluff.v2i3.29799 |
url |
https://periodicos.uff.br/revistaabril/article/view/29799 |
identifier_str_mv |
10.22409/abriluff.v2i3.29799 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29799/17340 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 2 No. 3 (2009): (NEO)BARROQUE AESTHETICS AND THE CRISIS OF THE SUBJECT; 31-46 Abril – NEPA / UFF; v. 2 n. 3 (2009): ESTÉTICA (NEO)BARROCA E CRISE DO SUJEITO; 31-46 1984-2090 10.22409/abriluff.v2i3 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695308194578432 |