Os salões e sistema da arte - os salões da Caixego nos anos 1970
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/5048 |
Resumo: | This research aims to analyse and reflect on the Competitive Art Fair Event, System of the Art and the editions of the Annual Visual Art Contests that were held in the 1970’s decade by the bank Caixa Econômica do Estado de Goiás – that became known by Caixego Competitives Art Fairs. Five editions were held. The first one in regional or state terms, conceived in January and launched in July, 1973 , and the other four ones had a national character, from 1974 to 1977. The artistic collection resulting from the awarded works was the main former of the Contemporaneous Art Museum of Goiás, situated in Goiânia. A bibliographic and documental research was done in Caixego and museums files, local newspapers, microfilm images and open interviews with managers, organizers and artists who participated in the aforementioned Art Fairs and also professionals who work in current Art Fairs. The analysis of the characteristics of Caixego Competitives Art Fairs in comparison to the National Art Fairs, from that time and present ones, together with the concepts and evolution of the Competitive Art Fair Event and of the System of the Art, in national terms, but mainly in the State of Goiás in the 1970’s decade, with their elements and actors, constitute the objectives of this thesis. It also intends to investigate the Competitive Art Fairs capacity to gather collections for the Public Museums and the way in which they configure a strategic action of public Policy for identity construction and cultural projection of the State. The original purpose of Caixego Competitives Art fairs , as explained by the directors of the bank and by the then State Governor, was to form an art work Collection made by artists not only from Goiás but also national ones, some already well-known and others still new , and to promote nationally the Art made in Goiás. The Caixego Competitives Art Fairs had an effective participation of the artists from Goiás and also from a number of Brazilian States, nationwide wellknown invited artists, selected by active critics, who were jurors of São Paulo Bienal ( Biennial) and of the major National Competitives Art Fairs. |
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Mendonça, Míriam da Costa Manso Moreira dehttp://lattes.cnpq.br/8573276727905431Mendonça, Míriam da Costa Manso Moreira deOliveira, Emerson Dionísio Gomes deCosta, Luís Edegar de OliveiraSilva Filho, Raimundo Martins daClímaco, José César Teatini de Souzahttp://lattes.cnpq.br/0596842648788221Coelho, Aguinaldo Caiado de Castro Aquino2015-12-11T07:51:13Z2015-04-27COELHO, A. C. C. A. Os salões e sistema da arte - os salões da Caixego nos anos 1970. 2015. 280 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.http://repositorio.bc.ufg.br/tede/handle/tede/5048ark:/38995/0013000009vbvThis research aims to analyse and reflect on the Competitive Art Fair Event, System of the Art and the editions of the Annual Visual Art Contests that were held in the 1970’s decade by the bank Caixa Econômica do Estado de Goiás – that became known by Caixego Competitives Art Fairs. Five editions were held. The first one in regional or state terms, conceived in January and launched in July, 1973 , and the other four ones had a national character, from 1974 to 1977. The artistic collection resulting from the awarded works was the main former of the Contemporaneous Art Museum of Goiás, situated in Goiânia. A bibliographic and documental research was done in Caixego and museums files, local newspapers, microfilm images and open interviews with managers, organizers and artists who participated in the aforementioned Art Fairs and also professionals who work in current Art Fairs. The analysis of the characteristics of Caixego Competitives Art Fairs in comparison to the National Art Fairs, from that time and present ones, together with the concepts and evolution of the Competitive Art Fair Event and of the System of the Art, in national terms, but mainly in the State of Goiás in the 1970’s decade, with their elements and actors, constitute the objectives of this thesis. It also intends to investigate the Competitive Art Fairs capacity to gather