Aquecimento vocal para o canto erudito: teoria e prática

• Autor(a) principal: Lopes de Araujo, Andre Luiz
• Data de Publicação: 2014
• Outros Autores: Momensohn dos Santos, Teresa Maria, Pinto Giannini, Susana Pimentel, Miguel, Fabio [UNESP], Petian, Andrea
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Repositório Institucional da UNESP
• Texto Completo: http://www.musicahodie.mus.br/14.2/index.php; http://hdl.handle.net/11449/130324
• topic: Vocal warm-up; Singing; Voice; Music; Aquecimento vocal; Canto; Voz; Música

Vocal warm-ups are essential for the technical training of the singer, for good speech and performance, as well as essential for good vocal health and a long-lasting career. Objective: To analyze the theory and practice of the vocal warm-up in classical singing, from the perspective of different professionals in the voice field including: teachers, speech therapists and singers. Method: descriptive search, quantitative in nature, cross-sectional, with a questionnaire for voice teachers, singers and audiologists. The sample consisted of 165 subjects: 86 voice teachers, 64 speech pathologists, and 15 singers. Results: Teachers of Singing (97.7 %), singers (95.3 %) and students (93.3 %) use the vocal warm-up. Conclusion: From the results we can infer that most of the professionals surveyed point to the importance of the implementation of the vocal warm-up before a performance, and the strategy used by most voice instructors, speech therapists and singers is vocalization, i.e. aesthetic warm-up.