Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica

Detalhes bibliográficos
Autor(a) principal: Silvéria, Luana Beatriz
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
dARK ID: ark:/38995/0013000008fpg
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/9143
Resumo: In West Germany, between 1960 and 1970, due to a crisis of Historical Science and History Education, which no longer corresponded to the aspirations of German society, an intellectual movement emerged that culminated in the revision of the historicist tradition of historical thought. In this context, a field of study called History Didactics arose, which built its foundations under the aegis of the concept of historical consciousness. That is, the use of historical knowledge in practical life. For Rüsen, both the theory of history and the teaching of history can be conceived as the result of the same concern, the necessities of life. Within this perspective the present research fits into one of the pillars of the field of History Didatics: the analysis of the function of knowledge and historical explanation in public life which implies the investigation and relation of historical knowledge with the historical culture of a society, in the research proposal, the cinema. Starting from this premise, the hypothesis is that cinematographic narrative, as belonging to the historical culture of a society, can mobilize the historical consciousness of individuals. Based on this hypothesis, this paper presents the process of conducting an empirical investigation aimed at ascertaining the construct of historical consciousness about work activity from Charlie Chaplin's Modern Times cinematographic narrative, focusing on the categories of work, practical life and time. The individuals of this research are young and adult students of the National Program of Integration of Professional Education with Basic Education in the Mode of Education of Young and Adults (PROEJA), Federal Institute of Education, Science and Technology of Goiás (IFG / GO). We defend the thesis that the interpretation that these individuals make of the history of humanity advances from a traditional historical consciousness to elements of a critical historical consciousness whose central axis is the idea of progress. In addition to the ideal of progress through which students produce a conception of traditional historical narrative, other subjects such as religion, slavery, women's work, quality of life, unemployment, education, and the sense of work are addressed in their speeches.
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spelling Teixeira, Rafael Saddihttp://lattes.cnpq.br/2919949012379731Mello, Paulo Eduardo deSilva, Maria da ConceiçãoTeixeira, Rafael Saddihttp://lattes.cnpq.br/0063518533808011Silvéria, Luana Beatriz2018-12-13T11:29:47Z2018-05-17SILVÉRIA, L. B. Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica. 2018. 169 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2018.http://repositorio.bc.ufg.br/tede/handle/tede/9143ark:/38995/0013000008fpgIn West Germany, between 1960 and 1970, due to a crisis of Historical Science and History Education, which no longer corresponded to the aspirations of German society, an intellectual movement emerged that culminated in the revision of the historicist tradition of historical thought. In this context, a field of study called History Didactics arose, which built its foundations under the aegis of the concept of historical consciousness. That is, the use of historical knowledge in practical life. For Rüsen, both the theory of history and the teaching of history can be conceived as the result of the same concern, the necessities of life. Within this perspective the present research fits into one of the pillars of the field of History Didatics: the analysis of the function of knowledge and historical explanation in public life which implies the investigation and relation of historical knowledge with the historical culture of a society, in the research proposal, the cinema. Starting from this premise, the hypothesis is that cinematographic narrative, as belonging to the historical culture of a society, can mobilize the historical consciousness of individuals. Based on this hypothesis, this paper presents the process of conducting an empirical investigation aimed at ascertaining the construct of historical consciousness about work activity from Charlie Chaplin's Modern Times cinematographic narrative, focusing on the categories of work, practical life and time. The individuals of this research are young and adult students of the National Program of Integration of Professional Education with Basic Education in the Mode of Education of Young and Adults (PROEJA), Federal Institute of Education, Science and Technology of Goiás (IFG / GO). We defend the thesis that the interpretation that these individuals make of the history of humanity advances from a traditional historical consciousness to elements of a critical historical consciousness whose central axis is the idea of progress. In addition to the ideal of progress through which students produce a conception of traditional historical narrative, other subjects such as religion, slavery, women's work, quality of life, unemployment, education, and the sense of work are addressed in their speeches.Na Alemanha Ocidental, entre o período de 1960 e 1970, devido a uma crise da Ciência Histórica e do Ensino de História, que já não mais correspondiam aos anseios da sociedade alemã, surgiu um movimento intelectual que culminou na revisão da tradição historicista de pensamento histórico. Neste contexto surgiu um campo de estudo denominado Didática da História, que construiu seus fundamentos sobre a égide do conceito de consciência histórica. Isto é, o emprego do saber histórico na vida prática. Para Rüsen, tanto a teoria da História como o ensino de história podem ser concebidos como fruto de uma mesma preocupação: as necessidades da vida. Dentro desta perspectiva a presente pesquisa se enquadra em um dos pilares do campo da Didática da História: a análise da função do conhecimento e da explicação histórica na vida pública, o que implica a investigação e relação do conhecimento histórico com a cultura histórica de uma sociedade, na proposta da pesquisa, o cinema. Partindo desta premissa, tem se a hipótese de que a narrativa cinematográfica, como pertencente à cultura histórica de uma sociedade, pode mobilizar a consciência histórica dos indivíduos. Com base nesta hipótese, este trabalho apresenta o processo de realização de uma investigação empírica que visou