collections for the Public Museums and the way in which they configure a strategic action of public Policy for identity construction and cultural projection of the State. The original purpose of Caixego Competitives Art fairs , as explained by the directors of the bank and by the then State Governor, was to form an art work Collection made by artists not only from Goiás but also national ones, some already well-known and others still new , and to promote nationally the Art made in Goiás. The Caixego Competitives Art Fairs had an effective participation of the artists from Goiás and also from a number of Brazilian States, nationwide wellknown invited artists, selected by active critics, who were jurors of São Paulo Bienal ( Biennial) and of the major National Competitives Art Fairs.Esta investigación tiene por objetivo analizar y reflexionar sobre el evento Salón de Arte, sobre el Sistema del Arte y las ediciones de los Concursos Anuales de Artes Plásticas realizados en la década de 1970 por el banco Caixa Econômica do Estado de Goiás – Caixego, conocidos como Salones de Caixego.. Se realizaron 05 ediciones. La primera de ellas ocurrió en carácter estadual o regional, creado en enero y lanzado en julio de 1973, y las demás nacionales, de 1974 a 1977. El fondo artístico proveniente de los trabajos premiados fue el principal formador del Museo de Arte Contemporánea de Goiás, localizado en Goiânia. Para la preparación de esta tesis se llevó a cabo la investigación bibliográfica y documental en los archivos de la institución Caixego, de museo y periódicos, micro-filme imágenes y entrevistas abiertas con los directores, organizadores y participantes de estos salones y también com profesionales que trabajan en salones recientes. El análisis de las características de los Salones de Caixego en comparación a los Salones Nacionales, de la época y los actuales, juntamente con los conceptos y evolución del evento Salón de Arte y del Sistema de Arte, nacional y sobre todo del estado de Goiás en la década de 1970, con sus elementos o actores, constituyen los objetivos de esta tesis. Pretende aún investigar la capacidad de los salones de arte de formar fondos para los museos públicos y la forma cómo configuran una acción estratégica de política pública para la construcción de identidad y proyección cultural nacional del Estado. El propósito original de los Salones de Caixego, conforme a lo explicado por los dirigentes del Banco y por el gobernador del Estado en la época, era formar una colección de obras de arte de los artistas del Estado y de Brasil, consagrados y jóvenes y divulgar nacionalmente el arte hecha en Goiás. Los Salones de Caixego tuvieron una efectiva participación de los artistas de Goiás y también de varios estados, artistas convidados de renombre nacional, seleccionados por críticos actuantes, que eran jurados de la Bienal de São Paulo y de los mayores Salones Nacionales.Esta pesquisa tem por objeto analisar e refletir sobre o evento Salão de Arte, sobre Sistema da Arte e as edições dos Concursos Anuais de Artes Plásticas realizadas na década de 1970 pelo banco Caixa Econômica do Estado de Goiás – Caixego, que ficaram conhecidos como Salões da Caixego. Foram realizadas 05 edições. A primeira delas ocorreu em caráter estadual ou regional, criado em janeiro e lançado em julho de 1973, e as demais nacionais, em 1974 a 1977. O acervo artístico decorrente dos trabalhos premiados foi o principal formador do Museu de Arte Contemporânea de Goiás, localizado em Goiânia. Para a elaboração desta tese foi realizada pesquisa bibliográfica e pesquisa documental em arquivos da instituição Caixego, museus e jornais da cidade, imagens de microfilme, além de entrevistas abertas com gestores, organizadores e artistas participantes dos referidos salões e também com profissionais que atuaram nos salões recentes. A análise das características dos Salões da Caixego em comparação com os Salões Nacionais, da época e os atuais, juntamente com os conceitos e evolução do evento Salão de Arte e do Sistema da Arte, nacional e principalmente do estado de Goiás na década de 1970, com seus elementos ou atores, constituem os objetivos desta tese. Pretendeu ainda investigar a capacidade dos salões de arte de formar acervo para os museus públicos