Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade

Detalhes bibliográficos
Autor(a) principal: Gonçalves, Luiz Eduardo
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/7707
Resumo: With due attention to the transtextuality of Genette and Harvey, to the postmodern condition of Bauman and Harvey, this research with phenomenological basis investigates the relationship between listening and writing, the subject that quotes, and the composition as a transtextual derivation from listening. Three composers - Pärt, Górecki and Schnittke - and their works are in focus, as well as a work of mine “O Nascimento de Vênus”. These works are analyzed and heard in three chapters that seek to address the syntactic, semantic and ontological aspects of music. In the open listening and the discussions on creation and postmodernity, there was room for the poetic and the singular to manifest, so that the knowledge generated here may integrate the objective and the subjective, the collective and the individual, the self and surpassing by others.
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spelling Souza, Ana Guiomar Rêgohttp://lattes.cnpq.br/5810153792986725Cunha, Estércio MarquesClímaco, MagdaParanhos, KátiaCosta, CarlosSouza, Ana Guiomar Rêgohttp://lattes.cnpq.br/0339309630317748Gonçalves, Luiz Eduardo2017-09-15T13:29:16Z2016-12-19GONÇALVES, Luiz Eduardo. Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade. 2016. 83 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016.http://repositorio.bc.ufg.br/tede/handle/tede/7707ark:/38995/00130000027pnWith due attention to the transtextuality of Genette and Harvey, to the postmodern condition of Bauman and Harvey, this research with phenomenological basis investigates the relationship between listening and writing, the subject that quotes, and the composition as a transtextual derivation from listening. Three composers - Pärt, Górecki and Schnittke - and their works are in focus, as well as a work of mine “O Nascimento de Vênus”. These works are analyzed and heard in three chapters that seek to address the syntactic, semantic and ontological aspects of music. In the open listening and the discussions on creation and postmodernity, there was room for the poetic and the singular to manifest, so that the knowledge generated here may integrate the objective and the subjective, the collective and the individual, the self and surpassing by others.Com devida atenção à transtextualidade de Genette e de Compagnon, à condição pósmoderna de Bauman e de Harvey, esta pesquisa de base fenomenológica investiga a relação entre a escuta e a escrita, o sujeito da citação, e a composição como derivação transtextual da escuta. Três compositores - Pärt, Górecki e Schnittke - e sua obra estão em foco, assim como uma obra de minha autoria “O Nascimento de Vênus”. As obras são analisadas e ouvidas em três capítulos que buscam abordar os aspectos sintáticos, semânticos e ontológicos da música. Na escuta aberta e nas discussões sobre criação e pós-modernidade, houve espaço para o poético e singular se manifestar, de modo que o conhecimento gerado neste trabalho possa integrar o objetivo e o subjetivo, o coletivo e o singular, o eu e o atravessamento do outro.Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2017-08-24T16:03:40Z No. of bitstreams: 2 Dissertação - Luiz Eduardo Gonçalves - 2016.pdf: 4108515 bytes, checksum: 475673312eeab094c3335270a2cd256e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Rejected by Luciana Ferreira (lucgeral@gmail.com), reason: Tanto a data de publicação, quanto a de defesa é 2016. on 2017-09-15T12:39:37Z (GMT)Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2017-09-15T13:15:16Z No. of bitstreams: 2 Dissertação - Luiz Eduardo Gonçalves - 2016.pdf: 4108515 bytes, checksum: 475673312eeab094c3335270a2cd256e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-09-15T13:29:16Z (GMT) No. of bitstreams: 2 Dissertação - Luiz Eduardo Gonçalves - 2016.pdf: 4108515 bytes, checksum: 475673312eeab094c3335270a2cd256e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-09-15T13:29:16Z (GMT). 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dc.title.eng.fl_str_mv Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade
dc.title.alternative.eng.fl_str_mv From hearing to composing: transtextual processes from a composer in post-modernity
title Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade
spellingShingle Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade
Gonçalves, Luiz Eduardo
Transtextualidade
Composição
Escuta
Poliestilismo
Pós-modernidade
Transtextuality
Composition
Listening
Polystylism
Postmodernity
ARTES::MUSICA
title_short Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade
title_full Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade
title_fullStr Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade
title_full_unstemmed Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade
title_sort Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade
author Gonçalves, Luiz Eduardo
author_facet Gonçalves, Luiz Eduardo
author_role author
dc.contributor.advisor1.fl_str_mv Souza, Ana Guiomar Rêgo
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5810153792986725
dc.contributor.referee1.fl_str_mv Cunha, Estércio Marques
dc.contributor.referee2.fl_str_mv Clímaco, Magda
dc.contributor.referee3.fl_str_mv Paranhos, Kátia
dc.contributor.referee4.fl_str_mv Costa, Carlos
dc.contributor.referee5.fl_str_mv Souza, Ana Guiomar Rêgo
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/0339309630317748
dc.contributor.author.fl_str_mv Gonçalves, Luiz Eduardo
contributor_str_mv Souza, Ana Guiomar Rêgo
Cunha, Estércio Marques
Clímaco, Magda
Paranhos, Kátia
Costa, Carlos
Souza, Ana Guiomar Rêgo
dc.subject.por.fl_str_mv Transtextualidade
Composição
Escuta
Poliestilismo
Pós-modernidade
topic Transtextualidade
Composição
Escuta
Poliestilismo
Pós-modernidade
Transtextuality
Composition
Listening
Polystylism
Postmodernity
ARTES::MUSICA
dc.subject.eng.fl_str_mv Transtextuality
Composition
Listening
Polystylism
Postmodernity
dc.subject.cnpq.fl_str_mv ARTES::MUSICA
description With due attention to the transtextuality of Genette and Harvey, to the postmodern condition of Bauman and Harvey, this research with phenomenological basis investigates the relationship between listening and writing, the subject that quotes, and the composition as a transtextual derivation from listening. Three composers - Pärt, Górecki and Schnittke - and their works are in focus, as well as a work of mine “O Nascimento de Vênus”. These works are analyzed and heard in three chapters that seek to address the syntactic, semantic and ontological aspects of music. In the open listening and the discussions on creation and postmodernity, there was room for the poetic and the singular to manifest, so that the knowledge generated here may integrate the objective and the subjective, the collective and the individual, the self and surpassing by others.
publishDate 2016
dc.date.issued.fl_str_mv 2016-12-19
dc.date.accessioned.fl_str_mv 2017-09-15T13:29:16Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv GONÇALVES, Luiz Eduardo. Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade. 2016. 83 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/7707
dc.identifier.dark.fl_str_mv ark:/38995/00130000027pn
identifier_str_mv GONÇALVES, Luiz Eduardo. Da escuta ao compor: processos transtextuais de um compositor na pós-modernidade. 2016. 83 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016.
ark:/38995/00130000027pn
url http://repositorio.bc.ufg.br/tede/handle/tede/7707
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language por
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dc.relation.confidence.fl_str_mv 600
600
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dc.publisher.none.fl_str_mv Universidade Federal de Goiás
dc.publisher.program.fl_str_mv Programa de Pós-graduação em Musica (EMAC)
dc.publisher.initials.fl_str_mv UFG
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Escola de Música e Artes Cênicas - EMAC (RG)
publisher.none.fl_str_mv Universidade Federal de Goiás
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