Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/10045 |
Resumo: | This research analyzes the transformations that the funk carioca went through from its beginnings in Brazil, in 1980, until the year 2017. In order to do this, five important pieces from the musical genre and the previously mentioned temporal cut were analyzed, namely: Rap das Aranhas - Cidinho Cambalhota (1989), Feira de Acarí - MC Batata (1990), Cerol na mão – Bonde do Tigrão (2001), Show das Poderosas – Anitta (2013), and Bum Bum Tam Tam – MC Fioti (2017). In addition to the analysis of these songs, the work also seeks to trace a bit of funk history in the country, as well as to point out some of its main actors. The methodologies used in this research were diverse, and included the use of theoretical works from both the humanities and the arts, and from cultural history theories (BRESCIANI, 1996; HALL, 2006; VARHAS, 2007), anthropology and analysis (Mayrini, 2005), with the notion of hybridism as the major guide (Canclini, 2005). This research shows that the transformations occurring in the funk are made possible by the context of globalization that has impacted the world especially since 1980 and that currently this style of music is becoming increasingly closer to international pop music. |
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Rosa, Robervaldo Linhareshttp://lattes.cnpq.br/4091646172062516Rosa, Robervaldo LinharesCampos, Nilceia da Silveira ProtásioMello, Maria Therezinha Ferraz Negrão dehttp://lattes.cnpq.br/1212605232695132Arnoldt, Jason Patrick2019-09-26T12:30:48Z2019-04-26ARNOLDT, J. P. Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens. 2019. 102 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/10045This research analyzes the transformations that the funk carioca went through from its beginnings in Brazil, in 1980, until the year 2017. In order to do this, five important pieces from the musical genre and the previously mentioned temporal cut were analyzed, namely: Rap das Aranhas - Cidinho Cambalhota (1989), Feira de Acarí - MC Batata (1990), Cerol na mão – Bonde do Tigrão (2001), Show das Poderosas – Anitta (2013), and Bum Bum Tam Tam – MC Fioti (2017). In addition to the analysis of these songs, the work also seeks to trace a bit of funk history in the country, as well as to point out some of its main actors. The methodologies used in this research were diverse, and included the use of theoretical works from both the humanities and the arts, and from cultural history theories (BRESCIANI, 1996; HALL, 2006; VARHAS, 2007), anthropology and analysis (Mayrini, 2005), with the notion of hybridism as the major guide (Canclini, 2005). This research shows that the transformations occurring in the funk are made possible by the context of globalization that has impacted the world especially since 1980 and that currently this style of music is becoming increasingly closer to international pop music.Esta pesquisa buscou analisar as transformações pelas quais o funk carioca passou desde o seu início no Brasil, em 1980, até o ano de 2017. Para isso, foram analisadas cinco peças importantes para o gênero musical no referido recorte temporal, a saber: Rap das Aranhas – Cidinho Cambalhota (1989), Feira de Acarí – MC Batata (1990), Cerol na mão – Bonde do Tigrão (2001), Show das Poderosas – Anitta (2013) e Bum bum tam tam – MC Fioti (2017). Para além das análises destas músicas, o texto também buscou traçar um pouco da história do funk no país, bem como apontar os seus principais personagens. A orientação metodológica utilizada nesta pesquisa foi diversa, e incluiu a utilização de textos teóricos provenientes tanto das humanidades quanto das artes, e de teorias que foram da história cultural (BRESCIANI, 1996; HALL, 2006; VARGAS, 2007), a antropologia e análise musical (BYRNE, 2014; RINK, 2002, 2005; BERRY, 1987), tendo como fio condutor a noção de hibridismo (CANCLINI, 2005). Foi mostrado que as transformações ocorridas no funk são possibilitadas pelo contexto de globalização que assolou o mundo sobretudo a partir de 1980 e que atualmente essa música se aproxima cada vez mais da música pop internacional.Submitted by Ana Caroline Costa (ana_caroline212@hotmail.com) on 2019-09-25T17:33:03Z No. of bitstreams: 2 Dissertação - Jason Patrick Arnoldt - 2019.pdf: 1239349 bytes, checksum: c698551dd325c8f948c5cab86cc3b4cd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-09-26T12:30:48Z (GMT) No. of bitstreams: 2 Dissertação - Jason Patrick Arnoldt - 2019.pdf: 1239349 bytes, checksum: c698551dd325c8f948c5cab86cc3b4cd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-09-26T12:30:48Z (GMT). No. of bitstreams: 2 Dissertação - Jason Patrick Arnoldt - 2019.pdf: 1239349 bytes, checksum: c698551dd325c8f948c5cab86cc3b4cd (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2019-04-26Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEGapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Musica (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessFunkTransformações no funk cariocaFavelasHibridismoGlobalizaçãoTransformations in funk cariocaHybridismGlobalizationARTES::MUSICATransformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagensTransformations in Brazilian funk music (1980-2017): the socio-historical and cultural context, hybridism and main actorsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-8926704311827950450600600600600-1800367251745901470-3756787875205786831-961409807440757778reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens |
