Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/10521 |
Resumo: | In the vibrant Brazilian cultural production of the 1950s and 1960s, the approximation between the ideals of different fields of expression was common. This was a time when professionals in the arts and architecture were interested in moving out of their narrow spheres, taking a political stand by rethinking cultural production, aiming to strengthen the relationship with the popular strata and change the established situation. However, the 1964 coup d’état, which created a state of tension in the country's politics and culture, frustrated much of this artistic production, forcing the current thinkers to reorganize and rethink their acting strategies in the face of complicated reality established. In this scenario, the names of the Italian-Brazilian architect Lina Bo Bardi (Rome, 1914 - São Paulo, 1992) and the artist Hélio Oiticica (Rio de Janeiro, 1937 - Rio de Janeiro, 1980) are protagonists in the construction of a thought that sought, above all, ways to question the status quo and transform society. Acting in different places - Bo Bardi between Bahia and São Paulo, Oiticica between Rio de Janeiro and New York - and belonging to different generations and fields of production, their trajectories never crossed, despite having a strong affinity of convictions. The interventions of these figures have condensed but also served as a starting point for most of the concerns contained in the reflections of contemporary architects, artists and intellectuals. Thus, the present work seeks to initiate a reflection on the principles and vital interlocutions that Bo Bardi and Oiticica nurtured in the passage from the 1960s to the 1970s, trying to understand how their productions stood as voices of resistance to the established. To this end, it starts from successive approaches, isolating some influential figures and certain activities developed that, placed in the same perspective, can contribute to the image of a potent cultural phenomenon that fought for greater social and political engagement. |
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Caixeta, Eline Maria Mora Pereirahttp://lattes.cnpq.br/5246618096427219Caixeta, Eline Maria Mora PereiraOliveira, Adriana Mara Vaz dePereira, Maíra Teixeirahttp://lattes.cnpq.br/4164171066195216Aleixo, Paulo Arthur Silva2020-09-01T15:21:48Z2020-09-01T15:21:48Z2020-03-27ALEIXO, Paulo Arthur Silva. Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica. 2020. 237 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás, Goiânia, 2020.http://repositorio.bc.ufg.br/tede/handle/tede/10521In the vibrant Brazilian cultural production of the 1950s and 1960s, the approximation between the ideals of different fields of expression was common. This was a time when professionals in the arts and architecture were interested in moving out of their narrow spheres, taking a political stand by rethinking cultural production, aiming to strengthen the relationship with the popular strata and change the established situation. However, the 1964 coup d’état, which created a state of tension in the country's politics and culture, frustrated much of this artistic production, forcing the current thinkers to reorganize and rethink their acting strategies in the face of complicated reality established. In this scenario, the names of the Italian-Brazilian architect Lina Bo Bardi (Rome, 1914 - São Paulo, 1992) and the artist Hélio Oiticica (Rio de Janeiro, 1937 - Rio de Janeiro, 1980) are protagonists in the construction of a thought that sought, above all, ways to question the status quo and transform society. Acting in different places - Bo Bardi between Bahia and São Paulo, Oiticica between Rio de Janeiro and New York - and belonging to different generations and fields of production, their trajectories never crossed, despite having a strong affinity of convictions. The interventions of these figures have condensed but also served as a starting point for most of the concerns contained in the reflections of contemporary architects, artists and intellectuals. Thus, the present work seeks to initiate a reflection on the principles and vital interlocutions that Bo Bardi and Oiticica nurtured in the passage from the 1960s to the 1970s, trying to understand how their productions stood as voices of resistance to the established. To this end, it starts from successive approaches, isolating some influential figures and certain activities developed that, placed in the same perspective, can contribute to the image of a potent cultural phenomenon that fought for greater social and political engagement.Na vibrante produção cultural brasileira, entre as décadas de 1950 e 1960, foi recorrente a aproximação entre os ideais de distintos campos de expressão. Trata-se de um momento em que os profissionais das artes e da arquitetura estiveram interessados em sair de suas estritas esferas, posicionando-se politicamente ao repensar a produção cultural, visando estreitar a relação com as