SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas

Detalhes bibliográficos
Autor(a) principal: Abel, Thiago
Data de Publicação: 2020
Outros Autores: Aleixo, Daniel
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/65523
Resumo: The performance that became known as the Ankoku Butoh's inaugural work by Tatsumi Hijikata was named Forbidden Colors, making a direct allusion to the title of the novel written by Yukio Mishima. From this purposeful act, an eleven-year friendship between these artists emerged. This article presents from the Writer and Dancer's Forbidden Colors the distinctions between their perspectives on death, directly linked to the ways that investigated their own bodies. A clash is proposed between the Healthy Body in Mishima - forged by the strict doctrine of the Sun and Steel - and the Debilitated Body in Hijikata - open and porous as befits the wisdom announced by the mud.
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spelling SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores ProibidasThe performance that became known as the Ankoku Butoh's inaugural work by Tatsumi Hijikata was named Forbidden Colors, making a direct allusion to the title of the novel written by Yukio Mishima. From this purposeful act, an eleven-year friendship between these artists emerged. This article presents from the Writer and Dancer's Forbidden Colors the distinctions between their perspectives on death, directly linked to the ways that investigated their own bodies. A clash is proposed between the Healthy Body in Mishima - forged by the strict doctrine of the Sun and Steel - and the Debilitated Body in Hijikata - open and porous as befits the wisdom announced by the mud.O trabalho que ficou conhecido como obra inaugural do Ankoku Butô de Tatsumi Hijikata foi nomeado Cores Proibidas, fazendo uma alusão direta ao título do romance escrito por Yukio Mishima. Deste ato proposital, surgiu uma amizade entre esses artistas que durou onze anos. Este artigo apresenta a partir do Cores Proibidas do escritor e do dançarino as distinções entre suas perspectivas acerca da morte, atrelada diretamente aos modos que investigaram seus próprios corpos. Propõe-se um embate entre o Corpo Saudável em Mishima – forjado pela doutrina severa do Sol e do Aço – e o Corpo Debilitado em Hijikata – aberto e poroso como condiz à sabedoria anunciada pela lama.Universidade Federal de Goiás2020-12-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/6552310.5216/ac.v6i2.65523Art on Stage Journal; Vol. 6 No. 2 (2020): Decentering Dance Research; 468-493Arte da Cena (Art on Stage); v. 6 n. 2 (2020): Descentrar as Pesquisas em Dança; 468-4932358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/65523/36061Copyright (c) 2020 Thiago Abel, Daniel Aleixoinfo:eu-repo/semantics/openAccessAbel, ThiagoAleixo, Daniel2021-02-19T21:09:25Zoai:ojs.revistas.ufg.br:article/65523Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-02-19T21:09:25Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas
title SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas
spellingShingle SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas
Abel, Thiago
title_short SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas
title_full SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas
title_fullStr SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas
title_full_unstemmed SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas
title_sort SOL E LAMA: Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas
author Abel, Thiago
author_facet Abel, Thiago
Aleixo, Daniel
author_role author
author2 Aleixo, Daniel
author2_role author
dc.contributor.author.fl_str_mv Abel, Thiago
Aleixo, Daniel
description The performance that became known as the Ankoku Butoh's inaugural work by Tatsumi Hijikata was named Forbidden Colors, making a direct allusion to the title of the novel written by Yukio Mishima. From this purposeful act, an eleven-year friendship between these artists emerged. This article presents from the Writer and Dancer's Forbidden Colors the distinctions between their perspectives on death, directly linked to the ways that investigated their own bodies. A clash is proposed between the Healthy Body in Mishima - forged by the strict doctrine of the Sun and Steel - and the Debilitated Body in Hijikata - open and porous as befits the wisdom announced by the mud.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/65523
10.5216/ac.v6i2.65523
url https://revistas.ufg.br/artce/article/view/65523
identifier_str_mv 10.5216/ac.v6i2.65523
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/65523/36061
dc.rights.driver.fl_str_mv Copyright (c) 2020 Thiago Abel, Daniel Aleixo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Thiago Abel, Daniel Aleixo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 6 No. 2 (2020): Decentering Dance Research; 468-493
Arte da Cena (Art on Stage); v. 6 n. 2 (2020): Descentrar as Pesquisas em Dança; 468-493
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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