e o modo como configuram uma ação estratégica de política pública para construção de identidade e projeção cultural nacional do Estado. O propósito original dos Salões da Caixego, conforme explicado pelos dirigentes do Banco e pelo então governador do Estado era formar uma coleção de obras de arte não só dos artistas locais, mas também do Brasil, alguns já consagrados e outros ainda novos e divulgar nacionalmenteessa produção. Os Salões da Caixego tiveram efetiva participação dos artistas de Goiás e também de vários estados, artistas convidados de renome nacional, selecionados por críticos atuantes, que eram jurados da Bienal de São Paulo e dos maiores Salões Nacionais.Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2015-12-10T13:32:30Z No. of bitstreams: 2 Tese - Aguinaldo Caiado de Castro Aquino Coelho - 2015.pdf: 2390971 bytes, checksum: 95369ddecaf680182c88841faefb15f7 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-12-11T07:51:13Z (GMT) No. of bitstreams: 2 Tese - Aguinaldo Caiado de Castro Aquino Coelho - 2015.pdf: 2390971 bytes, checksum: 95369ddecaf680182c88841faefb15f7 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2015-12-11T07:51:13Z (GMT). No. of bitstreams: 2 Tese - Aguinaldo Caiado de Castro Aquino Coelho - 2015.pdf: 2390971 bytes, checksum: 95369ddecaf680182c88841faefb15f7 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2015-04-27Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEGapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Arte e Cultura Visual (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArtes plásticasSistema da arteSalões de arteSalões de arte da CaixegoAcervos de arteVisual artsSystem of the artArt fairsCaixego art fairsCollection of artArtes plásticasSistema de arteSalones de arteSalones de arte de CaixegoColección de arteFUNDAMENTOS E CRITICA DAS ARTES::HISTORIA DA ARTEOs salões e sistema da arte - os salões da Caixego nos anos 1970The competitive art fairs and system of the art - the Caixego competitive art fairs in the 1970'sinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis5419363139851951878600600600600-5849096158746369096697746048736441117-961409807440757778reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALTese - Aguinaldo Caiado de Castro Aquino Coelho - 2015.pdfTese - Aguinaldo Caiado de Castro Aquino Coelho - 2015.pdfapplication/pdf3757211http://repositorio.bc.ufg.br/tede/bitstreams/68c0446d-1bfb-4090-89ea-efac8569c1bb/downloade44841e26661aa318bd1b4cff99bb2caMD55CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.por.fl_str_mv |
Os salões e sistema da arte - os salões da Caixego nos anos 1970 |
dc.title.alternative.eng.fl_str_mv |
The competitive art fairs and system of the art - the Caixego competitive art fairs in the 1970's |
title |
Os salões e sistema da arte - os salões da Caixego nos anos 1970 |
spellingShingle |
Os salões e sistema da arte - os salões da Caixego nos anos 1970 Coelho, Aguinaldo Caiado de Castro Aquino Artes plásticas Sistema da arte Salões de arte Salões de arte da Caixego Acervos de arte Visual arts System of the art Art fairs Caixego art fairs Collection of art Artes plásticas Sistema de arte Salones de arte Salones de arte de Caixego Colección de arte FUNDAMENTOS E CRITICA DAS ARTES::HISTORIA DA ARTE |
title_short |
Os salões e sistema da arte - os salões da Caixego nos anos 1970 |
title_full |
Os salões e sistema da arte - os salões da Caixego nos anos 1970 |
title_fullStr |
Os salões e sistema da arte - os salões da Caixego nos anos 1970 |
title_full_unstemmed |
Os salões e sistema da arte - os salões da Caixego nos anos 1970 |
title_sort |
Os salões e sistema da arte - os salões da Caixego nos anos 1970 |
author |
Coelho, Aguinaldo Caiado de Castro Aquino |
author_facet |
Coelho, Aguinaldo Caiado de Castro Aquino |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Mendonça, Míriam da Costa Manso Moreira de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8573276727905431 |
dc.contributor.referee1.fl_str_mv |
Mendonça, Míriam da Costa Manso Moreira de |
dc.contributor.referee2.fl_str_mv |
Oliveira, Emerson Dionísio Gomes de |
dc.contributor.referee3.fl_str_mv |
Costa, Luís Edegar de Oliveira |
dc.contributor.referee4.fl_str_mv |
Silva Filho, Raimundo Martins da |
dc.contributor.referee5.fl_str_mv |
