Cantar: um desafio complexo e transdisciplinar

Detalhes bibliográficos
Autor(a) principal: Costa, Wanderson Moura
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/00130000087tf
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/8113
Resumo: The study of singing, for a long time, has been compartmentalized in several areas of knowledge. Since voice is a complex phenomenon, an approach that prioritizes the phenomena complexity becomes necessary. This work, through a bibliographical review, discusses the inherent complexity of singing, from the point of view of transdisciplinarity, proposed by Barasab Nicolescu, and Edgar Morin's Theory of Complexity. The aim of this study was to study the singing voice in a complex and transdisciplinary way. Based on the methodological assumptions of transdisciplinarity - level of reality, principle of the third included term and theory of complexity - we attempted to establish correlations between transcomplex theory and its effective contribution to the pedagogical practices of singing teachers. Despite the complexity of the singing voice, it was evident that the mere awareness of singing as a complex phenomenon is not sufficient for a resignification of teaching practices. Such a resignification will only occur if the teacher proposes to adopt a new posture in his teaching practice, a position that is followed by a transdisciplinary attitude.
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spelling Zanini, Cláudia Regina de Oliveirahttp://lattes.cnpq.br/8042694592747539Zanini, Claudia Regina de OiveiraÁlvares, MaríliaMariz, JoanaProtássio, Nilcéiahttp://lattes.cnpq.br/4679136023023824Costa, Wanderson Moura2018-01-18T14:18:14Z2017-03-30COSTA, W. M. Cantar: um desafio complexo e transdisciplinar. 2017. 114 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2017.http://repositorio.bc.ufg.br/tede/handle/tede/8113ark:/38995/00130000087tfThe study of singing, for a long time, has been compartmentalized in several areas of knowledge. Since voice is a complex phenomenon, an approach that prioritizes the phenomena complexity becomes necessary. This work, through a bibliographical review, discusses the inherent complexity of singing, from the point of view of transdisciplinarity, proposed by Barasab Nicolescu, and Edgar Morin's Theory of Complexity. The aim of this study was to study the singing voice in a complex and transdisciplinary way. Based on the methodological assumptions of transdisciplinarity - level of reality, principle of the third included term and theory of complexity - we attempted to establish correlations between transcomplex theory and its effective contribution to the pedagogical practices of singing teachers. Despite the complexity of the singing voice, it was evident that the mere awareness of singing as a complex phenomenon is not sufficient for a resignification of teaching practices. Such a resignification will only occur if the teacher proposes to adopt a new posture in his teaching practice, a position that is followed by a transdisciplinary attitude.O estudo do canto, por muito tempo, esteve compartimentado em diversas áreas do conhecimento. Uma vez que a voz é um fenômeno complexo, uma abordagem que priorize a complexidade dos fenômenos se faz necessária. Este trabalho, mediante uma revisão bibliográfica, discute a complexidade inerente ao canto, sob a ótica da transdisciplinaridade, proposta por Barasab Nicolescu, e da Teoria da Complexidade, de Edgar Morin. Objetivou-se realizar um estudo sobre a voz cantada de maneira complexa e transdisciplinar. Baseado nos pressupostos metodológicos da transdisciplinaridade - nível de realidade, princípio do terceiro termo incluso e teoria da complexidade - buscou-se estabelecer correlações entre a teoria transcomplexa e sua efetiva contribuição às práticas pedagógicas dos professores de canto. Apesar da constatação da complexidade inerente à voz cantada, evidenciou-se o fato de que a mera conscientização do canto como um fenômeno complexo não é suficiente para que uma ressignificação das práticas docentes aconteça. Tal ressignificação somente ocorrerá caso o professor se proponha a adotar uma nova postura em sua prática docente, postura essa que perpasse por uma atitude transdisciplinar.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-01-18T14:17:36Z No. of bitstreams: 2 Dissertação - Wanderson Moura Costa - 2017.pdf: 2338004 bytes, checksum: e0d180e0f539a054565a5d9eae4ba7dc (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-01-18T14:18:14Z (GMT) No. of bitstreams: 2 Dissertação - Wanderson Moura Costa - 2017.pdf: 2338004 bytes, checksum: e0d180e0f539a054565a5d9eae4ba7dc (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-01-18T14:18:14Z (GMT). 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dc.title.eng.fl_str_mv Cantar: um desafio complexo e transdisciplinar
