Em Triálogos: Congresso Feminino
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Arte da Cena |
Texto Completo: | https://revistas.ufg.br/artce/article/view/70766 |
Resumo: | Abstract: This article intends to discuss the Mamulengo game called the Female Congress of the Mamulengando Alegria group formed by Neide, Cida and Larissa Lopes. Our proposal is to compose a text in dialogue with Cida, using their speeches as a reference and articulate with the theoretical framework of bell hooks (2019), Marcela Lagarde (2011), Margareth Rago (2013), Patrícia Dutra (1998) and the Law 13.104. |
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Em Triálogos: Congresso FemininoAbstract: This article intends to discuss the Mamulengo game called the Female Congress of the Mamulengando Alegria group formed by Neide, Cida and Larissa Lopes. Our proposal is to compose a text in dialogue with Cida, using their speeches as a reference and articulate with the theoretical framework of bell hooks (2019), Marcela Lagarde (2011), Margareth Rago (2013), Patrícia Dutra (1998) and the Law 13.104.Résumé: Le présent article se propose de discuter du jeu Mamulengo appelé le Congrès féminin du groupe Mamulengando Alegria formé par Neide, Cida et Larissa Lopes. Notre proposition est de composer un texte en dialogue avec Cida, en utilisant leurs discours comme référence et en s'articulant avec le cadre théorique des crochets de cloche (2019), Marcela Lagarde (2011), Margareth Rago (2013), Patrícia Dutra (1998) et le Loi 13.104. Resumo: O presente artigo pretende discutir a brincadeira de Mamulengo chamada Congresso Feminino do grupo Mamulengando Alegria formado por Neide, Cida e Larissa Lopes. Nossa proposta é compor um texto em diálogo com a Cida, articulado com o referencial teórico de bell hooks (2019), Marcela Lagarde (2011), Margareth Rago (2013), Patrícia Dutra (1998) e a Lei 13.104.Universidade Federal de Goiás2022-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/7076610.5216/ac.v8i1.70766Art on Stage Journal; Vol. 8 No. 1 (2022): Un[fold]ing of the PerformanceArte da Cena (Art on Stage); v. 8 n. 1 (2022): Des[dobra]mentos da Cena2358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/70766/38900Copyright (c) 2022 Barbara Duarte Benatti, Sra.https://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBenatti, Barbara DuarteViana, Joana Vieira2022-12-13T19:13:30Zoai:ojs.revistas.ufg.br:article/70766Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2022-12-13T19:13:30Arte da Cena - Universidade Federal de Goiás (UFG)false |
dc.title.none.fl_str_mv |
Em Triálogos: Congresso Feminino |
title |
Em Triálogos: Congresso Feminino |
spellingShingle |
Em Triálogos: Congresso Feminino Benatti, Barbara Duarte |
title_short |
Em Triálogos: Congresso Feminino |
title_full |
Em Triálogos: Congresso Feminino |
title_fullStr |
Em Triálogos: Congresso Feminino |
title_full_unstemmed |
Em Triálogos: Congresso Feminino |
title_sort |
Em Triálogos: Congresso Feminino |
author |
Benatti, Barbara Duarte |
author_facet |
Benatti, Barbara Duarte Viana, Joana Vieira |
author_role |
author |
author2 |
Viana, Joana Vieira |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Benatti, Barbara Duarte Viana, Joana Vieira |
description |
Abstract: This article intends to discuss the Mamulengo game called the Female Congress of the Mamulengando Alegria group formed by Neide, Cida and Larissa Lopes. Our proposal is to compose a text in dialogue with Cida, using their speeches as a reference and articulate with the theoretical framework of bell hooks (2019), Marcela Lagarde (2011), Margareth Rago (2013), Patrícia Dutra (1998) and the Law 13.104. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/70766 10.5216/ac.v8i1.70766 |
url |
https://revistas.ufg.br/artce/article/view/70766 |
identifier_str_mv |
10.5216/ac.v8i1.70766 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/70766/38900 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Barbara Duarte Benatti, Sra. https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Barbara Duarte Benatti, Sra. https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 8 No. 1 (2022): Un[fold]ing of the Performance Arte da Cena (Art on Stage); v. 8 n. 1 (2022): Des[dobra]mentos da Cena 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Arte da Cena |
collection |
Arte da Cena |
repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
artedacena@gmail.com|| |
_version_ |
1797068725336145920 |