Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural
Autor(a) principal: | |
---|---|
Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/6184 |
Resumo: | This research intended to identify the musical genres that represent the four most accessible songs on Brazilian Youtube site in the period 2012-2015 , in view of their stylistic peculiarities , creation processes , production, circulation and reception with them involved , searching clarify to what extent are concerned with the mechanisms of the cultural industry and the corporate structure of the youtube site .The analysis and interpretation of musical works and videos that used the representational as a tool (CHARTIER, 2002; MOSCOVICI, 2003), with the hearing and observing "open" the object and use the three levels of analysis proposed by Ferrara (1984) allowed a foundation and methodological approach for the symbolic interaction.By the way, the search for related quantitative data to the results offered by YouTube Rewind Brazil in four years observed , identified that there is a supremacy of the ‘sertanejo universitário’ gender in three of the four songs observed in the ranking, the only song ranked first not was framed in this genre was classified as ‘carioca´s funk’ .In this context the analysis and interpretation could be still observed elements that coincide with practices related to cultural industry, which also pointed to market demands aimed at potential consumers of profiles for implications of this process with the Filter Bubble mentioned by Pariser (2012) that show the interference of technological advances in cyberspace musical movement.Harvey (2005) , Benjamin (2009) and Bauman (2009) has made it possible to realize this process from another angle , the inevitability of their interaction with the historical social setting and cultural postmodern , with the new sensorium mass that identifies their experiences daily with the result of the processes of creation, production, and circulation of the researched musical work . |
id |
UFG-2_3f8cb5e45b305a53f90bf6006b40a319 |
---|---|
oai_identifier_str |
oai:repositorio.bc.ufg.br:tede/6184 |
network_acronym_str |
UFG-2 |
network_name_str |
Repositório Institucional da UFG |
repository_id_str |
|
spelling |
Clímaco, Magda de Mirandahttp://lattes.cnpq.br/3267761359411377Clímaco, Magda de MirandaGuimarães, Fernanda Albernaz do NascimentoCunha, Estércio Marquezhttp://lattes.cnpq.br/1220307522204312Carvalho Júnior, Luiz Espíndola de2016-09-12T14:39:30Z2016-05-06CARVALHO JÚNIOR, L. E. Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural. 2016. 155 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016.http://repositorio.bc.ufg.br/tede/handle/tede/6184ark:/38995/001300000c4vzThis research intended to identify the musical genres that represent the four most accessible songs on Brazilian Youtube site in the period 2012-2015 , in view of their stylistic peculiarities , creation processes , production, circulation and reception with them involved , searching clarify to what extent are concerned with the mechanisms of the cultural industry and the corporate structure of the youtube site .The analysis and interpretation of musical works and videos that used the representational as a tool (CHARTIER, 2002; MOSCOVICI, 2003), with the hearing and observing "open" the object and use the three levels of analysis proposed by Ferrara (1984) allowed a foundation and methodological approach for the symbolic interaction.By the way, the search for related quantitative data to the results offered by YouTube Rewind Brazil in four years observed , identified that there is a supremacy of the ‘sertanejo universitário’ gender in three of the four songs observed in the ranking, the only song ranked first not was framed in this genre was classified as ‘carioca´s funk’ .In this context the analysis and interpretation could be still observed elements that coincide with practices related to cultural industry, which also pointed to market demands aimed at potential consumers of profiles for implications of this process with the Filter Bubble mentioned by Pariser (2012) that show the interference of technological advances in cyberspace musical movement.Harvey (2005) , Benjamin (2009) and Bauman (2009) has made it possible to realize this process from another angle , the inevitability of their interaction with the historical social setting and cultural postmodern , with the new sensorium mass that identifies their experiences daily with the result of the processes of creation, production, and circulation of the researched musical work .Essa pesquisa teve como objetivo identificar os gêneros musicais que representam as quatro músicas mais acessadas no site Youtube brasileiro no período de 2012 a 2015, tendo em vista as suas peculiaridades estilísticas, os processos de criação, produção, circulação e recepção com eles envolvidos, visando esclarecer até que ponto estão implicados com os mecanismos da indústria cultural