A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio

Detalhes bibliográficos
Autor(a) principal: Di Calaça, Indyanelle Marçal Garcia
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/0013000006c9c
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/8177
Resumo: This dissertation presents the study of the costumes and ornaments exhibited at the Museu Goiano Professor Zoroastro Artiaga (MUZA) in Goiânia, Goiás. The museum has more than one hundred artifacts of this type in its collection, which are divided into several collections. The questions that guide this research are: in relation to the Brazilian heritage in museums, how the clothing is present at MUZA? What senses are produced from the exhibition of these costumes and ornaments? What do they hide or reveal? In order to answer these questions, the study is based on the visual analysis of the objects, using the methods proposed by the researchers Jules Prown (analysis of artifacts), Heloísa S. F. Capel (image analysis) and Rita Morais de Andrade (textile artifacts analysis). As for the procedures, the study consists of a literature review, which involves the areas of Visual Culture, Material Culture, Heritage, Museology and Study about Clothing. In addition, there was the analysis of documents related to the costumes, visits to the museum and interviews with employees and former employees. Through this study, it was possible to perceive how was the creation of the museum and the formation of its first collections; to quantify and qualify the clothing and adornments belonging to its collection; identify how the collections that have this type of artifact were formed and the criterion used to acquire these items; to realize that it is possible to carry out the study of clothing not only from the textile artifact, but also through the visual analysis of paintings, photographs and sculptures; and to identify that the way the artifacts are organized in the exhibitions place contributes to the construction of specific identities of the state of Goiás.
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spelling Andrade, Rita Morais dehttp://lattes.cnpq.br/0652175469093010Andrade, Rita Morais deCândido, Manuelina Maria DuarteSilva, Thiago Fernando Sant'Anna ehttp://lattes.cnpq.br/6473746401368618Di Calaça, Indyanelle Marçal Garcia2018-02-20T15:37:02Z2018-02-19GARCIA, Indyanelle Marçal. A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio. 2018. 157 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018.http://repositorio.bc.ufg.br/tede/handle/tede/8177ark:/38995/0013000006c9cThis dissertation presents the study of the costumes and ornaments exhibited at the Museu Goiano Professor Zoroastro Artiaga (MUZA) in Goiânia, Goiás. The museum has more than one hundred artifacts of this type in its collection, which are divided into several collections. The questions that guide this research are: in relation to the Brazilian heritage in museums, how the clothing is present at MUZA? What senses are produced from the exhibition of these costumes and ornaments? What do they hide or reveal? In order to answer these questions, the study is based on the visual analysis of the objects, using the methods proposed by the researchers Jules Prown (analysis of artifacts), Heloísa S. F. Capel (image analysis) and Rita Morais de Andrade (textile artifacts analysis). As for the procedures, the study consists of a literature review, which involves the areas of Visual Culture, Material Culture, Heritage, Museology and Study about Clothing. In addition, there was the analysis of documents related to the costumes, visits to the museum and interviews with employees and former employees. Through this study, it was possible to perceive how was the creation of the museum and the formation of its first collections; to quantify and qualify the clothing and adornments belonging to its collection; identify how the collections that have this type of artifact were formed and the criterion used to acquire these items; to realize that it is possible to carry out the study of clothing not only from the textile artifact, but also through the visual analysis of paintings, photographs and sculptures; and to identify that the way the artifacts are organized in the exhibitions place contributes to the construction of specific identities of the state of Goiás.Esta dissertação apresenta o estudo dos trajes e adornos expostos no Museu Goiano Professor Zoroastro Artiaga (MUZA) em Goiânia, Goiás. O museu possui mais de cem artefatos desse tipo em seu acervo e que se dividem em coleções diversas. As questões que norteiam a pesquisa são: em relação ao patrimônio brasileiro nos museus, como a indumentária está presente no MUZA? Que sentidos são produzidos a partir da exposição desses trajes e adornos? O que eles escondem ou revelam? Para isso, o estudo se alicerça na análise visual dos objetos, a partir dos métodos propostos pelos pesquisadores Jules Prown (análise de artefatos), Heloísa S. F. Capel (análise de imagens) e Rita Morais de Andrade (análise de artefatos têxteis). A revisão bibliográfica envolveu os campos da Cultura Visual, Cultura Material, Patrimônio, Museologia e Estudos sobre Indumentária. Além disso, houve a análise de documentos relativos aos trajes, visitas ao museu e entrevistas com funcionários e ex- funcionários. Através deste estudo, foi possível perceber como se deu a criação do museu e a formação das suas primeiras coleções; quantificar e qualificar as vestimentas e adornos pertencentes ao seu acervo; identificar como as coleções que possuem esse tipo de artefato foram formadas e os critérios utilizados pelo museu para a aquisição destes itens; perceber que é possível realizar o estudo da indumentária não apenas a partir do artefato têxtil, mas também por meio da análise visual de pinturas, fotografias e esculturas; e identificar que o modo como os artefatos estão organizados no espaço expositivo contribuem para a construção de identidades específicas do estado de Goiás.