FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out Cry
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/74123 |
Resumo: | This article critically analyzes the main differences and similarities between The Two-Character Play and Out Cry, by Tennessee Williams. They are plays with the same plot, but with significant differences in narrative form. The main objective is to identify the autobiographical relationships, verify the formal resources that associate them with the so-called theater of the absurd and the Pirandello´s meta-theatrical work, as well as other possible contributions from the experimental theater of the US countercultural years and off-off-Broadway. In addition, it presents the two plays, their reception, synopsis, context, and the conditions in which they were written. It also points out the Brazilian stage montages and their contexts. In conclusion, the reference to experimental devices of the metatheater and the so-called theater of the absurd allows opening doors of understanding and aesthetic paths not associated with the playwright in Brazil. |
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Arte da Cena |
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FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out CryEXPEDIENTES DO “ABSURDO” E O METATEATRO NA OBRA DE TENNESSEE WILLIAMS: Uma análise comparativa entre "The Two-Character Play" e "Out Cry"This article critically analyzes the main differences and similarities between The Two-Character Play and Out Cry, by Tennessee Williams. They are plays with the same plot, but with significant differences in narrative form. The main objective is to identify the autobiographical relationships, verify the formal resources that associate them with the so-called theater of the absurd and the Pirandello´s meta-theatrical work, as well as other possible contributions from the experimental theater of the US countercultural years and off-off-Broadway. In addition, it presents the two plays, their reception, synopsis, context, and the conditions in which they were written. It also points out the Brazilian stage montages and their contexts. In conclusion, the reference to experimental devices of the metatheater and the so-called theater of the absurd allows opening doors of understanding and aesthetic paths not associated with the playwright in Brazil.Este artigo analisa criticamente as principais diferenças e semelhanças entre as peças The Two-Character Play e Out Cry, de Tennessee Williams. São obras com o mesmo enredo, porém com significativas diferenças na forma narrativa. O objetivo principal é identificar as relações autobiográficas, constatar os recursos formais que as associam ao chamado teatro do absurdo e à obra metateatral de Pirandello, assim como outros possíveis aportes do teatro experimental dos anos contraculturais estadunidenses e o off-off-Broadway. Além disso, apresenta as duas peças, sua recepção, sinopse, contexto e as condições em que foram escritas. Aponta, também, as montagens brasileiras e seus contextos. Como conclusão, tem-se que a remissão a expedientes experimentais do metateatro e do chamado teatro do absurdo permitem abrir portas de compreensão e caminhos estéticos pouco associados ao dramaturgo no Brasil.Universidade Federal de Goiás2023-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/7412310.5216/ac.v9i1.74123Art on Stage Journal; Vol. 9 No. 1 (2023): Ecoperformance and Ecopolitics of the Scene; 455 - 496Arte de la Escena; Vol. 9 Núm. 1 (2023): Ecoperformance y Ecopolíticas de la Escena; 455 - 496Arte da Cena (Art on Stage); v. 9 n. 1 (2023): Ecoperformance e Ecopolíticas da Cena; 455 - 4962358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/74123/40568Copyright (c) 2023 Luis Marcio Arnaut de Toledohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessArnaut de Toledo, Luis Marcio2023-12-16T05:05:53Zoai:ojs.revistas.ufg.br:article/74123Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2023-12-16T05:05:53Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out Cry EXPEDIENTES DO “ABSURDO” E O METATEATRO NA OBRA DE TENNESSEE WILLIAMS: Uma análise comparativa entre "The Two-Character Play" e "Out Cry" |
title |
FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out Cry |
spellingShingle |
FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out Cry Arnaut de Toledo, Luis Marcio |
title_short |
FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out Cry |
title_full |
FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out Cry |
title_fullStr |
FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out Cry |
title_full_unstemmed |
FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out Cry |
title_sort |
FILES OF THE “ABSURDITY” AND METATHEATRE IN TENNESSEE WILLIAMS’ WORK: A Comparative Analysis of The Two-Character Play and Out Cry |
author |
Arnaut de Toledo, Luis Marcio |
author_facet |
Arnaut de Toledo, Luis Marcio |
author_role |
author |
dc.contributor.author.fl_str_mv |
Arnaut de Toledo, Luis Marcio |
description |
This article critically analyzes the main differences and similarities between The Two-Character Play and Out Cry, by Tennessee Williams. They are plays with the same plot, but with significant differences in narrative form. The main objective is to identify the autobiographical relationships, verify the formal resources that associate them with the so-called theater of the absurd and the Pirandello´s meta-theatrical work, as well as other possible contributions from the experimental theater of the US countercultural years and off-off-Broadway. In addition, it presents the two plays, their reception, synopsis, context, and the conditions in which they were written. It also points out the Brazilian stage montages and their contexts. In conclusion, the reference to experimental devices of the metatheater and the so-called theater of the absurd allows opening doors of understanding and aesthetic paths not associated with the playwright in Brazil. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/74123 10.5216/ac.v9i1.74123 |
url |
https://revistas.ufg.br/artce/article/view/74123 |
identifier_str_mv |
10.5216/ac.v9i1.74123 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/74123/40568 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Luis Marcio Arnaut de Toledo https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Luis Marcio Arnaut de Toledo https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 9 No. 1 (2023): Ecoperformance and Ecopolitics of the Scene; 455 - 496 Arte de la Escena; Vol. 9 Núm. 1 (2023): Ecoperformance y Ecopolíticas de la Escena; 455 - 496 Arte da Cena (Art on Stage); v. 9 n. 1 (2023): Ecoperformance e Ecopolíticas da Cena; 455 - 496 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725230239744 |