On the writing of ardent themes: wedding in a genre confluence
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29750 |
Resumo: | This study will involve the Ardente texto Joshua (1998), from Maria Gabriela Llansol, that brings the figure of Teresa Martin, or Saint Therese of Jesus. It does not focus on her biography or the history of her scriptures, but on capturing knowledge and admiration in order to confront the “amorous art of living” with the aspiration of the ardent text: “the necessity of the body’s resuscitation”, establishing a close relation of changes and of confluences in different plans. From this text, a discussion about this scripture, that abolishes the paradigms already established and creates a new literary doing of our contemporary time, will be brought up. With the support of the lectures of Roland Barthes, Michel Foucault, Giorgio Agamben and Gilles Deleuze, among others, it’ll be evidenced the author’s absence in this text of Llansol and its expression through a possible combination of flows. Not only ignoring the form of the diary writing, the author will also create the fiction of the diary of a writing - equally subverted, following Blanchot’s concepts. Moving away from the rigid form of the representative novel, the text of Maria Gabriela Llansol approaches to a “stutter” in its own language, that brings oscillation to the limits up to now considered between poetry and prose. |
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On the writing of ardent themes: wedding in a genre confluenceDa escrita de textos ardentes: núpcias numa confluência de gênerosLlansolTherese of Lisieuxardent textLlansolTeresa de Lisieuxardente textoThis study will involve the Ardente texto Joshua (1998), from Maria Gabriela Llansol, that brings the figure of Teresa Martin, or Saint Therese of Jesus. It does not focus on her biography or the history of her scriptures, but on capturing knowledge and admiration in order to confront the “amorous art of living” with the aspiration of the ardent text: “the necessity of the body’s resuscitation”, establishing a close relation of changes and of confluences in different plans. From this text, a discussion about this scripture, that abolishes the paradigms already established and creates a new literary doing of our contemporary time, will be brought up. With the support of the lectures of Roland Barthes, Michel Foucault, Giorgio Agamben and Gilles Deleuze, among others, it’ll be evidenced the author’s absence in this text of Llansol and its expression through a possible combination of flows. Not only ignoring the form of the diary writing, the author will also create the fiction of the diary of a writing - equally subverted, following Blanchot’s concepts. Moving away from the rigid form of the representative novel, the text of Maria Gabriela Llansol approaches to a “stutter” in its own language, that brings oscillation to the limits up to now considered between poetry and prose.Este estudo pretende abordar o Ardente texto Joshua (1998), de Maria Gabriela Llansol, que, trazendo a figura de Teresa Martin, ou Santa Teresinha do Menino Jesus, não se preocupa em contar a sua biografia ou fazer o relato de seus escritos, mas em apreender conhecimento e admiração para confrontar “a arte de viver da amorosa” com a aspiração do texto ardente: “a exigência da ressurreição dos corpos”, estabelecendo ainda uma íntima relação de trocas e de confluências de diferentes planos. A partir desse texto, pretende-se levantar a discussão sobre essa escrita que rompe com os paradigmas já estabelecidos e cria um novo fazer literário de nossa contemporaneidade. Com o suporte das leituras de Roland Barthes, Michel Foucault, Giorgio Agamben e Gilles Deleuze, entre outros, será evidenciada a ausência do autor no texto llansoliano e a expressão desse texto através um agenciamento possível – o devir. Para além da transgressão do gênero do diário, a autora cria a ficção do diário de uma escrita, igualmente subvertida, seguindo o pensamento de Blanchot. Afastando-se da representação cristalizada, o texto de Llansol se aproxima, dessa forma, de um “gaguejar” na própria linguagem, que faz oscilar os limites ora considerados entre a prosa e a poesia.ABEC Brasil2011-04-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2975010.22409/abriluff.v4i6.29750ABRIL – NEPA / UFF; Vol. 4 No. 6 (2011): PROSE AND POETRY; 39-49Abril – NEPA / UFF; v. 4 n. 6 (2011): PROSA & POESIA; 39-491984-209010.22409/abriluff.v4i6reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29750/17291Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessParanhos, Maria Cecília Rogers2019-08-09T09:29:10Zoai:ojs.pkp.sfu.ca:article/29750Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:29:10Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
On the writing of ardent themes: wedding in a genre confluence Da escrita de textos ardentes: núpcias numa confluência de gêneros |
title |
On the writing of ardent themes: wedding in a genre confluence |
spellingShingle |
On the writing of ardent themes: wedding in a genre confluence Paranhos, Maria Cecília Rogers Llansol Therese of Lisieux ardent text Llansol Teresa de Lisieux ardente texto |
title_short |
On the writing of ardent themes: wedding in a genre confluence |
title_full |
On the writing of ardent themes: wedding in a genre confluence |
title_fullStr |
On the writing of ardent themes: wedding in a genre confluence |
title_full_unstemmed |
On the writing of ardent themes: wedding in a genre confluence |
title_sort |
On the writing of ardent themes: wedding in a genre confluence |
author |
Paranhos, Maria Cecília Rogers |
author_facet |
Paranhos, Maria Cecília Rogers |
author_role |
author |
dc.contributor.author.fl_str_mv |
Paranhos, Maria Cecília Rogers |
dc.subject.por.fl_str_mv |
Llansol Therese of Lisieux ardent text Llansol Teresa de Lisieux ardente texto |
topic |
Llansol Therese of Lisieux ardent text Llansol Teresa de Lisieux ardente texto |
description |
This study will involve the Ardente texto Joshua (1998), from Maria Gabriela Llansol, that brings the figure of Teresa Martin, or Saint Therese of Jesus. It does not focus on her biography or the history of her scriptures, but on capturing knowledge and admiration in order to confront the “amorous art of living” with the aspiration of the ardent text: “the necessity of the body’s resuscitation”, establishing a close relation of changes and of confluences in different plans. From this text, a discussion about this scripture, that abolishes the paradigms already established and creates a new literary doing of our contemporary time, will be brought up. With the support of the lectures of Roland Barthes, Michel Foucault, Giorgio Agamben and Gilles Deleuze, among others, it’ll be evidenced the author’s absence in this text of Llansol and its expression through a possible combination of flows. Not only ignoring the form of the diary writing, the author will also create the fiction of the diary of a writing - equally subverted, following Blanchot’s concepts. Moving away from the rigid form of the representative novel, the text of Maria Gabriela Llansol approaches to a “stutter” in its own language, that brings oscillation to the limits up to now considered between poetry and prose. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-04-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29750 10.22409/abriluff.v4i6.29750 |
url |
https://periodicos.uff.br/revistaabril/article/view/29750 |
identifier_str_mv |
10.22409/abriluff.v4i6.29750 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29750/17291 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 4 No. 6 (2011): PROSE AND POETRY; 39-49 Abril – NEPA / UFF; v. 4 n. 6 (2011): PROSA & POESIA; 39-49 1984-2090 10.22409/abriluff.v4i6 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695308129566720 |