Cinema e performances: a encenação de Eduardo Coutinho
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/9633 |
Resumo: | This research carried out a study of Cinema relating it to the interdisciplinary field of Cultural Performances. To this end, he hypothesized that mise-en-scene (staging) is the locus where we can find performances in the cinema. A mapping of the various conceptual and methodological paths possible from the performances was made. We did a resumption of the concept of staging from its origins in the theater, to the contemporary cinema, more precisely the device films. From the work of the filmmaker Eduardo Coutinho, we present his method, and we chose his film Jogo de Cena (2007) as object of analysis. In this, we verify the extreme problematization of the definitions linked to the performance / representation dichotomy, truth / mimesis, based on a device that allows the manifestation of performances of its participants, be they anonymous women, actresses known or not, and even the filmmaker himself. |
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Nogueira, Lisandrohttp://lattes.cnpq.br/6994570742767643Christino, DanielBezerra, Cláudio Roberto de Araújohttp://lattes.cnpq.br/7371856612143062Faleiro, Wertem Nunes2019-05-23T14:04:28Z2019-03-19FALEIRO, Wertem Nunes. Cinema e performances: a encenação de Eduardo Coutinho. 2019. 139 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/9633ark:/38995/001300000cddkThis research carried out a study of Cinema relating it to the interdisciplinary field of Cultural Performances. To this end, he hypothesized that mise-en-scene (staging) is the locus where we can find performances in the cinema. A mapping of the various conceptual and methodological paths possible from the performances was made. We did a resumption of the concept of staging from its origins in the theater, to the contemporary cinema, more precisely the device films. From the work of the filmmaker Eduardo Coutinho, we present his method, and we chose his film Jogo de Cena (2007) as object of analysis. In this, we verify the extreme problematization of the definitions linked to the performance / representation dichotomy, truth / mimesis, based on a device that allows the manifestation of performances of its participants, be they anonymous women, actresses known or not, and even the filmmaker himself.Esta pesquisa realizou um estudo do Cinema relacionando-o ao campo interdisciplinar das Performances Culturais. Para isso, levantou a hipótese de que a mise en scène (encenação) é o lócus onde podemos encontrar performances no cinema. Foi feito um mapeamento dos diversos caminhos conceituais e metodológicos possíveis a partir das performances. Fizemos uma retomada do conceito de encenação desde suas origens no teatro, até o cinema contemporâneo, mais precisamente os filmes- dispositivo. A partir da obra do cineasta Eduardo Coutinho, apresentamos seu método, e elegemos seu filme Jogo de Cena (2007) como objeto de análise. Neste, verificamos a problematização extrema das definições ligadas à dicotomia atuação/representação, verdade/mimesis a partir de um dispositivo que propicia a manifestação de performances de seus participantes, sejam eles mulheres anônimas, atrizes conhecidas ou não, e até mesmo o próprio cineasta.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2019-05-22T13:03:07Z No. of bitstreams: 2 Dissertação - Wertem Nunes Faleiro - 2019.pdf: 1677359 bytes, checksum: 142b96f66cb706acd6446e0d0f6c388f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-05-23T14:04:28Z (GMT) No. of bitstreams: 2 Dissertação - Wertem Nunes Faleiro - 2019.pdf: 1677359 bytes, checksum: 142b96f66cb706acd6446e0d0f6c388f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-05-23T14:04:28Z (GMT). No. of bitstreams: 2 Dissertação - Wertem Nunes Faleiro - 2019.pdf: 1677359 bytes, checksum: 142b96f66cb706acd6446e0d0f6c388f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2019-03-19Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessDispositivoFilmes-documentárioInterdisciplinarMise en scènePerformiseMise-en- perfDeviceDocumentary filmsARTES::CINEMACinema e performances: a encenação de Eduardo CoutinhoCinema and performances: the staging of Eduardo Coutinhoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis7907732215094011389500600600600-696510761171342942048465267954508806292075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Cinema e performances: a encenação de Eduardo Coutinho |
dc.title.alternative.eng.fl_str_mv |
Cinema and performances: the staging of Eduardo Coutinho |
title |
Cinema e performances: a encenação de Eduardo Coutinho |
spellingShingle |
Cinema e performances: a encenação de Eduardo Coutinho Faleiro, Wertem Nunes Dispositivo Filmes-documentário Interdisciplinar Mise en scène Performise Mise-en- perf Device Documentary films ARTES::CINEMA |
title_short |
Cinema e performances: a encenação de Eduardo Coutinho |
title_full |
Cinema e performances: a encenação de Eduardo Coutinho |
title_fullStr |
Cinema e performances: a encenação de Eduardo Coutinho |
title_full_unstemmed |
Cinema e performances: a encenação de Eduardo Coutinho |
title_sort |
Cinema e performances: a encenação de Eduardo Coutinho |
author |
Faleiro, Wertem Nunes |
author_facet |
Faleiro, Wertem Nunes |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Nogueira, Lisandro |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6994570742767643 |
dc.contributor.referee1.fl_str_mv |
Christino, Daniel |
dc.contributor.referee2.fl_str_mv |
Bezerra, Cláudio Roberto de Araújo |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7371856612143062 |
dc.contributor.author.fl_str_mv |
Faleiro, Wertem Nunes |
contributor_str_mv |
Nogueira, Lisandro Christino, Daniel Bezerra, Cláudio Roberto de Araújo |
dc.subject.por.fl_str_mv |
Dispositivo Filmes-documentário Interdisciplinar |
topic |
Dispositivo Filmes-documentário Interdisciplinar Mise en scène Performise Mise-en- perf Device Documentary films ARTES::CINEMA |
dc.subject.fra.fl_str_mv |
Mise en scène Performise Mise-en- perf |
dc.subject.eng.fl_str_mv |
Device Documentary films |
dc.subject.cnpq.fl_str_mv |
ARTES::CINEMA |
description |
This research carried out a study of Cinema relating it to the interdisciplinary field of Cultural Performances. To this end, he hypothesized that mise-en-scene (staging) is the locus where we can find performances in the cinema. A mapping of the various conceptual and methodological paths possible from the performances was made. We did a resumption of the concept of staging from its origins in the theater, to the contemporary cinema, more precisely the device films. From the work of the filmmaker Eduardo Coutinho, we present his method, and we chose his film Jogo de Cena (2007) as object of analysis. In this, we verify the extreme problematization of the definitions linked to the performance / representation dichotomy, truth / mimesis, based on a device that allows the manifestation of performances of its participants, be they anonymous women, actresses known or not, and even the filmmaker himself. |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-05-23T14:04:28Z |
dc.date.issued.fl_str_mv |
2019-03-19 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
FALEIRO, Wertem Nunes. Cinema e performances: a encenação de Eduardo Coutinho. 2019. 139 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019. |
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http://repositorio.bc.ufg.br/tede/handle/tede/9633 |
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ark:/38995/001300000cddk |
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FALEIRO, Wertem Nunes. Cinema e performances: a encenação de Eduardo Coutinho. 2019. 139 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019. ark:/38995/001300000cddk |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/9633 |
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por |
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por |
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7907732215094011389 |
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Universidade Federal de Goiás |
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UFG |
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Universidade Federal de Goiás |
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