averiguar o constructo de uma consciência histórica sobre a atividade do trabalho, a partir da narrativa cinematográfica de Tempos Modernos de Charlie Chaplin, com enfoque nas categorias de: trabalho, vida prática e tempo. Os indivíduos desta pesquisa são jovens e adultos, estudantes do Programa Nacional de Integração da Educação Profissional com a Educação Básica na Modalidade de Educação de Jovens e Adultos (PROEJA), do Instituto Federal de Educação, Ciência e Tecnologia de Goiás (IFG/GO). Defendemos a tese de que a interpretação que estes indivíduos fazem da história da humanidade avança de uma consciência histórica tradicional para elementos de uma consciência histórica crítica, cujo eixo central é a ideia de progresso. Além do ideal de progresso, pelo qual os alunos produzem uma concepção de narrativa histórica tradicional, outros temas como a religião, a escravidão, o trabalho feminino, a qualidade de vida, o desemprego, a educação, o sentido do trabalho, são abordados em seus discursos.Submitted by Liliane Ferreira (ljuvencia30@gmail.com) on 2018-12-12T14:33:55Z No. of bitstreams: 2 Dissertação - Luana Beatriz Silvéria - 2018.pdf: 2076570 bytes, checksum: 098bcb63a7ac7a2f3378a7bf767032b9 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-12-13T11:29:47Z (GMT) No. of bitstreams: 2 Dissertação - Luana Beatriz Silvéria - 2018.pdf: 2076570 bytes, checksum: 098bcb63a7ac7a2f3378a7bf767032b9 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2018-12-13T11:29:47Z (GMT). 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dc.title.eng.fl_str_mv Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica
dc.title.alternative.eng.fl_str_mv Work, practical life and time: historical consciousness of workers in school situation from a contact with cinematographic narrative
title Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica
spellingShingle Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica
Silvéria, Luana Beatriz
Consciência histórica
Narrativa cinematográfica
Trabalho
Educação de jovens e adultos
Historical conciousness
Cinematographic narrative
Work
Education of young and adults
CIENCIAS HUMANAS::HISTORIA
title_short Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica
title_full Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica
title_fullStr Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica
title_full_unstemmed Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica
title_sort Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica
author Silvéria, Luana Beatriz
author_facet Silvéria, Luana Beatriz
author_role author
dc.contributor.advisor1.fl_str_mv Teixeira, Rafael Saddi
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2919949012379731
dc.contributor.referee1.fl_str_mv Mello, Paulo Eduardo de
dc.contributor.referee2.fl_str_mv Silva, Maria da Conceição
dc.contributor.referee3.fl_str_mv Teixeira, Rafael Saddi
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/0063518533808011
dc.contributor.author.fl_str_mv Silvéria, Luana Beatriz
contributor_str_mv Teixeira, Rafael Saddi
Mello, Paulo Eduardo de
Silva, Maria da Conceição
Teixeira, Rafael Saddi
dc.subject.por.fl_str_mv Consciência histórica
Narrativa cinematográfica
Trabalho
Educação de jovens e adultos
topic Consciência histórica
Narrativa cinematográfica
Trabalho
Educação de jovens e adultos
Historical conciousness
Cinematographic narrative
Work
Education of young and adults
CIENCIAS HUMANAS::HISTORIA
dc.subject.eng.fl_str_mv Historical conciousness
Cinematographic narrative
Work
Education of young and adults
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description In West Germany, between 1960 and 1970, due to a crisis of Historical Science and History Education, which no longer corresponded to the aspirations of German society, an intellectual movement emerged that culminated in the revision of the historicist tradition of historical thought. In this context, a field of study called History Didactics arose, which built its foundations under the aegis of the concept of historical consciousness. That is, the use of historical knowledge in practical life. For Rüsen, both the theory of history and the teaching of history can be conceived as the result of the same concern, the necessities of life. Within this perspective the present research fits into one of the pillars of the field of History Didatics: the analysis of the function of knowledge and historical explanation in public life which implies the investigation and relation of historical knowledge with the historical culture of a society, in the research proposal, the cinema. Starting from this premise, the hypothesis is that cinematographic narrative, as belonging to the historical culture of a society, can mobilize the historical consciousness of individuals. Based on this hypothesis, this paper presents the process of conducting an empirical investigation aimed at ascertaining the construct of historical consciousness about work activity from Charlie Chaplin's Modern Times cinematographic narrative, focusing on the categories of work, practical life and time. The individuals of this research are young and adult students of the National Program of Integration of Professional Education with Basic Education in the Mode of Education of Young and Adults (PROEJA), Federal Institute of Education, Science and Technology of Goiás (IFG / GO). We defend the thesis that the interpretation that these individuals make of the history of humanity advances from a traditional historical consciousness to elements of a critical historical consciousness whose central axis is the idea of progress. In addition to the ideal of progress through which students produce a conception of traditional historical narrative, other subjects such as religion, slavery, women's work, quality of life, unemployment, education, and the sense of work are addressed in their speeches.
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-12-13T11:29:47Z
dc.date.issued.fl_str_mv 2018-05-17
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dc.identifier.citation.fl_str_mv SILVÉRIA, L. B. Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica. 2018. 169 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2018.
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identifier_str_mv SILVÉRIA, L. B. Trabalho, vida prática e tempo: consciência histórica de trabalhadores em situação escolar a partir do contato com a narrativa cinematográfica. 2018. 169 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2018.
ark:/38995/0013000008fpg
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