dc.title.alternative.eng.fl_str_mv Singing: a complex and transdisciplinary challenge
title Cantar: um desafio complexo e transdisciplinar
spellingShingle Cantar: um desafio complexo e transdisciplinar
Costa, Wanderson Moura
Transdisciplinaridade
Complexidade
Ensino do canto
Pedagogia vocal
Atitude transdisciplinar
Complexity
Transdisciplinarity
Teaching of singing
Vocal pedagogy
Transdisciplinary attitude
ARTES::MUSICA
title_short Cantar: um desafio complexo e transdisciplinar
title_full Cantar: um desafio complexo e transdisciplinar
title_fullStr Cantar: um desafio complexo e transdisciplinar
title_full_unstemmed Cantar: um desafio complexo e transdisciplinar
title_sort Cantar: um desafio complexo e transdisciplinar
author Costa, Wanderson Moura
author_facet Costa, Wanderson Moura
author_role author
dc.contributor.advisor1.fl_str_mv Zanini, Cláudia Regina de Oliveira
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/8042694592747539
dc.contributor.referee1.fl_str_mv Zanini, Claudia Regina de Oiveira
dc.contributor.referee2.fl_str_mv Álvares, Marília
dc.contributor.referee3.fl_str_mv Mariz, Joana
dc.contributor.referee4.fl_str_mv Protássio, Nilcéia
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/4679136023023824
dc.contributor.author.fl_str_mv Costa, Wanderson Moura
contributor_str_mv Zanini, Cláudia Regina de Oliveira
Zanini, Claudia Regina de Oiveira
Álvares, Marília
Mariz, Joana
Protássio, Nilcéia
dc.subject.por.fl_str_mv Transdisciplinaridade
Complexidade
Ensino do canto
Pedagogia vocal
Atitude transdisciplinar
topic Transdisciplinaridade
Complexidade
Ensino do canto
Pedagogia vocal
Atitude transdisciplinar
Complexity
Transdisciplinarity
Teaching of singing
Vocal pedagogy
Transdisciplinary attitude
ARTES::MUSICA
dc.subject.eng.fl_str_mv Complexity
Transdisciplinarity
Teaching of singing
Vocal pedagogy
Transdisciplinary attitude
dc.subject.cnpq.fl_str_mv ARTES::MUSICA
description The study of singing, for a long time, has been compartmentalized in several areas of knowledge. Since voice is a complex phenomenon, an approach that prioritizes the phenomena complexity becomes necessary. This work, through a bibliographical review, discusses the inherent complexity of singing, from the point of view of transdisciplinarity, proposed by Barasab Nicolescu, and Edgar Morin's Theory of Complexity. The aim of this study was to study the singing voice in a complex and transdisciplinary way. Based on the methodological assumptions of transdisciplinarity - level of reality, principle of the third included term and theory of complexity - we attempted to establish correlations between transcomplex theory and its effective contribution to the pedagogical practices of singing teachers. Despite the complexity of the singing voice, it was evident that the mere awareness of singing as a complex phenomenon is not sufficient for a resignification of teaching practices. Such a resignification will only occur if the teacher proposes to adopt a new posture in his teaching practice, a position that is followed by a transdisciplinary attitude.
publishDate 2017
dc.date.issued.fl_str_mv 2017-03-30
dc.date.accessioned.fl_str_mv 2018-01-18T14:18:14Z
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dc.identifier.citation.fl_str_mv COSTA, W. M. Cantar: um desafio complexo e transdisciplinar. 2017. 114 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2017.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/8113
dc.identifier.dark.fl_str_mv ark:/38995/00130000087tf
identifier_str_mv COSTA, W. M. Cantar: um desafio complexo e transdisciplinar. 2017. 114 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2017.
ark:/38995/00130000087tf
url http://repositorio.bc.ufg.br/tede/handle/tede/8113
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dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Musica (EMAC)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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