THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/62450 |
Resumo: | In 2019, the Opera Center from Paraná’s State School of Music and Fine Arts/UNESPAR performed the opera Orpheus and Eurydice (1762) by Christoph Willibald Gluck. This paper explores the theatrical proposal and the creative process of the performance, which aimed to integrate the chorus and the scenography by a wide range of actions in order to constantly transform the scenic space. Recovering aspects from the ancient greek theater choruses, in which the members performed the triple duty of narrating, singing and dancing, and considering the dance in a broad meaning, according to Cláudia Andrade (comprehending body expression, several actions and movements in general), it was sought that the chorus developed meaningful actions interacting with the scenic objects. By handling them in many ways, the chorus acted as a space modifying agent, sometimes even becoming scenography itself. In order to achieve this outcome, it was necessary to develop and apply self-knowledge and body experiment techniques to the chorus members, with the intent of expanding body limits and the ability to sing while carrying out different actions. Keywords: Chorus; Opera; Scenography; Movement; Body. |
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THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERAO CORO COMO AGENTE TRANSFORMADOR DO ESPAÇO NA ENCENAÇÃO DA ÓPERA ORFEU E EURÍDICE DE GLUCKIn 2019, the Opera Center from Paraná’s State School of Music and Fine Arts/UNESPAR performed the opera Orpheus and Eurydice (1762) by Christoph Willibald Gluck. This paper explores the theatrical proposal and the creative process of the performance, which aimed to integrate the chorus and the scenography by a wide range of actions in order to constantly transform the scenic space. Recovering aspects from the ancient greek theater choruses, in which the members performed the triple duty of narrating, singing and dancing, and considering the dance in a broad meaning, according to Cláudia Andrade (comprehending body expression, several actions and movements in general), it was sought that the chorus developed meaningful actions interacting with the scenic objects. By handling them in many ways, the chorus acted as a space modifying agent, sometimes even becoming scenography itself. In order to achieve this outcome, it was necessary to develop and apply self-knowledge and body experiment techniques to the chorus members, with the intent of expanding body limits and the ability to sing while carrying out different actions. Keywords: Chorus; Opera; Scenography; Movement; Body.Em 2019, o Núcleo de Ópera da Escola de Música e Belas Artes do Paraná/UNESPAR encenou a ópera Orfeu e Eurídice (1762), de Christoph Willibald Gluck. Este artigo aborda a proposta de encenação e o processo de criação da montagem, que buscou integrar o coro com a cenografia por uma série de ações para a constante transformação do espaço da cena. Retomando aspectos dos antigos coros de teatro grego, onde os integrantes tinham a tripla função de narrar, cantar e dançar, e considerando a dança em sentido amplo, segundo Cláudia Andrade (abrangendo expressão corporal, ações diversas e movimentos em geral), buscou-se que o coro desenvolvesse ações significativas em interação com os objetos cênicos. Ao manipulá-los de diversas formas, o coro atuou como agente transformador do espaço, por vezes, inclusive, se confundindo com a cenografia. Para atingir este resultado, foi necessário desenvolver um trabalho de autoconhecimento e experimentação corporal com os integrantes do coro, a fim de expandir os limites do corpo e as habilidades de cantar e realizar diferentes ações simultaneamente. Palavras-chave: Coro; Ópera; Cenografia; Movimento; Corpo.Universidade Federal de Goiás2020-07-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/6245010.5216/ac.v6i1.62450Art on Stage Journal; Vol. 6 No. 1 (2020): Gender Poetics in the Performing ArtsArte da Cena (Art on Stage); v. 6 n. 1 (2020): Poéticas de Gênero nas Artes da Cena2358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/62450/35315Copyright (c) 2020 Alexandre Lautertinfo:eu-repo/semantics/openAccessLautert, Alexandre2020-08-28T01:17:49Zoai:ojs.revistas.ufg.br:article/62450Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2020-08-28T01:17:49Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA O CORO COMO AGENTE TRANSFORMADOR DO ESPAÇO NA ENCENAÇÃO DA ÓPERA ORFEU E EURÍDICE DE GLUCK |
title |
THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA |
spellingShingle |
THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA Lautert, Alexandre |
title_short |
THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA |
title_full |
THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA |
title_fullStr |
THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA |
title_full_unstemmed |
THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA |
title_sort |
THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA |
author |
Lautert, Alexandre |
author_facet |
Lautert, Alexandre |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lautert, Alexandre |
description |
In 2019, the Opera Center from Paraná’s State School of Music and Fine Arts/UNESPAR performed the opera Orpheus and Eurydice (1762) by Christoph Willibald Gluck. This paper explores the theatrical proposal and the creative process of the performance, which aimed to integrate the chorus and the scenography by a wide range of actions in order to constantly transform the scenic space. Recovering aspects from the ancient greek theater choruses, in which the members performed the triple duty of narrating, singing and dancing, and considering the dance in a broad meaning, according to Cláudia Andrade (comprehending body expression, several actions and movements in general), it was sought that the chorus developed meaningful actions interacting with the scenic objects. By handling them in many ways, the chorus acted as a space modifying agent, sometimes even becoming scenography itself. In order to achieve this outcome, it was necessary to develop and apply self-knowledge and body experiment techniques to the chorus members, with the intent of expanding body limits and the ability to sing while carrying out different actions. Keywords: Chorus; Opera; Scenography; Movement; Body. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-07-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/62450 10.5216/ac.v6i1.62450 |
url |
https://revistas.ufg.br/artce/article/view/62450 |
identifier_str_mv |
10.5216/ac.v6i1.62450 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/62450/35315 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Alexandre Lautert info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Alexandre Lautert |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 6 No. 1 (2020): Gender Poetics in the Performing Arts Arte da Cena (Art on Stage); v. 6 n. 1 (2020): Poéticas de Gênero nas Artes da Cena 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725888745472 |