e com a estrutura corporativa do site youtube. A análise e interpretação das obras musicais e dos vídeos, que utilizaram o representacional como instrumento (CHARTIER, 2002; MOSCOVICI, 2003), junto à audição e observação “abertas” do objeto e da utilização dos três níveis de análise propostos por Ferrara (1984), possibilitaram uma fundamentação e abordagem metodológica referentes ao enfoque do simbólico. Por outro lado, a busca de dados quantitativos relacionados aos resultados oferecidos pelo Youtube Rewind Brasil nos quatro anos observados, permitiu identificar que existe uma supremacia do gênero sertanejo universitário em três das quatro músicas observadas do ranking, a única música classificada em primeiro lugar que não se enquadrou nesse gênero foi classificada como funk carioca. Nesse contexto da análise e interpretação puderam ser constatados ainda elementos que coincidem com práticas relacionadas à indústria cultural, o que apontou também para demandas mercadológicas que visam perfis dos consumidores em potencial, para implicações desse processo com o Filtro Invisível mencionado por Pariser (2012), que evidenciam a interferência dos avanços tecnológicos do cyberspace na circulação musical. Harvey (2005), Benjamin (2009) e Bauman (2009) já possibilitaram perceber esse processo sob outro ângulo, na inevitabilidade de sua interação com o cenário sócio histórico e cultural pós-moderno, com o novo sensorium da massa que identifica as suas experiências cotidianas com o resultado dos processos de criação, produção, e circulação da obra musical abordados.Submitted by Erika Demachki (erikademachki@gmail.com) on 2016-09-09T20:13:04Z No. of bitstreams: 2 Dissertação - Luiz Espíndola de Carvalho Júnior - 2016.pdf: 15198028 bytes, checksum: 7b5fc8e2773e98885ba6164693a0d522 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-12T14:39:30Z (GMT) No. of bitstreams: 2 Dissertação - Luiz Espíndola de Carvalho Júnior - 2016.pdf: 15198028 bytes, checksum: 7b5fc8e2773e98885ba6164693a0d522 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2016-09-12T14:39:30Z (GMT). No. of bitstreams: 2 Dissertação - Luiz Espíndola de Carvalho Júnior - 2016.pdf: 15198028 bytes, checksum: 7b5fc8e2773e98885ba6164693a0d522 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-05-06Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Musica (EMAC)UFGBrasilEscola de Música e Artes Cênicas - EMAC (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessMúsica e youtube brasileiroIndústria culturalFiltro invisívelNovo sensorium da massaMusic and brasilian youtubeCulture industryThe filter bubbleNew sensorium of massARTES::MUSICAMúsica e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria culturalMusic and youtube in brazilian current scenario: a focus of its implications for the cultural industryinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-8926704311827950450600600600600-1800367251745901470-37567878752057868312075167498588264571reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/55b8b44a-eed1-4468-8113-eb4a6eb8836d/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.bc.ufg.br/tede/bitstreams/0eda41b2-b519-4c3a-92d6-0806820bac51/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/e925597f-f72f-4389-b544-1762cde070e3/downloadd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/cd74a97c-e0f9-4448-a6c6-dc36bf01b4f5/downloadd41d8cd98f00b204e9800998ecf8427eMD54ORIGINALDissertação - Luiz Espíndola de Carvalho Júnior - 2016.pdfDissertação - Luiz Espíndola de Carvalho Júnior - 2016.pdfapplication/pdf15198028http://repositorio.bc.ufg.br/tede/bitstreams/7f419d8d-dfe5-44a2-a9ac-c9dbd0daaa05/download7b5fc8e2773e98885ba6164693a0d522MD55tede/61842016-09-12 11:39:30.687http://creativecommons.org/licenses/by-nc-nd/4.0/Acesso Abertoopen.accessoai:repositorio.bc.ufg.br:tede/6184http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2016-09-12T14:39:30Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.por.fl_str_mv |
Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural |
dc.title.alternative.eng.fl_str_mv |
Music and youtube in brazilian current scenario: a focus of its implications for the cultural industry |
title |
Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural |
spellingShingle |
Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural Carvalho Júnior, Luiz Espíndola de Música e youtube brasileiro Indústria cultural Filtro invisível Novo sensorium da massa Music and brasilian youtube Culture industry The filter bubble New sensorium of mass ARTES::MUSICA |
title_short |
Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural |
title_full |
Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural |
title_fullStr |
Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural |
title_full_unstemmed |
Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural |
title_sort |
Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural |
author |
Carvalho Júnior, Luiz Espíndola de |
author_facet |
