Showgirls stereotypes in Tennessee Williams' dramaturgy
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/26193 |
Resumo: | The dramaturgy of Tennessee Williams' In our Profession one-act play collates the stereotyped showgirls dramaturgical figuration, identified in several works of his initial career. With this identification, this work revealed a woman portrayed in a satirical way, contrasted with the social role of gender. It also denoted the expressionist and non- Brechtian epic ways to account for the critical social content in the portrait of these showgirls. The approach included the analysis of aesthetic and historical expedients in the conjuncture of the piece. Finally, it introduced the playwright as a socio-political critic who uses lyrical dialogues inspired by cinematic scripts from the 1930s. |
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Showgirls stereotypes in Tennessee Williams' dramaturgyEl estereotipo de las coristas en la dramaturgia de Tennessee WilliamsO estereótipo das coristas na dramaturgia de Tennessee WilliamsArtes da cenaDramaturgiaTeatroTennessee WilliamsIn Our ProfessionPerforming artsDramaturgyTheatreTennessee WilliamsIn Our ProfessionLas artes escénicasDramaturgiaTeatroTennessee WilliamsIn Our ProfessionThe dramaturgy of Tennessee Williams' In our Profession one-act play collates the stereotyped showgirls dramaturgical figuration, identified in several works of his initial career. With this identification, this work revealed a woman portrayed in a satirical way, contrasted with the social role of gender. It also denoted the expressionist and non- Brechtian epic ways to account for the critical social content in the portrait of these showgirls. The approach included the analysis of aesthetic and historical expedients in the conjuncture of the piece. Finally, it introduced the playwright as a socio-political critic who uses lyrical dialogues inspired by cinematic scripts from the 1930s.La dramaturgia de la obra en un acto In our Profession, de Tennessee Williams, coteja la figuración dramatúrgica estereotipada de las coristas, identificada en varias obras de sus fases iniciales. Con esta identificación, esta obra reveló una mujer retratada de manera satírica, contrastada con el rol social del género. También denotó la utilización de las formas expresionista y épico no brechtiano para dar cuenta del contenido social crítico en el retrato de estas coristas. El enfoque incluyó el análisis de expedientes estéticos e históricos de la coyuntura de la pieza. Finalmente, presentó el dramaturgo como un crítico sociopolítico que utiliza diálogos líricos inspirados en guiones cinematográficos de los años treinta.A dramaturgia da peça em um ato In our Profession, de Tennessee Williams, coteja a figuração dramatúrgica estereotipada das coristas, identificada em diversas obras de sua fase inicial. Com essa identificação, este trabalho revelou a mulher retratada de forma satírica, em contraponto com o papel social de gênero. Denotou, também, o emprego das formas expressionista e épica não brechtiana para dar conta do conteúdo crítico social no retrato destas showgirls. A abordagem contemplou a análise de expedientes estéticos e históricos da conjuntura da peça. Por fim, apresentou o dramaturgo como um crítico sociopolítico que utiliza diálogos líricos inspirados em roteiros cinematográficos da década de 1930.Universidade Federal de Minas Gerais2021-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/2619310.35699/2237-5864.2021.26193PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 438-463PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 438-463PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 438-4632238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/26193/27903Copyright (c) 2021 Luis Marcio Arnaut de Toledohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessToledo, Luis Marcio Arnaut de2021-09-24T13:26:15Zoai:periodicos.ufmg.br:article/26193Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2021-09-24T13:26:15Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Showgirls stereotypes in Tennessee Williams' dramaturgy El estereotipo de las coristas en la dramaturgia de Tennessee Williams O estereótipo das coristas na dramaturgia de Tennessee Williams |
title |
Showgirls stereotypes in Tennessee Williams' dramaturgy |
spellingShingle |
Showgirls stereotypes in Tennessee Williams' dramaturgy Toledo, Luis Marcio Arnaut de Artes da cena Dramaturgia Teatro Tennessee Williams In Our Profession Performing arts Dramaturgy Theatre Tennessee Williams In Our Profession Las artes escénicas Dramaturgia Teatro Tennessee Williams In Our Profession |
title_short |
Showgirls stereotypes in Tennessee Williams' dramaturgy |
title_full |
Showgirls stereotypes in Tennessee Williams' dramaturgy |
title_fullStr |
Showgirls stereotypes in Tennessee Williams' dramaturgy |
title_full_unstemmed |
Showgirls stereotypes in Tennessee Williams' dramaturgy |
title_sort |
Showgirls stereotypes in Tennessee Williams' dramaturgy |
author |
Toledo, Luis Marcio Arnaut de |
author_facet |
Toledo, Luis Marcio Arnaut de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Toledo, Luis Marcio Arnaut de |
dc.subject.por.fl_str_mv |
Artes da cena Dramaturgia Teatro Tennessee Williams In Our Profession Performing arts Dramaturgy Theatre Tennessee Williams In Our Profession Las artes escénicas Dramaturgia Teatro Tennessee Williams In Our Profession |
topic |
Artes da cena Dramaturgia Teatro Tennessee Williams In Our Profession Performing arts Dramaturgy Theatre Tennessee Williams In Our Profession Las artes escénicas Dramaturgia Teatro Tennessee Williams In Our Profession |
description |
The dramaturgy of Tennessee Williams' In our Profession one-act play collates the stereotyped showgirls dramaturgical figuration, identified in several works of his initial career. With this identification, this work revealed a woman portrayed in a satirical way, contrasted with the social role of gender. It also denoted the expressionist and non- Brechtian epic ways to account for the critical social content in the portrait of these showgirls. The approach included the analysis of aesthetic and historical expedients in the conjuncture of the piece. Finally, it introduced the playwright as a socio-political critic who uses lyrical dialogues inspired by cinematic scripts from the 1930s. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/26193 10.35699/2237-5864.2021.26193 |
url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/26193 |
identifier_str_mv |
10.35699/2237-5864.2021.26193 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/26193/27903 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Luis Marcio Arnaut de Toledo https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Luis Marcio Arnaut de Toledo https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021 - Aug.2021; 438-463 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021 - Ago.2021; 438-463 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021 - ago.2021; 438-463 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Pós (Universidade Federal de Minas Gerais. Online) |
collection |
Pós (Universidade Federal de Minas Gerais. Online) |
repository.name.fl_str_mv |
Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistapos.ppga@gmail.com |
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1797049081723355136 |