Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000)
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/4319 |
Resumo: | This research discuss about idiomatic aspects on Brazilian pieces for the violin written about the end of the XIX century and the beginning of the XX century, which entails pieces written since Leopoldo Miguez (1889) until Estércio Marquez (2000). Through it we tried both to observe and describe the presence of the violin in the panorama of the Brazilian music under the perspective of the circularity, appraising critically the hybrid cultural process that permeates the musical production in Brazil. For this study some facts were considered such as social, cultural and aesthetics related to the selected works. Based on the observation, comparisons and musical analysis focused on the diversity of the aspects of the instrument it was possible to recognize and describe some tendencies important to the compositional handwriting for the violin in Brazil. The bibliography review contextualizes the violin in the Brazilian musical panorama of the colonial period until the beginning of the XXI century. The second part reveals a data collection about the presence of the violin in Brazil, with focus on the romantic period, the nationalism and pos-nationalism until the uncommon sonorities detected after 1960. The third part contains examples of countless characteristics written or not by European composers, revealing the writings representative of the violin since the romantic period in Brazil nowadays. The conclusion points to the presence of the violin permeating the panorama of the Brazilian music with notable European influence in the compositional treatment, especially through the particularities of the French-Belgium School. A great numbers of works were verified, not only in quantity, but also in diversity, composed during the XX century, and despite the nationalistic production also have had presented idiomatic aspects originated from the European, they were identified as having some new bow-strikes considered typically from Brazil, which produces a sound in a different manner in relation to the traditional ones. |
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Oliveira, Glacy Antunes dehttp://lattes.cnpq.br/8416271201818890Oliveira, Glacy Antunes deAndrade, Edson Queiroz deCunha, Estércio Marquezhttp://lattes.cnpq.br/8359318945563498Pontes, Luciano Ferreira2015-03-23T10:24:24Z2012-04-30PONTES, L. F. Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000). 2012. 107 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2012.http://repositorio.bc.ufg.br/tede/handle/tede/4319This research discuss about idiomatic aspects on Brazilian pieces for the violin written about the end of the XIX century and the beginning of the XX century, which entails pieces written since Leopoldo Miguez (1889) until Estércio Marquez (2000). Through it we tried both to observe and describe the presence of the violin in the panorama of the Brazilian music under the perspective of the circularity, appraising critically the hybrid cultural process that permeates the musical production in Brazil. For this study some facts were considered such as social, cultural and aesthetics related to the selected works. Based on the observation, comparisons and musical analysis focused on the diversity of the aspects of the instrument it was possible to recognize and describe some tendencies important to the compositional handwriting for the violin in Brazil. The bibliography review contextualizes the violin in the Brazilian musical panorama of the colonial period until the beginning of the XXI century. The second part reveals a data collection about the presence of the violin in Brazil, with focus on the romantic period, the nationalism and pos-nationalism until the uncommon sonorities detected after 1960. The third part contains examples of countless characteristics written or not by European composers, revealing the writings representative of the violin since the romantic period in Brazil nowadays. The conclusion points to the presence of the violin permeating the panorama of the Brazilian music with notable European influence in the compositional treatment, especially through the particularities of the French-Belgium School. A great numbers of works were verified, not only in quantity, but also in diversity, composed during the XX century, and despite the nationalistic production also have had presented idiomatic aspects originated from the European, they were identified as having some new bow-strikes considered typically from Brazil, which produces a sound in a different manner in relation to the traditional ones.Esta pesquisa discute aspectos idiomáticos em peças brasileiras para violino escritas entre o final do século XIX e início do XXI, abrangendo obras compostas desde Leopoldo Miguez (1889) até Estércio Marquez (2000). Procurou-se observar e descrever a presença do violino no panorama da música brasileira sob a luz da circularidade, apreciando o processo híbrido cultural que entremeia a produção musical do Brasil. Para este estudo foram considerados fatores históricos, sociais, culturais e estéticos relacionados às obras contrastantes selecionadas. A partir de observações, comparações e análise musical voltadas para diversos aspectos do instrumento, foi possível identificar e descrever algumas tendências importantes na escrita composicional para violino no Brasil. A revisão bibliográfica contextualiza o violino no panorama musical brasileiro do período colonial até o início do século XXI. A segunda seção revela um levantamento de dados sobre a presença do violino no Brasil, com foco nos momentos romântico, nacionalista e pós-nacionalista até as sonoridades inabituais detectadas após 1960. O terceiro capítulo contém exemplos de inúmeras características, oriundas ou não de compositores europeus, norteadoras da escrita de peças representativas compostas para o violino do romantismo brasileiro aos dias atuais. A conclusão aponta para a presença do violino permeando o panorama da música brasileira, com notável influência européia quanto ao tratamento composicional, principalmente através de particularidades da escola franco-belga. Verificou-se uma grande produção de obras, tanto em quantidade como em diversidade, compostas durante o século XX e, apesar da produção nacionalista também apresentar aspectos idiomáticos provenientes da Europa, foram identificados alguns novos golpes de arco considerados tipicamente brasileiros, que soam de maneira diferente em relação aos tradicionais.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2015-03-20T15:54:49Z No. of bitstreams: 2 Dissertação - Luciano Ferreira Pontes - 2012.pdf: 6291782 bytes, checksum: 93a98d2b58f22614466cf846e03bafc2 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-03-23T10:24:24Z (GMT) No. of bitstreams: 2 Dissertação - Luciano Ferreira Pontes - 2012.pdf: 6291782 bytes, checksum: 93a98d2b58f22614466cf846e03bafc2 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)Made available in DSpace on 2015-03-23T10:24:24Z (GMT). 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dc.title.por.fl_str_mv |
Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000) |
dc.title.alternative.eng.fl_str_mv |
Idiomatic aspects in brazilian pieces for violino : Leopold Miguez (1884) to Estércio Marquez (2000) |
title |
Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000) |
spellingShingle |
Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000) Pontes, Luciano Ferreira Violino brasileiro Aspectos idiomáticos Escola franco-belga Brasilian violin Idiomatic aspects French-belgium school ARTES::MUSICA |
title_short |
Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000) |
title_full |
Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000) |
title_fullStr |
Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000) |
title_full_unstemmed |
Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000) |
title_sort |
Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000) |
author |
Pontes, Luciano Ferreira |
author_facet |
Pontes, Luciano Ferreira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Glacy Antunes de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8416271201818890 |
dc.contributor.referee1.fl_str_mv |
Oliveira, Glacy Antunes de |
dc.contributor.referee2.fl_str_mv |
Andrade, Edson Queiroz de |
dc.contributor.referee3.fl_str_mv |
Cunha, Estércio Marquez |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/8359318945563498 |
dc.contributor.author.fl_str_mv |
Pontes, Luciano Ferreira |
contributor_str_mv |
Oliveira, Glacy Antunes de Oliveira, Glacy Antunes de Andrade, Edson Queiroz de Cunha, Estércio Marquez |
dc.subject.por.fl_str_mv |
Violino brasileiro Aspectos idiomáticos Escola franco-belga |
topic |
Violino brasileiro Aspectos idiomáticos Escola franco-belga Brasilian violin Idiomatic aspects French-belgium school ARTES::MUSICA |
dc.subject.eng.fl_str_mv |
Brasilian violin Idiomatic aspects French-belgium school |
dc.subject.cnpq.fl_str_mv |
ARTES::MUSICA |
description |
This research discuss about idiomatic aspects on Brazilian pieces for the violin written about the end of the XIX century and the beginning of the XX century, which entails pieces written since Leopoldo Miguez (1889) until Estércio Marquez (2000). Through it we tried both to observe and describe the presence of the violin in the panorama of the Brazilian music under the perspective of the circularity, appraising critically the hybrid cultural process that permeates the musical production in Brazil. For this study some facts were considered such as social, cultural and aesthetics related to the selected works. Based on the observation, comparisons and musical analysis focused on the diversity of the aspects of the instrument it was possible to recognize and describe some tendencies important to the compositional handwriting for the violin in Brazil. The bibliography review contextualizes the violin in the Brazilian musical panorama of the colonial period until the beginning of the XXI century. The second part reveals a data collection about the presence of the violin in Brazil, with focus on the romantic period, the nationalism and pos-nationalism until the uncommon sonorities detected after 1960. The third part contains examples of countless characteristics written or not by European composers, revealing the writings representative of the violin since the romantic period in Brazil nowadays. The conclusion points to the presence of the violin permeating the panorama of the Brazilian music with notable European influence in the compositional treatment, especially through the particularities of the French-Belgium School. A great numbers of works were verified, not only in quantity, but also in diversity, composed during the XX century, and despite the nationalistic production also have had presented idiomatic aspects originated from the European, they were identified as having some new bow-strikes considered typically from Brazil, which produces a sound in a different manner in relation to the traditional ones. |
publishDate |
2012 |
dc.date.issued.fl_str_mv |
2012-04-30 |
dc.date.accessioned.fl_str_mv |
2015-03-23T10:24:24Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
PONTES, L. F. Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000). 2012. 107 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2012. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/4319 |
identifier_str_mv |
PONTES, L. F. Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000). 2012. 107 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2012. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/4319 |
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por |
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por |
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600 600 600 600 |
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dc.relation.cnpq.fl_str_mv |
-3756787875205786831 |
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2075167498588264571 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
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Programa de Pós-graduação em Musica (EMAC) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Escola de Música e Artes Cênicas - EMAC (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
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Universidade Federal de Goiás (UFG) |
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Repositório Institucional da UFG |
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bitstream.checksum.fl_str_mv |
bd3efa91386c1718a7f26a329fdcb468 4afdbb8c545fd630ea7db775da747b2f b292a83e42bd8ad62533bba1395b83ff 9da0b6dfac957114c6a7714714b86306 93a98d2b58f22614466cf846e03bafc2 6b3aaf78d6f8f68b2b23785cb12a481a 50c12cb38f2c10719edf4537470f31aa |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
tasesdissertacoes.bc@ufg.br |
_version_ |
1798044388278927360 |