IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉ

Detalhes bibliográficos
Autor(a) principal: MORAES, DANIELA BENY POLITO
Data de Publicação: 2017
Outros Autores: ALVES, TEODORA DE ARAÚJO
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/46179
Resumo: The present article aims to discuss the presence and the female representation in the show “Agô: Iyabás Pedem Passagem” of Afoxé Oju Omim Omorewá, bringing to the dialogue aspects characteristic of the transmission of knowledge of the Afro-Brazilian religions, focusing on the transit of sacred ritual performance for artistic performance. Here, in addition to a brief summary of the show, we will make an explanation of the Iyabás and the female ancestral spirits represented there, from the perspective of the relation body x spirituality and the possible associations with contemporary women. As a theoretical support, we used the concepts of Performance brought by Richard Schechner in parallel to the reflections on the Performance Studies of Diana Taylor and the Afro-Amerindian Studies of Zeca Ligiéro.
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spelling IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉIYABÁS EM CENA: O TRÂNSITO E AS REPRESENTAÇÕES DAS DIVINDADES FEMININAS DO CANDOMBLÉAfoxéCandombléPerformanceIyabásEstudos Afro-ameríndios.The present article aims to discuss the presence and the female representation in the show “Agô: Iyabás Pedem Passagem” of Afoxé Oju Omim Omorewá, bringing to the dialogue aspects characteristic of the transmission of knowledge of the Afro-Brazilian religions, focusing on the transit of sacred ritual performance for artistic performance. Here, in addition to a brief summary of the show, we will make an explanation of the Iyabás and the female ancestral spirits represented there, from the perspective of the relation body x spirituality and the possible associations with contemporary women. As a theoretical support, we used the concepts of Performance brought by Richard Schechner in parallel to the reflections on the Performance Studies of Diana Taylor and the Afro-Amerindian Studies of Zeca Ligiéro.O presente artigo visa discutir a presença e a representação feminina no espetáculo “Agô: Iyabás Pedem Passagem” do Afoxé Oju Omim Omorewá, trazendo para o diálogo aspectos característicos da transmissão de saberes das religiões afro-brasileiras, focando no trânsito da performance ritual sagrada para a performance artística. Aqui, além de um breve resumo do espetáculo, faremos uma explanação sobre as Iyabás e os espíritos ancestrais femininos ali representados, sob a perspectiva da relação corpo x espiritualidade e as associações possíveis com as mulheres contemporâneas. Como suporte teórico, recorremos aos conceitos de Performance trazidos por Richard Schechner em paralelo às reflexões sobre os Estudos da Performance de Diana Taylor e os Estudos Afro-ameríndios de Zeca Ligiéro.Universidade Federal de Goiás2017-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/4617910.5216/ac.v3i1.46179Art on Stage Journal; Vol. 3 No. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 128-142Arte da Cena (Art on Stage); v. 3 n. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 128-1422358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/46179/24197Copyright (c) 2017 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessMORAES, DANIELA BENY POLITOALVES, TEODORA DE ARAÚJO2021-02-20T19:56:07Zoai:ojs.revistas.ufg.br:article/46179Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-02-20T19:56:07Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉ
IYABÁS EM CENA: O TRÂNSITO E AS REPRESENTAÇÕES DAS DIVINDADES FEMININAS DO CANDOMBLÉ
title IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉ
spellingShingle IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉ
MORAES, DANIELA BENY POLITO
Afoxé
Candomblé
Performance
Iyabás
Estudos Afro-ameríndios.
title_short IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉ
title_full IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉ
title_fullStr IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉ
title_full_unstemmed IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉ
title_sort IYABÁS ON THE SCENE: THE TRANSIT AND THE REPRESENTATIONS OF THE FEMININE DIVINITIES OF THE CANDOMBLÉ
author MORAES, DANIELA BENY POLITO
author_facet MORAES, DANIELA BENY POLITO
ALVES, TEODORA DE ARAÚJO
author_role author
author2 ALVES, TEODORA DE ARAÚJO
author2_role author
dc.contributor.author.fl_str_mv MORAES, DANIELA BENY POLITO
ALVES, TEODORA DE ARAÚJO
dc.subject.por.fl_str_mv Afoxé
Candomblé
Performance
Iyabás
Estudos Afro-ameríndios.
topic Afoxé
Candomblé
Performance
Iyabás
Estudos Afro-ameríndios.
description The present article aims to discuss the presence and the female representation in the show “Agô: Iyabás Pedem Passagem” of Afoxé Oju Omim Omorewá, bringing to the dialogue aspects characteristic of the transmission of knowledge of the Afro-Brazilian religions, focusing on the transit of sacred ritual performance for artistic performance. Here, in addition to a brief summary of the show, we will make an explanation of the Iyabás and the female ancestral spirits represented there, from the perspective of the relation body x spirituality and the possible associations with contemporary women. As a theoretical support, we used the concepts of Performance brought by Richard Schechner in parallel to the reflections on the Performance Studies of Diana Taylor and the Afro-Amerindian Studies of Zeca Ligiéro.
publishDate 2017
dc.date.none.fl_str_mv 2017-07-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/46179
10.5216/ac.v3i1.46179
url https://revistas.ufg.br/artce/article/view/46179
identifier_str_mv 10.5216/ac.v3i1.46179
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/46179/24197
dc.rights.driver.fl_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 3 No. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 128-142
Arte da Cena (Art on Stage); v. 3 n. 1 (2017): v. 3, n. 1 - MOTIM - Mito, Rito e Cartografias Femininas nas Artes da Cena; 128-142
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
_version_ 1797068725802762240

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