On the writing of ardent themes: wedding in a genre confluence

Detalhes bibliográficos
Autor(a) principal: Paranhos, Maria Cecília Rogers
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Abril (Niterói)
Texto Completo: https://periodicos.uff.br/revistaabril/article/view/29750
Resumo: This study will involve the Ardente texto Joshua (1998), from Maria Gabriela Llansol, that brings the figure of Teresa Martin, or Saint Therese of Jesus. It does not focus on her biography or the history of her scriptures, but on capturing knowledge and admiration in order to confront the “amorous art of living” with the aspiration of the ardent text: “the necessity of the body’s resuscitation”, establishing a close relation of changes and of confluences in different plans. From this text, a discussion about this scripture, that abolishes the paradigms already established and creates a new literary doing of our contemporary time, will be brought up.  With the support of the lectures of Roland Barthes, Michel Foucault, Giorgio Agamben and Gilles Deleuze, among others, it’ll be evidenced the author’s absence in this text of Llansol and its expression through a possible combination of flows. Not only ignoring the form of the diary writing, the author will also create the fiction of the diary of a writing - equally subverted, following Blanchot’s concepts. Moving away from the rigid form of the representative novel, the text of Maria Gabriela Llansol approaches to a “stutter” in its own language, that brings oscillation to the limits up to now considered between poetry and prose.
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spelling On the writing of ardent themes: wedding in a genre confluenceDa escrita de textos ardentes: núpcias numa confluência de gênerosLlansolTherese of Lisieuxardent textLlansolTeresa de Lisieuxardente textoThis study will involve the Ardente texto Joshua (1998), from Maria Gabriela Llansol, that brings the figure of Teresa Martin, or Saint Therese of Jesus. It does not focus on her biography or the history of her scriptures, but on capturing knowledge and admiration in order to confront the “amorous art of living” with the aspiration of the ardent text: “the necessity of the body’s resuscitation”, establishing a close relation of changes and of confluences in different plans. From this text, a discussion about this scripture, that abolishes the paradigms already established and creates a new literary doing of our contemporary time, will be brought up.  With the support of the lectures of Roland Barthes, Michel Foucault, Giorgio Agamben and Gilles Deleuze, among others, it’ll be evidenced the author’s absence in this text of Llansol and its expression through a possible combination of flows. Not only ignoring the form of the diary writing, the author will also create the fiction of the diary of a writing - equally subverted, following Blanchot’s concepts. Moving away from the rigid form of the representative novel, the text of Maria Gabriela Llansol approaches to a “stutter” in its own language, that brings oscillation to the limits up to now considered between poetry and prose.Este estudo pretende abordar o Ardente texto Joshua (1998), de Maria Gabriela Llansol, que, trazendo a figura de Teresa Martin, ou Santa Teresinha do Menino Jesus, não se preocupa em contar a sua biografia ou fazer o relato de seus escritos, mas em apreender conhecimento e admiração para confrontar “a arte de viver da amorosa” com a aspiração do texto ardente: “a exigência da ressurreição dos corpos”, estabelecendo ainda uma íntima relação de trocas e de confluências de diferentes planos. A partir desse texto, pretende-se levantar a discussão sobre essa escrita que rompe com os paradigmas já estabelecidos e cria um novo fazer literário de nossa contemporaneidade. Com o suporte das leituras de Roland Barthes, Michel Foucault, Giorgio Agamben e Gilles Deleuze, entre outros, será evidenciada a ausência do autor no texto llansoliano e a expressão desse texto através um agenciamento possível – o devir. Para além da transgressão do gênero do diário, a autora cria a ficção do diário de uma escrita, igualmente subvertida, seguindo o pensamento de Blanchot. Afastando-se da representação cristalizada, o texto de Llansol se aproxima, dessa forma, de um “gaguejar” na própria linguagem, que faz oscilar os limites ora considerados entre a prosa e a poesia.ABEC Brasil2011-04-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2975010.22409/abriluff.v4i6.29750ABRIL – NEPA / UFF; Vol. 4 No. 6 (2011): PROSE AND POETRY; 39-49Abril – NEPA / UFF; v. 4 n. 6 (2011): PROSA & POESIA; 39-491984-209010.22409/abriluff.v4i6reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29750/17291Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessParanhos, Maria Cecília Rogers2019-08-09T09:29:10Zoai:ojs.pkp.sfu.ca:article/29750Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:29:10Abril (Niterói) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv On the writing of ardent themes: wedding in a genre confluence
Da escrita de textos ardentes: núpcias numa confluência de gêneros
title On the writing of ardent themes: wedding in a genre confluence
spellingShingle On the writing of ardent themes: wedding in a genre confluence
Paranhos, Maria Cecília Rogers
Llansol
Therese of Lisieux
ardent text
Llansol
Teresa de Lisieux
ardente texto
title_short On the writing of ardent themes: wedding in a genre confluence
title_full On the writing of ardent themes: wedding in a genre confluence
title_fullStr On the writing of ardent themes: wedding in a genre confluence
title_full_unstemmed On the writing of ardent themes: wedding in a genre confluence
title_sort On the writing of ardent themes: wedding in a genre confluence
author Paranhos, Maria Cecília Rogers
author_facet Paranhos, Maria Cecília Rogers
author_role author
dc.contributor.author.fl_str_mv Paranhos, Maria Cecília Rogers
dc.subject.por.fl_str_mv Llansol
Therese of Lisieux
ardent text
Llansol
Teresa de Lisieux
ardente texto
topic Llansol
Therese of Lisieux
ardent text
Llansol
Teresa de Lisieux
ardente texto
description This study will involve the Ardente texto Joshua (1998), from Maria Gabriela Llansol, that brings the figure of Teresa Martin, or Saint Therese of Jesus. It does not focus on her biography or the history of her scriptures, but on capturing knowledge and admiration in order to confront the “amorous art of living” with the aspiration of the ardent text: “the necessity of the body’s resuscitation”, establishing a close relation of changes and of confluences in different plans. From this text, a discussion about this scripture, that abolishes the paradigms already established and creates a new literary doing of our contemporary time, will be brought up.  With the support of the lectures of Roland Barthes, Michel Foucault, Giorgio Agamben and Gilles Deleuze, among others, it’ll be evidenced the author’s absence in this text of Llansol and its expression through a possible combination of flows. Not only ignoring the form of the diary writing, the author will also create the fiction of the diary of a writing - equally subverted, following Blanchot’s concepts. Moving away from the rigid form of the representative novel, the text of Maria Gabriela Llansol approaches to a “stutter” in its own language, that brings oscillation to the limits up to now considered between poetry and prose.
publishDate 2011
dc.date.none.fl_str_mv 2011-04-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
Artigo avaliado por pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/revistaabril/article/view/29750
10.22409/abriluff.v4i6.29750
url https://periodicos.uff.br/revistaabril/article/view/29750
identifier_str_mv 10.22409/abriluff.v4i6.29750
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/revistaabril/article/view/29750/17291
dc.rights.driver.fl_str_mv Copyright (c) 2018 Abril – NEPA / UFF
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Abril – NEPA / UFF
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC Brasil
publisher.none.fl_str_mv ABEC Brasil
dc.source.none.fl_str_mv ABRIL – NEPA / UFF; Vol. 4 No. 6 (2011): PROSE AND POETRY; 39-49
Abril – NEPA / UFF; v. 4 n. 6 (2011): PROSA & POESIA; 39-49
1984-2090
10.22409/abriluff.v4i6
reponame:Abril (Niterói)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Abril (Niterói)
collection Abril (Niterói)
repository.name.fl_str_mv Abril (Niterói) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com
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