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-02-20T15:34:50Z No. of bitstreams: 2 Dissertação - Indyanelle Marçal Garcia Di Calaça - 2018.pdf: 11984637 bytes, checksum: daab13de100f0c180c42202bb1bbaa1d (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-02-20T15:37:02Z (GMT) No. of bitstreams: 2 Dissertação - Indyanelle Marçal Garcia Di Calaça - 2018.pdf: 11984637 bytes, checksum: daab13de100f0c180c42202bb1bbaa1d (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-02-20T15:37:02Z (GMT). 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dc.title.eng.fl_str_mv A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio
dc.title.alternative.por.fl_str_mv The clothing in the Museu Goiano Professor Zoroastro Artiaga: visuality and heritage
title A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio
spellingShingle A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio
Di Calaça, Indyanelle Marçal Garcia
Indumentária
Patrimônio
Exposição
Museu Goiano Professor Zoroastro Artiaga
Clothing
Exhibition
Museu Goiano Professor Zoroastro Artiaga
Heritage
LINGUISTICA, LETRAS E ARTES::ARTES
title_short A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio
title_full A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio
title_fullStr A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio
title_full_unstemmed A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio
title_sort A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio
author Di Calaça, Indyanelle Marçal Garcia
author_facet Di Calaça, Indyanelle Marçal Garcia
author_role author
dc.contributor.advisor1.fl_str_mv Andrade, Rita Morais de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0652175469093010
dc.contributor.referee1.fl_str_mv Andrade, Rita Morais de
dc.contributor.referee2.fl_str_mv Cândido, Manuelina Maria Duarte
dc.contributor.referee3.fl_str_mv Silva, Thiago Fernando Sant'Anna e
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6473746401368618
dc.contributor.author.fl_str_mv Di Calaça, Indyanelle Marçal Garcia
contributor_str_mv Andrade, Rita Morais de
Andrade, Rita Morais de
Cândido, Manuelina Maria Duarte
Silva, Thiago Fernando Sant'Anna e
dc.subject.por.fl_str_mv Indumentária
Patrimônio
Exposição
Museu Goiano Professor Zoroastro Artiaga
topic Indumentária
Patrimônio
Exposição
Museu Goiano Professor Zoroastro Artiaga
Clothing
Exhibition
Museu Goiano Professor Zoroastro Artiaga
Heritage
LINGUISTICA, LETRAS E ARTES::ARTES
dc.subject.eng.fl_str_mv Clothing
Exhibition
Museu Goiano Professor Zoroastro Artiaga
Heritage
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES
description This dissertation presents the study of the costumes and ornaments exhibited at the Museu Goiano Professor Zoroastro Artiaga (MUZA) in Goiânia, Goiás. The museum has more than one hundred artifacts of this type in its collection, which are divided into several collections. The questions that guide this research are: in relation to the Brazilian heritage in museums, how the clothing is present at MUZA? What senses are produced from the exhibition of these costumes and ornaments? What do they hide or reveal? In order to answer these questions, the study is based on the visual analysis of the objects, using the methods proposed by the researchers Jules Prown (analysis of artifacts), Heloísa S. F. Capel (image analysis) and Rita Morais de Andrade (textile artifacts analysis). As for the procedures, the study consists of a literature review, which involves the areas of Visual Culture, Material Culture, Heritage, Museology and Study about Clothing. In addition, there was the analysis of documents related to the costumes, visits to the museum and interviews with employees and former employees. Through this study, it was possible to perceive how was the creation of the museum and the formation of its first collections; to quantify and qualify the clothing and adornments belonging to its collection; identify how the collections that have this type of artifact were formed and the criterion used to acquire these items; to realize that it is possible to carry out the study of clothing not only from the textile artifact, but also through the visual analysis of paintings, photographs and sculptures; and to identify that the way the artifacts are organized in the exhibitions place contributes to the construction of specific identities of the state of Goiás.
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-02-20T15:37:02Z
dc.date.issued.fl_str_mv 2018-02-19
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dc.identifier.citation.fl_str_mv GARCIA, Indyanelle Marçal. A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio. 2018. 157 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018.
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identifier_str_mv GARCIA, Indyanelle Marçal. A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio. 2018. 157 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018.
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