Resonances among cinema, chants and bodies in the film The Hyperwomen

Detalhes bibliográficos
Autor(a) principal: Belisário, Bernard
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/23451
Resumo: This paper analyzes the Brazilian documentary The Hyperwomen (2011) to describe the way the ritual chants take part in the setting of the persons filmed, as well as the camera itself. The film approaches the making of Jamugikumalu, the great female ritual at Alto Xingu. The chants, indispensable to the solemn liturgy, come up with the  film as a mover of many registered performances. This text searches on the documented setting for those possible relations existing among the chants’ sonorous-musical form, the bodies of the persons on focus, and the movements of the camera while recording.
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spelling Resonances among cinema, chants and bodies in the film The HyperwomenRessonâncias entre cinema, cantos e corpos no filme 'As Hipermulheres'documentaryindigenous cinemaKuikuromise-en-scène.DocumentárioCinema indígenaKuikuroMise-en-scèneThis paper analyzes the Brazilian documentary The Hyperwomen (2011) to describe the way the ritual chants take part in the setting of the persons filmed, as well as the camera itself. The film approaches the making of Jamugikumalu, the great female ritual at Alto Xingu. The chants, indispensable to the solemn liturgy, come up with the  film as a mover of many registered performances. This text searches on the documented setting for those possible relations existing among the chants’ sonorous-musical form, the bodies of the persons on focus, and the movements of the camera while recording.Neste artigo, propomos uma análise do documentário brasileiro As Hipermulheres (2011) a fim de descrever o modo como os cantos rituais participam da mise-en-scène dos sujeitos lmados e da própria câmera. O filme aborda a realização do Jamugikumalu, o grande ritual feminino do Alto Xingu. Indispensáveis para a realização do cerimonial, os cantos aparecem no filme como motor de muitas das performances filmadas. Buscamos então na sua mise-en-scène documentária as relações entre a forma sonoro-musical dos cantos, os corpos dos sujeitos em cena e os movimentos da câmera em cena. PEPG COS-PUC-SP2015-11-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/23451Galaxia; No. 32 (2016)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 32 (2016)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/23451/20010Belisário, Bernardinfo:eu-repo/semantics/openAccess2024-05-15T14:01:16Zoai:ojs.pkp.sfu.ca:article/23451Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:16Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Resonances among cinema, chants and bodies in the film The Hyperwomen
Ressonâncias entre cinema, cantos e corpos no filme 'As Hipermulheres'
title Resonances among cinema, chants and bodies in the film The Hyperwomen
spellingShingle Resonances among cinema, chants and bodies in the film The Hyperwomen
Belisário, Bernard
documentary
indigenous cinema
Kuikuro
mise-en-scène.
Documentário
Cinema indígena
Kuikuro
Mise-en-scène
title_short Resonances among cinema, chants and bodies in the film The Hyperwomen
title_full Resonances among cinema, chants and bodies in the film The Hyperwomen
title_fullStr Resonances among cinema, chants and bodies in the film The Hyperwomen
title_full_unstemmed Resonances among cinema, chants and bodies in the film The Hyperwomen
title_sort Resonances among cinema, chants and bodies in the film The Hyperwomen
author Belisário, Bernard
author_facet Belisário, Bernard
author_role author
dc.contributor.author.fl_str_mv Belisário, Bernard
dc.subject.por.fl_str_mv documentary
indigenous cinema
Kuikuro
mise-en-scène.
Documentário
Cinema indígena
Kuikuro
Mise-en-scène
topic documentary
indigenous cinema
Kuikuro
mise-en-scène.
Documentário
Cinema indígena
Kuikuro
Mise-en-scène
description This paper analyzes the Brazilian documentary The Hyperwomen (2011) to describe the way the ritual chants take part in the setting of the persons filmed, as well as the camera itself. The film approaches the making of Jamugikumalu, the great female ritual at Alto Xingu. The chants, indispensable to the solemn liturgy, come up with the  film as a mover of many registered performances. This text searches on the documented setting for those possible relations existing among the chants’ sonorous-musical form, the bodies of the persons on focus, and the movements of the camera while recording.
publishDate 2015
dc.date.none.fl_str_mv 2015-11-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/23451
url https://revistas.pucsp.br/index.php/galaxia/article/view/23451
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/23451/20010
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 32 (2016)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 32 (2016)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
_version_ 1799129330832375808

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