Modalidades do estranho na poesia de William Butler Yeats

Detalhes bibliográficos
Autor(a) principal: CORSI, Edson Manzan
Data de Publicação: 2010
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tde/2392
Resumo: This thesis has as its object of study three modalities of the uncanny as they appear in the poetry of Irish writer William Butler Yeats. They are: the incidence of the Double, the contact with the Deads, their way of operation in the metaphysical sphere as well as in the world of the Living, and the Animist way of thinking which embraces the omnipotence of thought. We believe that this is possible to be theoretically thought and analyzed through the ideas presented by Sigmund Freud in his essay titled The uncanny ( Das Unheimliche ), edited in 1919. In order to help our discussion of the problem, we used some considerations from French psychoanalyst Jacques Lacan. For example, what he exposes in his seminar dedicated to the anxiety and in his essay on the mirror stage . Many important ideas and concepts from literary critics such as T. S. Eliot, W. H. Auden, Tzvetan Todorov, Emil Staiger, Joseph Warren Beach, Ezra Pound, among others, were also used as basis for the development of our discussion on the theme of the strangeness (uncanny) in the frontiers between literature and psychoanalysis. The thought of Friedrich Nietzsche also helped us to understand the concept that Yeats developed and used of tragic joy and the relationship of the poet with the tragic thinking, discussed by the German philosopher and which influenced the work of the Irish writer. This influence made possible, in the poetry Yeats wrote, appear an aspect of absurdity, of ambition for being assimilated in the chorus of the tragedy visible, for instance, in the chapter about the Double and that we can find in his most important poems.
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spelling SOUSA, Heleno Godói dehttp://lattes.cnpq.br/4388813326632106http://lattes.cnpq.br/7995799068345328CORSI, Edson Manzan2014-07-29T16:19:02Z2011-12-122010-12-10CORSI, Edson Manzan. Modalities of the uncanny in the poetry of William Butler Yeats. 2010. 126 f. Dissertação (Mestrado em Lingüística, Letras e Artes) - Universidade Federal de Goiás, Goiânia, 2010.http://repositorio.bc.ufg.br/tede/handle/tde/2392This thesis has as its object of study three modalities of the uncanny as they appear in the poetry of Irish writer William Butler Yeats. They are: the incidence of the Double, the contact with the Deads, their way of operation in the metaphysical sphere as well as in the world of the Living, and the Animist way of thinking which embraces the omnipotence of thought. We believe that this is possible to be theoretically thought and analyzed through the ideas presented by Sigmund Freud in his essay titled The uncanny ( Das Unheimliche ), edited in 1919. In order to help our discussion of the problem, we used some considerations from French psychoanalyst Jacques Lacan. For example, what he exposes in his seminar dedicated to the anxiety and in his essay on the mirror stage . Many important ideas and concepts from literary critics such as T. S. Eliot, W. H. Auden, Tzvetan Todorov, Emil Staiger, Joseph Warren Beach, Ezra Pound, among others, were also used as basis for the development of our discussion on the theme of the strangeness (uncanny) in the frontiers between literature and psychoanalysis. The thought of Friedrich Nietzsche also helped us to understand the concept that Yeats developed and used of tragic joy and the relationship of the poet with the tragic thinking, discussed by the German philosopher and which influenced the work of the Irish writer. This influence made possible, in the poetry Yeats wrote, appear an aspect of absurdity, of ambition for being assimilated in the chorus of the tragedy visible, for instance, in the chapter about the Double and that we can find in his most important poems.Esta dissertação tem, como objeto de estudo, três modalidades do estranho na poesia do escritor irlandês William Butler Yeats. São elas: a incidência do Duplo, o contato com os Mortos, o modo de operação deles, tanto no âmbito metafísico quanto no mundo dos Vivos, e o modo de pensar Animista que abarca a onipotência de pensamento. Acreditamos que isso é possível de ser teoricamente pensado e estudado a partir das ideias apresentadas por Sigmund Freud, em seu ensaio O estranho ( Das Unheimliche ), publicado em 1919. Para auxiliar nossa discussão do problema, utilizamos algumas considerações do psicanalista francês Jacques Lacan. Por exemplo, o que ele expõe em seu seminário dedicado à angústia e no seu ensaio sobre o estádio do espelho . Muitas ideias e conceitos importantes de críticos literários como T. S. Eliot, W. H. Auden, Tzvetan Todorov, Emil