The embodied visuality in La Bête by Wagner Shwartz

Detalhes bibliográficos
Autor(a) principal: Duarte, Sarah Marques
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/49299
Resumo: Starting from the observation/participation in Wagner Shwartz’s La Bête (2013-), the writing develops a re ection about the particular way in which the production of meaning in this participatory action is installed. For the intended study, the concepts of anti-mimesis and anti-theatricality will be used as a vector of analysis from the approach of Luiz Fernando Ramos (2015), and of visuality in the scenic praxis based on some re ections arisen in the encounter with Prof. Dr. Eduardo Tudella during the seminar “Spectacular and scenic praxis” (2017). It will later describe the action proposed by Shwartz to the viewers, to re ect about the participation in this spectacular experience. 
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spelling The embodied visuality in La Bête by Wagner ShwartzA VISUALIDADE INCORPORADA EM LA BÊTE DE WAGNER SHWARTZantiteatralidadevisualidadeparticipaçãoLa Bête.Starting from the observation/participation in Wagner Shwartz’s La Bête (2013-), the writing develops a re ection about the particular way in which the production of meaning in this participatory action is installed. For the intended study, the concepts of anti-mimesis and anti-theatricality will be used as a vector of analysis from the approach of Luiz Fernando Ramos (2015), and of visuality in the scenic praxis based on some re ections arisen in the encounter with Prof. Dr. Eduardo Tudella during the seminar “Spectacular and scenic praxis” (2017). It will later describe the action proposed by Shwartz to the viewers, to re ect about the participation in this spectacular experience. Partindo da observação/participação na obra La Bête (2013-) de Wagner Shwartz, o escrito desenvolve reflexão acerca dos modos particulares em que se instala a produção de sentido nesta ação de caráter participativo. Para o estudo pretendido, se utilizará como vetor de análise os conceitos de antimimesis e antiteatralidade,  a partir da abordagem de Luiz Fernando Ramos (2015), e de visualidade na práxis cênica com base em algumas reflexões surgidas no encontro com prof. Dr. Eduardo Tudella, durante o seminário Práxis cênico- espetacular e visualidades (primeiro semestre de 2017).  Posteriormente descreverá a ação proposta por Shwartz aos espectadores para refletir acerca da participação nesta experiência espetacular.Universidade Federal de Goiás2017-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/4929910.5216/ac.v3i2.49299Art on Stage Journal; Vol. 3 No. 2 (2017): A CENA DE MOMO: Trânsitos e Contaminações do Carnaval e a Carnavalização nas Artes da Cena; 120-130Arte da Cena (Art on Stage); v. 3 n. 2 (2017): A CENA DE MOMO: Trânsitos e Contaminações do Carnaval e a Carnavalização nas Artes da Cena; 120-1302358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/49299/25151Copyright (c) 2017 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessDuarte, Sarah Marques2021-02-20T19:50:05Zoai:ojs.revistas.ufg.br:article/49299Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2021-02-20T19:50:05Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv The embodied visuality in La Bête by Wagner Shwartz
A VISUALIDADE INCORPORADA EM LA BÊTE DE WAGNER SHWARTZ
title The embodied visuality in La Bête by Wagner Shwartz
spellingShingle The embodied visuality in La Bête by Wagner Shwartz
Duarte, Sarah Marques
antiteatralidade
visualidade
participação
La Bête.
title_short The embodied visuality in La Bête by Wagner Shwartz
title_full The embodied visuality in La Bête by Wagner Shwartz
title_fullStr The embodied visuality in La Bête by Wagner Shwartz
title_full_unstemmed The embodied visuality in La Bête by Wagner Shwartz
title_sort The embodied visuality in La Bête by Wagner Shwartz
author Duarte, Sarah Marques
author_facet Duarte, Sarah Marques
author_role author
dc.contributor.author.fl_str_mv Duarte, Sarah Marques
dc.subject.por.fl_str_mv antiteatralidade
visualidade
participação
La Bête.
topic antiteatralidade
visualidade
participação
La Bête.
description Starting from the observation/participation in Wagner Shwartz’s La Bête (2013-), the writing develops a re ection about the particular way in which the production of meaning in this participatory action is installed. For the intended study, the concepts of anti-mimesis and anti-theatricality will be used as a vector of analysis from the approach of Luiz Fernando Ramos (2015), and of visuality in the scenic praxis based on some re ections arisen in the encounter with Prof. Dr. Eduardo Tudella during the seminar “Spectacular and scenic praxis” (2017). It will later describe the action proposed by Shwartz to the viewers, to re ect about the participation in this spectacular experience. 
publishDate 2017
dc.date.none.fl_str_mv 2017-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/49299
10.5216/ac.v3i2.49299
url https://revistas.ufg.br/artce/article/view/49299
identifier_str_mv 10.5216/ac.v3i2.49299
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/49299/25151
dc.rights.driver.fl_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 3 No. 2 (2017): A CENA DE MOMO: Trânsitos e Contaminações do Carnaval e a Carnavalização nas Artes da Cena; 120-130
Arte da Cena (Art on Stage); v. 3 n. 2 (2017): A CENA DE MOMO: Trânsitos e Contaminações do Carnaval e a Carnavalização nas Artes da Cena; 120-130
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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