dc.title.alternative.eng.fl_str_mv |
Transformations in Brazilian funk music (1980-2017): the socio-historical and cultural context, hybridism and main actors |
title |
Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens |
spellingShingle |
Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens Arnoldt, Jason Patrick Funk Transformações no funk carioca Favelas Hibridismo Globalização Transformations in funk carioca Hybridism Globalization ARTES::MUSICA |
title_short |
Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens |
title_full |
Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens |
title_fullStr |
Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens |
title_full_unstemmed |
Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens |
title_sort |
Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens |
author |
Arnoldt, Jason Patrick |
author_facet |
Arnoldt, Jason Patrick |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Rosa, Robervaldo Linhares |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4091646172062516 |
dc.contributor.referee1.fl_str_mv |
Rosa, Robervaldo Linhares |
dc.contributor.referee2.fl_str_mv |
Campos, Nilceia da Silveira Protásio |
dc.contributor.referee3.fl_str_mv |
Mello, Maria Therezinha Ferraz Negrão de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1212605232695132 |
dc.contributor.author.fl_str_mv |
Arnoldt, Jason Patrick |
contributor_str_mv |
Rosa, Robervaldo Linhares Rosa, Robervaldo Linhares Campos, Nilceia da Silveira Protásio Mello, Maria Therezinha Ferraz Negrão de |
dc.subject.por.fl_str_mv |
Funk Transformações no funk carioca Favelas Hibridismo Globalização |
topic |
Funk Transformações no funk carioca Favelas Hibridismo Globalização Transformations in funk carioca Hybridism Globalization ARTES::MUSICA |
dc.subject.eng.fl_str_mv |
Transformations in funk carioca Hybridism Globalization |
dc.subject.cnpq.fl_str_mv |
ARTES::MUSICA |
description |
This research analyzes the transformations that the funk carioca went through from its beginnings in Brazil, in 1980, until the year 2017. In order to do this, five important pieces from the musical genre and the previously mentioned temporal cut were analyzed, namely: Rap das Aranhas - Cidinho Cambalhota (1989), Feira de Acarí - MC Batata (1990), Cerol na mão – Bonde do Tigrão (2001), Show das Poderosas – Anitta (2013), and Bum Bum Tam Tam – MC Fioti (2017). In addition to the analysis of these songs, the work also seeks to trace a bit of funk history in the country, as well as to point out some of its main actors. The methodologies used in this research were diverse, and included the use of theoretical works from both the humanities and the arts, and from cultural history theories (BRESCIANI, 1996; HALL, 2006; VARHAS, 2007), anthropology and analysis (Mayrini, 2005), with the notion of hybridism as the major guide (Canclini, 2005). This research shows that the transformations occurring in the funk are made possible by the context of globalization that has impacted the world especially since 1980 and that currently this style of music is becoming increasingly closer to international pop music. |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-09-26T12:30:48Z |
dc.date.issued.fl_str_mv |
2019-04-26 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
ARNOLDT, J. P. Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens. 2019. 102 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2019. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/10045 |
identifier_str_mv |
ARNOLDT, J. P. Transformações no funk carioca (1980-2017): cenário sócio-histórico e cultural, hibridismos e principais personagens. 2019. 102 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2019. |
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http://repositorio.bc.ufg.br/tede/handle/tede/10045 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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Universidade Federal de Goiás |
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UFG |
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Escola de Música e Artes Cênicas - EMAC (RG) |
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Universidade Federal de Goiás |
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