Paths of the Scene for Early Childhood Education

Detalhes bibliográficos
Autor(a) principal: Janiaski Vale, Flávia
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Arte da Cena
Texto Completo: https://revistas.ufg.br/artce/article/view/54322
Resumo: The present article consists of notes and reflections that emerged from the practical part of the doctoral research entitled "Storytelling as a possibility of introduction theatre in early childhood education". The research has the main objective of inserting theater in Early Childhood Education through storytelling and play. William Shakespeare's play 'The Tempest' was used as the guiding thread of a scenic-narrative experience, thought through the scenic and sonorous setting of the school space, as a possibility to forge a sensory-motor and artistic experience for children between three and five years of age. Presentations happend at five Early Childhood Education Center in the city of Dourados. With the presentations, it was possible to prove that playing through theater and storytelling plays an important role in the social, cognitive, corporal and imaginative development of the child and the teacher. Education and theater together have the potential to transform, and this transformation passes through the individual and the collective.
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spelling Paths of the Scene for Early Childhood EducationCAMINHOS DA CENA PARA A EDUCAÇÃO INFANTILThe present article consists of notes and reflections that emerged from the practical part of the doctoral research entitled "Storytelling as a possibility of introduction theatre in early childhood education". The research has the main objective of inserting theater in Early Childhood Education through storytelling and play. William Shakespeare's play 'The Tempest' was used as the guiding thread of a scenic-narrative experience, thought through the scenic and sonorous setting of the school space, as a possibility to forge a sensory-motor and artistic experience for children between three and five years of age. Presentations happend at five Early Childhood Education Center in the city of Dourados. With the presentations, it was possible to prove that playing through theater and storytelling plays an important role in the social, cognitive, corporal and imaginative development of the child and the teacher. Education and theater together have the potential to transform, and this transformation passes through the individual and the collective.O presente artigo consiste em apontamentos e reflexões que emergiram da parte prática da pesquisa de doutorado intitulada Colocando um novo ponto em cada conto: possibilidades de inserção do teatro na educação infantil. A pesquisa teve como objetivo central inserir o teatro na Educação Infantil através da contação de história e o do brincar. A peça A Tempestade, de William Shakespeare, foi empregada como fio condutor de uma experiência cênica narrativa, pensada através da ambientação cênica e sonora do espaço escolar, como uma possibilidade de forjar uma experiência sensório-motora e artística para crianças entre três e cinco anos de idade. Foram realizadas apresentações em cinco centros de educação infantil na cidade de Dourados/MS. Com as apresentações foi possível comprovar que o brincar através do teatro e da contação de história tem um importante papel no desenvolvimento social, cognitivo, corporal e imaginativo da criança e do professor. A educação e o teatro juntas possuem o potencial de transformar, e esta transformação passa pelo individual e pelo coletivo.Universidade Federal de Goiás2019-07-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/5432210.5216/ac.v5i1.54322Art on Stage Journal; Vol. 5 No. 1 (2019): Scenography, Production Design and Design of Scene - Part II; 193-227Arte da Cena (Art on Stage); v. 5 n. 1 (2019): Cenografia, Direção de Arte & Design de Cena - Parte II; 193-2272358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/54322/33440Copyright (c) 2019 Arte da Cena (Art on Stage)info:eu-repo/semantics/openAccessJaniaski Vale, Flávia2020-04-03T00:40:39Zoai:ojs.revistas.ufg.br:article/54322Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2020-04-03T00:40:39Arte da Cena - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv Paths of the Scene for Early Childhood Education
CAMINHOS DA CENA PARA A EDUCAÇÃO INFANTIL
title Paths of the Scene for Early Childhood Education
spellingShingle Paths of the Scene for Early Childhood Education
Janiaski Vale, Flávia
title_short Paths of the Scene for Early Childhood Education
title_full Paths of the Scene for Early Childhood Education
title_fullStr Paths of the Scene for Early Childhood Education
title_full_unstemmed Paths of the Scene for Early Childhood Education
title_sort Paths of the Scene for Early Childhood Education
author Janiaski Vale, Flávia
author_facet Janiaski Vale, Flávia
author_role author
dc.contributor.author.fl_str_mv Janiaski Vale, Flávia
description The present article consists of notes and reflections that emerged from the practical part of the doctoral research entitled "Storytelling as a possibility of introduction theatre in early childhood education". The research has the main objective of inserting theater in Early Childhood Education through storytelling and play. William Shakespeare's play 'The Tempest' was used as the guiding thread of a scenic-narrative experience, thought through the scenic and sonorous setting of the school space, as a possibility to forge a sensory-motor and artistic experience for children between three and five years of age. Presentations happend at five Early Childhood Education Center in the city of Dourados. With the presentations, it was possible to prove that playing through theater and storytelling plays an important role in the social, cognitive, corporal and imaginative development of the child and the teacher. Education and theater together have the potential to transform, and this transformation passes through the individual and the collective.
publishDate 2019
dc.date.none.fl_str_mv 2019-07-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/artce/article/view/54322
10.5216/ac.v5i1.54322
url https://revistas.ufg.br/artce/article/view/54322
identifier_str_mv 10.5216/ac.v5i1.54322
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/artce/article/view/54322/33440
dc.rights.driver.fl_str_mv Copyright (c) 2019 Arte da Cena (Art on Stage)
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Arte da Cena (Art on Stage)
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Art on Stage Journal; Vol. 5 No. 1 (2019): Scenography, Production Design and Design of Scene - Part II; 193-227
Arte da Cena (Art on Stage); v. 5 n. 1 (2019): Cenografia, Direção de Arte & Design de Cena - Parte II; 193-227
2358-6060
reponame:Arte da Cena
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Arte da Cena
collection Arte da Cena
repository.name.fl_str_mv Arte da Cena - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv artedacena@gmail.com||
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