Nos passos do transporte beiçudo: cortando o estradão do tempo e da memória goiana

• Autor(a) principal: Curado, Bento Alves Araújo Jayme Fleury
• Data de Publicação: 2013
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFG
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/3430
• topic: Beiçudos; Caminhos geográficos; História; Revivescência; Legado; Tradição; Geographical paths; Revival; Legacy; Tradition; History; CIENCIAS HUMANAS::GEOGRAFIA

This research entitled "in the footsteps of Sloth: cutting transport time and memory estradão goiana" discuss in detail, with the goal of forming a documentary and registry, the contribution of costing animals (horses, Mares, steers, cows, mules, donkeys, mules, asses, crossbows) for identity and survival of Goias people over time, when you open the paths of geographical grande sertão of Central Brazil, also called lejanía, Outback, Mashhad, end of the world. The beiçudos held the national integration at the expense of sacrifice, of the struggles and toils of drovers, carreiros, Commissioners, comets, peddlers, pastoralists, who, using the power of work, brought goods, information, knowledge, culture and identity. The problems that focused the present work is permeated in question: With the current technology and the contemporary transformations the beiçudos were relegated to ostracism, as you think? Will be that society has progressed so much in resources that forgot the values of time passed, our training and our identity? To do so, through studies of historical geography, will be grounded the postulates in understanding the role of geographical categories in the drafting of important foundations, historical and geographical formation of Goiás State people, with the opening of paths and roads, the use of beiçudos in all the activities of rural and urban, in everyday chores, at leisure and culture; will be analyzed two journals, a trip to an illustrious Lady Augusta Faro Fleury Curado, in 1896 and the diary of a Drover, Gabriel Alves de Carvalho, from the beginning of the 20th century in their daily toil. Beiçudos ' contributions will be identified that shed as a form of inspiration in all artistic manifestations from Goiás, literature, media, music, sculpture, theatre, folklore, arts, as well as the use of beiçudos in hodierna as different modalities in therapy treatments such as exhibitionism in rodeos and exhibitions millionaires, in misery of slums and garbage dumps or when the man takes the place of the slothby dragging in the geography of the inequalities of the metropolises, the carts and stands amidst the chaotic traffic. In this way, we seek to prove that the beiçudos are icons of resistance and differently, are inserted into human coexistence. There is a sturdy cangalha that unites us, yesterday and today.