BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTURE
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista de Teoria da História |
Texto Completo: | https://revistas.ufg.br/teoria/article/view/59887 |
Resumo: | Africa is in us as is the holy spirit. And it is not an insidious presence, but something vigorous that permeates the lifestyle of blacks and mestizos in Brazil from the neck to the neck. The studies in question state that this presence was felt from three central cultural elements: music, body arts and religion. It was up to this text to explore the musical and artistic dimension that from the perspective os this author made the brazilian Black a thinker and protagonist of his own history. Music and the arts were the way to engender a narrative that made him an emancipated subject. I arquetha through it a sonic and artistic history hás spread as a black philosophy on the fringes of modern culture in the South Atlantic circuit.Keywords: Art; Brazil; Culture; Diaspora; Periphery. |
id |
UFG-10_3a06c403198739d38c176b4c752c7d8a |
---|---|
oai_identifier_str |
oai:ojs.revistas.ufg.br:article/59887 |
network_acronym_str |
UFG-10 |
network_name_str |
Revista de Teoria da História |
repository_id_str |
|
spelling |
BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTUREESTÉTICA NEGRA E PERIFÉRICA: FILOSOFIA, ARTE E CULTURAArtBrazilCultureDiasporaPeripheryArteBrasilCulturaDiásporaPeriferiaAfrica is in us as is the holy spirit. And it is not an insidious presence, but something vigorous that permeates the lifestyle of blacks and mestizos in Brazil from the neck to the neck. The studies in question state that this presence was felt from three central cultural elements: music, body arts and religion. It was up to this text to explore the musical and artistic dimension that from the perspective os this author made the brazilian Black a thinker and protagonist of his own history. Music and the arts were the way to engender a narrative that made him an emancipated subject. I arquetha through it a sonic and artistic history hás spread as a black philosophy on the fringes of modern culture in the South Atlantic circuit.Keywords: Art; Brazil; Culture; Diaspora; Periphery.A África está em nós assim como o Espírito Santo. E não se trata de uma presença insidiosa, mas de algo vigoroso que impregnou do cóccix ao pescoço o estilo de vida dos negros e mestiços no Brasil. Os estudos em questão afirmam que essa presença se fez sentir a partir de três elementos culturais centrais: música, artes do corpo e religião. Coube a esse texto explorar a dimensão musical e artística que, sob a perspectiva desse autor, tornou o negro brasileiro um pensador e protagonista de sua própria história. A música e as artes foram a via para engendrar uma narrativa que o tornou sujeito emancipado. Defendo que por meio dela, uma história sônica e artística se disseminou como filosofia negra nas fímbrias da cultura moderna no circuito do Atlântico sul.Palavras-chave: Arte; Brasil; Cultura; Diáspora; Periferia.Universidade Federal de Goiás2020-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/teoria/article/view/59887Revista de Teoria da História; Vol. 22 No. 2 (2019): Intelectualidades negras e a escrita da história; 36-51Revista de Teoria da História; v. 22 n. 2 (2019): Intelectualidades negras e a escrita da história; 36-512175-5892reponame:Revista de Teoria da Históriainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/teoria/article/view/59887/34171Magno Azevedo, Amailtoninfo:eu-repo/semantics/openAccess2020-12-11T05:57:55Zoai:ojs.revistas.ufg.br:article/59887Revistahttps://revistas.ufg.br/teoria/PUBhttps://revistas.ufg.br/teoria/oai||revistateoriadahistoria@hotmail.com2175-58922175-5892opendoar:2020-12-11T05:57:55Revista de Teoria da História - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTURE ESTÉTICA NEGRA E PERIFÉRICA: FILOSOFIA, ARTE E CULTURA |
title |
BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTURE |
spellingShingle |
BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTURE Magno Azevedo, Amailton Art Brazil Culture Diaspora Periphery Arte Brasil Cultura Diáspora Periferia |
title_short |
BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTURE |
title_full |
BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTURE |
title_fullStr |
BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTURE |
title_full_unstemmed |
BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTURE |
title_sort |
BLACK AND PERIPHERAL AESTHETICS: PHILOSOPHY, ART AND CULTURE |
author |
Magno Azevedo, Amailton |
author_facet |
Magno Azevedo, Amailton |
author_role |
author |
dc.contributor.author.fl_str_mv |
Magno Azevedo, Amailton |
dc.subject.por.fl_str_mv |
Art Brazil Culture Diaspora Periphery Arte Brasil Cultura Diáspora Periferia |
topic |
Art Brazil Culture Diaspora Periphery Arte Brasil Cultura Diáspora Periferia |
description |
Africa is in us as is the holy spirit. And it is not an insidious presence, but something vigorous that permeates the lifestyle of blacks and mestizos in Brazil from the neck to the neck. The studies in question state that this presence was felt from three central cultural elements: music, body arts and religion. It was up to this text to explore the musical and artistic dimension that from the perspective os this author made the brazilian Black a thinker and protagonist of his own history. Music and the arts were the way to engender a narrative that made him an emancipated subject. I arquetha through it a sonic and artistic history hás spread as a black philosophy on the fringes of modern culture in the South Atlantic circuit.Keywords: Art; Brazil; Culture; Diaspora; Periphery. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/teoria/article/view/59887 |
url |
https://revistas.ufg.br/teoria/article/view/59887 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/teoria/article/view/59887/34171 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Revista de Teoria da História; Vol. 22 No. 2 (2019): Intelectualidades negras e a escrita da história; 36-51 Revista de Teoria da História; v. 22 n. 2 (2019): Intelectualidades negras e a escrita da história; 36-51 2175-5892 reponame:Revista de Teoria da História instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Revista de Teoria da História |
collection |
Revista de Teoria da História |
repository.name.fl_str_mv |
Revista de Teoria da História - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
||revistateoriadahistoria@hotmail.com |
_version_ |
1809730282045046784 |