Staiger, Joseph Warren Beach, Ezra Pound, entre outros, foram também utilizados como base para o desenvolvimento de nossa discussão sobre o tema do estranho, nas fronteiras entre a literatura e a psicanálise. O pensamento de Friedrich Nietzsche também ajudou-nos a entender o conceito que Yeats desenvolveu e usou de alegria trágica e a relação do poeta com o pensamento trágico, discutido pelo filósofo alemão e que influenciou a obra do escritor irlandês. Isso possibilitou, na poesia que Yeats escreveu, aparecer um aspecto de absurdidade, de ambição por assimilar-se ao coro da tragédia visível, por exemplo, no capítulo sobre o duplo e que podemos encontrar em seus mais importantes poemas.Made available in DSpace on 2014-07-29T16:19:02Z (GMT). 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dc.title.por.fl_str_mv Modalidades do estranho na poesia de William Butler Yeats
dc.title.alternative.eng.fl_str_mv Modalities of the uncanny in the poetry of William Butler Yeats
title Modalidades do estranho na poesia de William Butler Yeats
spellingShingle Modalidades do estranho na poesia de William Butler Yeats
CORSI, Edson Manzan
Das Unheimliche
Sigmund Freud
Modalidades do estranho
Poesia irlandesa
William Butler Yeats
1.Literatura irlandesa poesia; 2. O estranho (Das Unhheimliche) Sigmund Freud influência literária; 3. Estranho - modalidade William Butler Yeats - poesia - estudo;
Das Unheimliche
Sigmund Freud
Modalities of the uncanny
Irish poetry
William Butler Yeats
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Modalidades do estranho na poesia de William Butler Yeats
title_full Modalidades do estranho na poesia de William Butler Yeats
title_fullStr Modalidades do estranho na poesia de William Butler Yeats
title_full_unstemmed Modalidades do estranho na poesia de William Butler Yeats
title_sort Modalidades do estranho na poesia de William Butler Yeats
author CORSI, Edson Manzan
author_facet CORSI, Edson Manzan
author_role author
dc.contributor.advisor1.fl_str_mv SOUSA, Heleno Godói de
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/4388813326632106
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7995799068345328
dc.contributor.author.fl_str_mv CORSI, Edson Manzan
contributor_str_mv SOUSA, Heleno Godói de
dc.subject.por.fl_str_mv Das Unheimliche
Sigmund Freud
Modalidades do estranho
Poesia irlandesa
William Butler Yeats
1.Literatura irlandesa poesia; 2. O estranho (Das Unhheimliche) Sigmund Freud influência literária; 3. Estranho - modalidade William Butler Yeats - poesia - estudo;
topic Das Unheimliche
Sigmund Freud
Modalidades do estranho
Poesia irlandesa
William Butler Yeats
1.Literatura irlandesa poesia; 2. O estranho (Das Unhheimliche) Sigmund Freud influência literária; 3. Estranho - modalidade William Butler Yeats - poesia - estudo;
Das Unheimliche
Sigmund Freud
Modalities of the uncanny
Irish poetry
William Butler Yeats
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.eng.fl_str_mv Das Unheimliche
Sigmund Freud
Modalities of the uncanny
Irish poetry
William Butler Yeats
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description This thesis has as its object of study three modalities of the uncanny as they appear in the poetry of Irish writer William Butler Yeats. They are: the incidence of the Double, the contact with the Deads, their way of operation in the metaphysical sphere as well as in the world of the Living, and the Animist way of thinking which embraces the omnipotence of thought. We believe that this is possible to be theoretically thought and analyzed through the ideas presented by Sigmund Freud in his essay titled The uncanny ( Das Unheimliche ), edited in 1919. In order to help our discussion of the problem, we used some considerations from French psychoanalyst Jacques Lacan. For example, what he exposes in his seminar dedicated to the anxiety and in his essay on the mirror stage . Many important ideas and concepts from literary critics such as T. S. Eliot, W. H. Auden, Tzvetan Todorov, Emil Staiger, Joseph Warren Beach, Ezra Pound, among others, were also used as basis for the development of our discussion on the theme of the strangeness (uncanny) in the frontiers between literature and psychoanalysis. The thought of Friedrich Nietzsche also helped us to understand the concept that Yeats developed and used of tragic joy and the relationship of the poet with the tragic thinking, discussed by the German philosopher and which influenced the work of the Irish writer. This influence made possible, in the poetry Yeats wrote, appear an aspect of absurdity, of ambition for being assimilated in the chorus of the tragedy visible, for instance, in the chapter about the Double and that we can find in his most important poems.
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