HUTUKARA: Between skin and shell
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/77616 |
Resumo: | This article aims to unravel the conception process of the video-scene “Hutukara: Entre a Pele e a Casca”, through the deepening of the various artistic manifestations present in the work and their links. Conceived, firstly, through the collective formed at the Ateliê de Dança “Nós” and later transformed into audiovisual language, the work pervades both body work in the face of multispecies incentives and through storytelling, the latter as a discourse of a reality less directed at the Nature/Culture partition and more interested in discussing the Anthropocene through the bias of the tangle of ways of life. The work deals with the mutations of Planet Earth's body through a perspective that resonates the multiple layers between dream and reality, embroidered in the relationship between art and wisdom of the Yanomami people. |
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oai:ojs.revistas.ufg.br:article/77616 |
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HUTUKARA: Between skin and shellHUTUKARA: Entre la piel y el caparazónHUTUKARA: Entre la peau et la coquilleHUTUKARA: Entre a pele e a cascaThis article aims to unravel the conception process of the video-scene “Hutukara: Entre a Pele e a Casca”, through the deepening of the various artistic manifestations present in the work and their links. Conceived, firstly, through the collective formed at the Ateliê de Dança “Nós” and later transformed into audiovisual language, the work pervades both body work in the face of multispecies incentives and through storytelling, the latter as a discourse of a reality less directed at the Nature/Culture partition and more interested in discussing the Anthropocene through the bias of the tangle of ways of life. The work deals with the mutations of Planet Earth's body through a perspective that resonates the multiple layers between dream and reality, embroidered in the relationship between art and wisdom of the Yanomami people.O presente artigo visa destrinchar o processo de concepção da vídeo-cena “Hutukara: Entre a Pele e a Casca”, através do aprofundamento das diversas manifestações artísticas presentes na obra e seus enlaces. Concebido, primeiramente, através do coletivo formado no Ateliê de dança “Nós” e depois transformado em linguagem audiovisual, a obra perpassa tanto o trabalho corporal diante de incentivos multiespécies quanto pela fabulação, essa enquanto discurso de uma realidade menos direcionada a partição Natureza/Cultura e mais interessada em discutir o Antropoceno pelo viés do emaranhado de modos de vida. A obra lida com as mutações do corpo do Planeta Terra através de uma perspectiva que ressoa as múltiplas camadas entre sonho e realidade, bordadas na relação entre arte e sabedoria do povo Yanomami.Universidade Federal de Goiás2023-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/7761610.5216/ac.v9i1.77616Art on Stage Journal; Vol. 9 No. 1 (2023): Ecoperformance and Ecopolitics of the Scene; 147 - 174Arte de la Escena; Vol. 9 Núm. 1 (2023): Ecoperformance y Ecopolíticas de la Escena; 147 - 174Arte da Cena (Art on Stage); v. 9 n. 1 (2023): Ecoperformance e Ecopolíticas da Cena; 147 - 1742358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/77616/40514Copyright (c) 2023 Joelma Araújo, Marcela Cavallini, Sofia Mussolinhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBatista Araújo, Joelma MariaCavallini, Marcela de MacedoMussolin, Sofia Gentil2023-12-13T02:59:02Zoai:ojs.revistas.ufg.br:article/77616Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2023-12-13T02:59:02Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
HUTUKARA: Between skin and shell HUTUKARA: Entre la piel y el caparazón HUTUKARA: Entre la peau et la coquille HUTUKARA: Entre a pele e a casca |
title |
HUTUKARA: Between skin and shell |
spellingShingle |
HUTUKARA: Between skin and shell Batista Araújo, Joelma Maria |
title_short |
HUTUKARA: Between skin and shell |
title_full |
HUTUKARA: Between skin and shell |
title_fullStr |
HUTUKARA: Between skin and shell |
title_full_unstemmed |
HUTUKARA: Between skin and shell |
title_sort |
HUTUKARA: Between skin and shell |
author |
Batista Araújo, Joelma Maria |
author_facet |
Batista Araújo, Joelma Maria Cavallini, Marcela de Macedo Mussolin, Sofia Gentil |
author_role |
author |
author2 |
Cavallini, Marcela de Macedo Mussolin, Sofia Gentil |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Batista Araújo, Joelma Maria Cavallini, Marcela de Macedo Mussolin, Sofia Gentil |
description |
This article aims to unravel the conception process of the video-scene “Hutukara: Entre a Pele e a Casca”, through the deepening of the various artistic manifestations present in the work and their links. Conceived, firstly, through the collective formed at the Ateliê de Dança “Nós” and later transformed into audiovisual language, the work pervades both body work in the face of multispecies incentives and through storytelling, the latter as a discourse of a reality less directed at the Nature/Culture partition and more interested in discussing the Anthropocene through the bias of the tangle of ways of life. The work deals with the mutations of Planet Earth's body through a perspective that resonates the multiple layers between dream and reality, embroidered in the relationship between art and wisdom of the Yanomami people. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/77616 10.5216/ac.v9i1.77616 |
url |
https://revistas.ufg.br/artce/article/view/77616 |
identifier_str_mv |
10.5216/ac.v9i1.77616 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/77616/40514 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Joelma Araújo, Marcela Cavallini, Sofia Mussolin https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Joelma Araújo, Marcela Cavallini, Sofia Mussolin https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 9 No. 1 (2023): Ecoperformance and Ecopolitics of the Scene; 147 - 174 Arte de la Escena; Vol. 9 Núm. 1 (2023): Ecoperformance y Ecopolíticas de la Escena; 147 - 174 Arte da Cena (Art on Stage); v. 9 n. 1 (2023): Ecoperformance e Ecopolíticas da Cena; 147 - 174 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725272182784 |