Carvalho Júnior, Luiz Espíndola de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Clímaco, Magda de Miranda |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/3267761359411377 |
dc.contributor.referee1.fl_str_mv |
Clímaco, Magda de Miranda |
dc.contributor.referee2.fl_str_mv |
Guimarães, Fernanda Albernaz do Nascimento |
dc.contributor.referee3.fl_str_mv |
Cunha, Estércio Marquez |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1220307522204312 |
dc.contributor.author.fl_str_mv |
Carvalho Júnior, Luiz Espíndola de |
contributor_str_mv |
Clímaco, Magda de Miranda Clímaco, Magda de Miranda Guimarães, Fernanda Albernaz do Nascimento Cunha, Estércio Marquez |
dc.subject.por.fl_str_mv |
Música e youtube brasileiro Indústria cultural Filtro invisível Novo sensorium da massa |
topic |
Música e youtube brasileiro Indústria cultural Filtro invisível Novo sensorium da massa Music and brasilian youtube Culture industry The filter bubble New sensorium of mass ARTES::MUSICA |
dc.subject.eng.fl_str_mv |
Music and brasilian youtube Culture industry The filter bubble New sensorium of mass |
dc.subject.cnpq.fl_str_mv |
ARTES::MUSICA |
description |
This research intended to identify the musical genres that represent the four most accessible songs on Brazilian Youtube site in the period 2012-2015 , in view of their stylistic peculiarities , creation processes , production, circulation and reception with them involved , searching clarify to what extent are concerned with the mechanisms of the cultural industry and the corporate structure of the youtube site .The analysis and interpretation of musical works and videos that used the representational as a tool (CHARTIER, 2002; MOSCOVICI, 2003), with the hearing and observing "open" the object and use the three levels of analysis proposed by Ferrara (1984) allowed a foundation and methodological approach for the symbolic interaction.By the way, the search for related quantitative data to the results offered by YouTube Rewind Brazil in four years observed , identified that there is a supremacy of the ‘sertanejo universitário’ gender in three of the four songs observed in the ranking, the only song ranked first not was framed in this genre was classified as ‘carioca´s funk’ .In this context the analysis and interpretation could be still observed elements that coincide with practices related to cultural industry, which also pointed to market demands aimed at potential consumers of profiles for implications of this process with the Filter Bubble mentioned by Pariser (2012) that show the interference of technological advances in cyberspace musical movement.Harvey (2005) , Benjamin (2009) and Bauman (2009) has made it possible to realize this process from another angle , the inevitability of their interaction with the historical social setting and cultural postmodern , with the new sensorium mass that identifies their experiences daily with the result of the processes of creation, production, and circulation of the researched musical work . |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-09-12T14:39:30Z |
dc.date.issued.fl_str_mv |
2016-05-06 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
CARVALHO JÚNIOR, L. E. Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural. 2016. 155 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/6184 |
dc.identifier.dark.fl_str_mv |
ark:/38995/001300000c4vz |
identifier_str_mv |
CARVALHO JÚNIOR, L. E. Música e youtube no cenário brasileiro atual: um enfoque de suas implicações com a indústria cultural. 2016. 155 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2016. ark:/38995/001300000c4vz |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/6184 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-8926704311827950450 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
-1800367251745901470 |
dc.relation.cnpq.fl_str_mv |
-3756787875205786831 |
dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Musica (EMAC) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Escola de Música e Artes Cênicas - EMAC (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Repositório Institucional da UFG |
collection |
Repositório Institucional da UFG |
bitstream.url.fl_str_mv |
http://repositorio.bc.ufg.br/tede/bitstreams/55b8b44a-eed1-4468-8113-eb4a6eb8836d/download http://repositorio.bc.ufg.br/tede/bitstreams/0eda41b2-b519-4c3a-92d6-0806820bac51/download http://repositorio.bc.ufg.br/tede/bitstreams/e925597f-f72f-4389-b544-1762cde070e3/download http://repositorio.bc.ufg.br/tede/bitstreams/cd74a97c-e0f9-4448-a6c6-dc36bf01b4f5/download http://repositorio.bc.ufg.br/tede/bitstreams/7f419d8d-dfe5-44a2-a9ac-c9dbd0daaa05/download |
bitstream.checksum.fl_str_mv |
bd3efa91386c1718a7f26a329fdcb468 4afdbb8c545fd630ea7db775da747b2f d41d8cd98f00b204e9800998ecf8427e d41d8cd98f00b204e9800998ecf8427e 7b5fc8e2773e98885ba6164693a0d522 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
tasesdissertacoes.bc@ufg.br |
_version_ |
1811721494710976512 |