Educação musical inclusiva - um estudo dos dados do Projeto Arte inclusão, do Centro de Educação Profissional em Artes Baliseu França (CEPABF)

• Autor(a) principal: DROGOMIRECK, Viviane Cristina
• Data de Publicação: 2010
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• dARK ID: ark:/38995/001300000958w
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tde/2695
• topic: Música; inclusão; educação inclusiva; arte-inclusão; Music; Inclusion; Inclusive Education; Art-inclusion; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA

This study proposed to deal with themes as inclusion, musical education, and de hole of music in inclusive education. Its is a qualitative study that analyses documental data resulted from the Art Inclusion Project, of the Center for Professional Education at the Arts Basileu França ( CEPABF) , that develops programs of music experiences and aims to promote inclusion as a alternative in education. Its objectives were to verify possible learning of subjects with special needs through the practice of arts, understood that inclusion is innovative; music being used to integrate with other arts, in an environment of extra-class learning period. The investigation methodology used for this work consisted of a detailed analyzes of organized data (corpus), from February to December 2008, provided by the CEPABF. The data was organized based on the (06) criteria from Bauer (2003), to guarantee a good practice for a qualitative research: 1 - the triangulation and reflexibility of perspectives; 2 the transparent documentation of the procedures; 3 the details of the construction of the corpus; 4 a detailed description of the results; 5 the evidence of the personal surprise; and 6 the communicative validation. Participated in the project professional as teachers, psychologists, music therapists; specialist in LIBRAS, specialists in music and circus arts. The data consisted of protocols written by the researchers involved in the program. The final conclusion is that the CEPABF proposal is a reference of music practice to promote inclusion being that it promotes learning. Its condition that guarantee differentiated care to subjects with specific disabilities by a specialized equip, combining different areas, promotes a motivated participation of subjects and creates concrete conditions for the empowering of children and youth. Brazil needs experiences as this one analyzed in this research work. The music schools, in accordance with the research centers as CEPABF can prepare new professionals to deal with the following challenge: - to motivate children with special needs through music; to motivate them so they can feel they are alive, integrated, participative and citizens.