Clímaco, José César Teatini de Souza |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0596842648788221 |
dc.contributor.author.fl_str_mv |
Coelho, Aguinaldo Caiado de Castro Aquino |
contributor_str_mv |
Mendonça, Míriam da Costa Manso Moreira de Mendonça, Míriam da Costa Manso Moreira de Oliveira, Emerson Dionísio Gomes de Costa, Luís Edegar de Oliveira Silva Filho, Raimundo Martins da Clímaco, José César Teatini de Souza |
dc.subject.por.fl_str_mv |
Artes plásticas Sistema da arte Salões de arte Salões de arte da Caixego Acervos de arte |
topic |
Artes plásticas Sistema da arte Salões de arte Salões de arte da Caixego Acervos de arte Visual arts System of the art Art fairs Caixego art fairs Collection of art Artes plásticas Sistema de arte Salones de arte Salones de arte de Caixego Colección de arte FUNDAMENTOS E CRITICA DAS ARTES::HISTORIA DA ARTE |
dc.subject.eng.fl_str_mv |
Visual arts System of the art Art fairs Caixego art fairs Collection of art |
dc.subject.spa.fl_str_mv |
Artes plásticas Sistema de arte Salones de arte Salones de arte de Caixego Colección de arte |
dc.subject.cnpq.fl_str_mv |
FUNDAMENTOS E CRITICA DAS ARTES::HISTORIA DA ARTE |
description |
This research aims to analyse and reflect on the Competitive Art Fair Event, System of the Art and the editions of the Annual Visual Art Contests that were held in the 1970’s decade by the bank Caixa Econômica do Estado de Goiás – that became known by Caixego Competitives Art Fairs. Five editions were held. The first one in regional or state terms, conceived in January and launched in July, 1973 , and the other four ones had a national character, from 1974 to 1977. The artistic collection resulting from the awarded works was the main former of the Contemporaneous Art Museum of Goiás, situated in Goiânia. A bibliographic and documental research was done in Caixego and museums files, local newspapers, microfilm images and open interviews with managers, organizers and artists who participated in the aforementioned Art Fairs and also professionals who work in current Art Fairs. The analysis of the characteristics of Caixego Competitives Art Fairs in comparison to the National Art Fairs, from that time and present ones, together with the concepts and evolution of the Competitive Art Fair Event and of the System of the Art, in national terms, but mainly in the State of Goiás in the 1970’s decade, with their elements and actors, constitute the objectives of this thesis. It also intends to investigate the Competitive Art Fairs capacity to gather collections for the Public Museums and the way in which they configure a strategic action of public Policy for identity construction and cultural projection of the State. The original purpose of Caixego Competitives Art fairs , as explained by the directors of the bank and by the then State Governor, was to form an art work Collection made by artists not only from Goiás but also national ones, some already well-known and others still new , and to promote nationally the Art made in Goiás. The Caixego Competitives Art Fairs had an effective participation of the artists from Goiás and also from a number of Brazilian States, nationwide wellknown invited artists, selected by active critics, who were jurors of São Paulo Bienal ( Biennial) and of the major National Competitives Art Fairs. |
publishDate |
2015 |
dc.date.accessioned.fl_str_mv |
2015-12-11T07:51:13Z |
dc.date.issued.fl_str_mv |
2015-04-27 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
COELHO, A. C. C. A. Os salões e sistema da arte - os salões da Caixego nos anos 1970. 2015. 280 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/5048 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000009vbv |
identifier_str_mv |
COELHO, A. C. C. A. Os salões e sistema da arte - os salões da Caixego nos anos 1970. 2015. 280 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015. ark:/38995/0013000009vbv |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/5048 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
5419363139851951878 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
-5849096158746369096 |
dc.relation.cnpq.fl_str_mv |
697746048736441117 |
dc.relation.sponsorship.fl_str_mv |
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