Music and Scene
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2015 |
| Outros Autores: | |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Arte da Cena |
| Texto Completo: | https://revistas.ufg.br/artce/article/view/34769 |
Resumo: | Soundtrack is often quoted as a fundamental aspect to synthesize concepts and metaphors on a scene even in the most different areas of dramatic representation . The study of the relationship between them must be understood. This article aims to structure and guide this research object grouping theories and references on the subject, systematizing and developing concepts projections about the relationship between music and dramatic art and also its origins on theatre. Theoretical considerations were based on authors such as Michel Chion, Claudia Gorbman, Ney Carrasco. It is observed in this study that the soundtrack, over the years, interacted in a less descriptive way and acted in a more subconscious way, fused to the scene, where the sound is no longer perceived as a being apart. |
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UFG-12 |
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Arte da Cena |
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Music and SceneMúsica e CenaSoundtrackMusicSceneTheatreCinema.Trilha SonoraMúsicaCenaTeatroCinemaSoundtrack is often quoted as a fundamental aspect to synthesize concepts and metaphors on a scene even in the most different areas of dramatic representation . The study of the relationship between them must be understood. This article aims to structure and guide this research object grouping theories and references on the subject, systematizing and developing concepts projections about the relationship between music and dramatic art and also its origins on theatre. Theoretical considerations were based on authors such as Michel Chion, Claudia Gorbman, Ney Carrasco. It is observed in this study that the soundtrack, over the years, interacted in a less descriptive way and acted in a more subconscious way, fused to the scene, where the sound is no longer perceived as a being apart.Trilha sonora é sempre fundamental para materialização de conceitos e metáforas em cena nas mais distintas áreas das artes dramáticas. Estudar a relação entre ambos abre um novo campo interpretativo, no qual sua origem necessita ser compreendida. Esse artigo tem como objetivo estruturar e nortear esse objeto de pesquisa agrupando teorias e referências sobre música de cinema, porém estabelecendo sua relação primordial com o teatro, sistematizando conceitos e elaborando projeções sobre a relação entre música e cena. Considerações teóricas foram baseadas em autores como Michel Chion, Cláudia Gorbman, Ney Carrasco. Observa-se nesse estudo como a trilha sonora, com o passar dos anos, pode interagir tanto de forma descritiva quanto atuar de forma mais subconsciente, fundida à cena, onde o som deixa de ser percebido como um ente à parte.Universidade Federal de Goiás2015-03-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/artce/article/view/34769Art on Stage Journal; Vol. 1 No. 2 (2015): Revista Arte da Cena; 51-66Arte de la Escena; Vol. 1 Núm. 2 (2015): Revista Arte da Cena; 51-66Arte da Cena (Art on Stage); v. 1 n. 2 (2015): Revista Arte da Cena; 51-662358-6060reponame:Arte da Cenainstname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/artce/article/view/34769/18367Copyright (c) 2023 Rogério de Oliveira Sobreira, Anselmo Guerra de Almeidahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSobreira, Rogério de Oliveirade Almeida, Anselmo Guerra2023-08-21T14:38:11Zoai:ojs.revistas.ufg.br:article/34769Revistahttps://www.revistas.ufg.br/artce/PUBhttps://www.revistas.ufg.br/artce/oaiartedacena@gmail.com||2358-60602358-6060opendoar:2023-08-21T14:38:11Arte da Cena - Universidade Federal de Goiás (UFG)false |
| dc.title.none.fl_str_mv |
Music and Scene Música e Cena |
| title |
Music and Scene |
| spellingShingle |
Music and Scene Sobreira, Rogério de Oliveira Soundtrack Music Scene Theatre Cinema. Trilha Sonora Música Cena Teatro Cinema |
| title_short |
Music and Scene |
| title_full |
Music and Scene |
| title_fullStr |
Music and Scene |
| title_full_unstemmed |
Music and Scene |
| title_sort |
Music and Scene |
| author |
Sobreira, Rogério de Oliveira |
| author_facet |
Sobreira, Rogério de Oliveira de Almeida, Anselmo Guerra |
| author_role |
author |
| author2 |
de Almeida, Anselmo Guerra |
| author2_role |
author |
| dc.contributor.author.fl_str_mv |
Sobreira, Rogério de Oliveira de Almeida, Anselmo Guerra |
| dc.subject.por.fl_str_mv |
Soundtrack Music Scene Theatre Cinema. Trilha Sonora Música Cena Teatro Cinema |
| topic |
Soundtrack Music Scene Theatre Cinema. Trilha Sonora Música Cena Teatro Cinema |
| description |
Soundtrack is often quoted as a fundamental aspect to synthesize concepts and metaphors on a scene even in the most different areas of dramatic representation . The study of the relationship between them must be understood. This article aims to structure and guide this research object grouping theories and references on the subject, systematizing and developing concepts projections about the relationship between music and dramatic art and also its origins on theatre. Theoretical considerations were based on authors such as Michel Chion, Claudia Gorbman, Ney Carrasco. It is observed in this study that the soundtrack, over the years, interacted in a less descriptive way and acted in a more subconscious way, fused to the scene, where the sound is no longer perceived as a being apart. |
| publishDate |
2015 |
| dc.date.none.fl_str_mv |
2015-03-31 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://revistas.ufg.br/artce/article/view/34769 |
| url |
https://revistas.ufg.br/artce/article/view/34769 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://revistas.ufg.br/artce/article/view/34769/18367 |
| dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Rogério de Oliveira Sobreira, Anselmo Guerra de Almeida https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Copyright (c) 2023 Rogério de Oliveira Sobreira, Anselmo Guerra de Almeida https://creativecommons.org/licenses/by-nc/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
| publisher.none.fl_str_mv |
Universidade Federal de Goiás |
| dc.source.none.fl_str_mv |
Art on Stage Journal; Vol. 1 No. 2 (2015): Revista Arte da Cena; 51-66 Arte de la Escena; Vol. 1 Núm. 2 (2015): Revista Arte da Cena; 51-66 Arte da Cena (Art on Stage); v. 1 n. 2 (2015): Revista Arte da Cena; 51-66 2358-6060 reponame:Arte da Cena instname:Universidade Federal de Goiás (UFG) instacron:UFG |
| instname_str |
Universidade Federal de Goiás (UFG) |
| instacron_str |
UFG |
| institution |
UFG |
| reponame_str |
Arte da Cena |
| collection |
Arte da Cena |
| repository.name.fl_str_mv |
Arte da Cena - Universidade Federal de Goiás (UFG) |
| repository.mail.fl_str_mv |
artedacena@gmail.com|| |
| _version_ |
1797068725214511104 |