Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko Shibusawa

Detalhes bibliográficos
Autor(a) principal: Abel, Thiago
Data de Publicação: 2022
Outros Autores: Aleixo, Daniel
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/73424
Resumo: This article aims to share reflections on the concept of animated forms from the puppet theater called bunraku in contrast to the object, an appropriate term of the surrealist movement and assimilated by the writer Tatsuhiko Shibusawa and developments in the Butoh dance of Tatsumi Hijikata. Here, the idea of animacy is discussed, starting from the tangent principle to biologically active beings, in particular, puppets and immanent manifestations of nature such as diseases and youkais, in order to broaden the perception of bodies and movement.
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spelling Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko ShibusawaButoh y Formas Animadas : Por Tatsumi Hijikata y Tatsuhiko ShibusawaButoh et formes animées : Par Tatsumi Hijikata et Tatsuhiko ShibusawaButô e Formas Animadas : A partir de Tatsumi Hijikata E Tatsuhiko ShibusawaThis article aims to share reflections on the concept of animated forms from the puppet theater called bunraku in contrast to the object, an appropriate term of the surrealist movement and assimilated by the writer Tatsuhiko Shibusawa and developments in the Butoh dance of Tatsumi Hijikata. Here, the idea of animacy is discussed, starting from the tangent principle to biologically active beings, in particular, puppets and immanent manifestations of nature such as diseases and youkais, in order to broaden the perception of bodies and movement.Este artículo tiene como objetivo compartir reflexiones sobre el concepto de formas animadas del teatro de títeres denominado bunraku en contraste con el objeto, término propio del movimiento surrealista y asimilado por el escritor Tatsuhiko Shibusawa y desarrollos en la danza Butoh de Tatsumi Hijikata. Aquí se discute la idea de animidad, a partir del principio tangente a los seres biológicamente activos, en particular, los títeres y las manifestaciones inmanentes de la naturaleza como las enfermedades y los youkais, con el fin de ampliar la percepción de los cuerpos y del movimiento.Cet article vise à partager des réflexions sur le concept de formes animées issues du théâtre de marionnettes appelé bunraku par opposition à l'objet, terme propre au mouvement surréaliste et assimilé par l'écrivain Tatsuhiko Shibusawa et les développements dans la danse Butoh de Tatsumi Hijikata. Ici, l'idée d'animité est discutée, en partant du principe tangent aux êtres biologiquement actifs, en particulier les marionnettes et les manifestations immanentes de la nature telles que les maladies et les youkais, afin d'élargir la perception des corps et du mouvement.O presente artigo visa partilhar reflexões sobre o conceito de formas animadas a partir do teatro de marionetes denominado bunraku em contraste com o object, termo apropriado do movimento surrealista e assimilado pelo escritor Tatsuhiko Shibusawa e desdobramentos na dança butô de Tatsumi Hijikata. Aqui, discute-se a ideia de animacidade partindo do princípio tangente à seres biologicamente ativos, em especial, marionetes e manifestações imanentes da natureza como doenças e youkais, a fim de ampliar a percepção sobre os corpos e sobre o movimento. Universidade Federal de Goiás2022-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/7342410.5216/ac.v8i1.73424Art on Stage Journal; Vol. 8 No. 1 (2022): Un[fold]ing of the PerformanceArte da Cena (Art on Stage); v. 8 n. 1 (2022): Des[dobra]mentos da Cena2358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/73424/38898Copyright (c) 2022 Thiago Abel, Daniel Aleixohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAbel, ThiagoAleixo, Daniel2022-12-13T19:25:22Zoai:ojs.revistas.ufg.br:article/73424Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2022-12-13T19:25:22Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko Shibusawa
Butoh y Formas Animadas : Por Tatsumi Hijikata y Tatsuhiko Shibusawa
Butoh et formes animées : Par Tatsumi Hijikata et Tatsuhiko Shibusawa
Butô e Formas Animadas : A partir de Tatsumi Hijikata E Tatsuhiko Shibusawa
title Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko Shibusawa
spellingShingle Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko Shibusawa
Abel, Thiago
title_short Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko Shibusawa
title_full Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko Shibusawa
title_fullStr Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko Shibusawa
title_full_unstemmed Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko Shibusawa
title_sort Butoh and Animated Forms : By Tatsumi Hijikata and Tatsuhiko Shibusawa
author Abel, Thiago
author_facet Abel, Thiago
Aleixo, Daniel
author_role author
author2 Aleixo, Daniel
author2_role author
dc.contributor.author.fl_str_mv Abel, Thiago
Aleixo, Daniel
description This article aims to share reflections on the concept of animated forms from the puppet theater called bunraku in contrast to the object, an appropriate term of the surrealist movement and assimilated by the writer Tatsuhiko Shibusawa and developments in the Butoh dance of Tatsumi Hijikata. Here, the idea of animacy is discussed, starting from the tangent principle to biologically active beings, in particular, puppets and immanent manifestations of nature such as diseases and youkais, in order to broaden the perception of bodies and movement.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/73424
10.5216/ac.v8i1.73424
url https://revistas.ufg.br/artce/article/view/73424
identifier_str_mv 10.5216/ac.v8i1.73424
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/73424/38898
dc.rights.driver.fl_str_mv Copyright (c) 2022 Thiago Abel, Daniel Aleixo
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Thiago Abel, Daniel Aleixo
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 8 No. 1 (2022): Un[fold]ing of the Performance
Arte da Cena (Art on Stage); v. 8 n. 1 (2022): Des[dobra]mentos da Cena
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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