camadas populares e mudar a situação estabelecida. Contudo, o golpe de 1964, responsável por instaurar um estado de tensões no meio político e cultural do país, veio a frustrar boa parte desta produção artística, forçando os pensadores do momento a se reorganizar e repensar suas estratégias de atuação frente à complicada realidade instaurada. Neste cenário, pode-se recortar os nomes da arquiteta ítalo-brasileira Lina Bo Bardi (Roma, 1914 – São Paulo, 1992) e do artista carioca Hélio Oiticica (Rio de Janeiro, 1937 – Rio de Janeiro, 1980) como protagonistas na construção de um pensamento que buscou, sobretudo, caminhos para questionar o status quo e transformar a sociedade. Atuando em lugares distintos – Bo Bardi entre a Bahia e São Paulo, Oiticica entre o Rio de Janeiro e Nova York – e pertencentes a diferentes gerações e campos de produção, suas trajetórias em nenhum momento se cruzaram, apesar de apresentarem uma forte afinidade de convicções. Analisando as intervenções destes profissionais, nota-se que elas condensaram, mas também serviram de ponto de partida a boa parte das preocupações contidas nas reflexões dos arquitetos, artistas e intelectuais contemporâneos. Desta forma, o presente trabalho busca dar início a uma reflexão sobre os princípios e as interlocuções vitais que Bo Bardi e Oiticica nutriram na passagem dos anos 1960 para os 1970, procurando entender como suas produções colocaram-se como vozes de resistência ao estabelecido. Para tanto, parte-se de aproximações sucessivas, isolando algumas figuras influentes e determinadas atividades desenvolvidas que, colocados em uma mesma perspectiva, podem contribuir na imagem de um potente fenômeno cultural que lutou por um maior engajamento social e político.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2020-09-01T15:14:44Z No. of bitstreams: 2 Dissertação - Paulo Arthur Aleixo - 2020.pdf: 16781495 bytes, checksum: 7de5eca45150cff1e85f50992dda2e0f (MD5) license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2020-09-01T15:21:48Z (GMT) No. of bitstreams: 2 Dissertação - Paulo Arthur Aleixo - 2020.pdf: 16781495 bytes, checksum: 7de5eca45150cff1e85f50992dda2e0f (MD5) license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5)Made available in DSpace on 2020-09-01T15:21:48Z (GMT). No. of bitstreams: 2 Dissertação - Paulo Arthur Aleixo - 2020.pdf: 16781495 bytes, checksum: 7de5eca45150cff1e85f50992dda2e0f (MD5) license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Previous issue date: 2020-03-27Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de GoiásPrograma de Pós-graduação em Projeto e Cidade (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RG)Attribution-NonCommercial-NoDerivs 3.0 Brazilhttp://creativecommons.org/licenses/by-nc-nd/3.0/br/info:eu-repo/semantics/openAccessCultura arquitetônicaCultura artísticaBrasil, décadas de 1960 e 1970Lina Bo BardiHélio OiticicaArchitectural cultureArtistic cultureBrazil, 1960s and 1970sLina Bo BardiHélio OiticicaCIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO::FUNDAMENTOS DE ARQUITETURA E URBANISMOArte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio OiticicaArt, architecture and culture: paths to resistance in the work of Lina Bo Bardi and Hélio Oiticicainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis785005005005008601reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGORIGINALDissertação - Paulo Arthur Aleixo - 2020.pdfDissertação - Paulo Arthur Aleixo - 2020.pdfapplication/pdf16781495http://repositorio.bc.ufg.br/tede/bitstreams/b285c2b3-68d4-4264-942c-c5e6a1478bc5/download7de5eca45150cff1e85f50992dda2e0fMD53LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.bc.ufg.br/tede/bitstreams/2a52018f-8b88-472d-b0b3-e461a71c5b1a/download8a4605be74aa9ea9d79846c1fba20a33MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8811http://repositorio.bc.ufg.br/tede/bitstreams/751e6979-885a-4a86-a40d-fc5593f7b5ed/downloade39d27027a6cc9cb039ad269a5db8e34MD52tede/105212020-09-01 12:21:48.857http://creativecommons.org/licenses/by-nc-nd/3.0/br/Attribution-NonCommercial-NoDerivs 3.0 Brazilopen.accessoai:repositorio.bc.ufg.br:tede/10521http://repositorio.bc.ufg.br/tedeRepositório InstitucionalPUBhttp://repositorio.bc.ufg.br/oai/requesttasesdissertacoes.bc@ufg.bropendoar:2020-09-01T15:21:48Repositório Institucional da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.pt_BR.fl_str_mv |
Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica |
dc.title.alternative.eng.fl_str_mv |
Art, architecture and culture: paths to resistance in the work of Lina Bo Bardi and Hélio Oiticica |
title |
Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica |
spellingShingle |
Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica Aleixo, Paulo Arthur Silva Cultura arquitetônica Cultura artística Brasil, décadas de 1960 e 1970 Lina Bo Bardi Hélio Oiticica Architectural culture Artistic culture Brazil, 1960s and 1970s Lina Bo Bardi Hélio Oiticica CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO::FUNDAMENTOS DE ARQUITETURA E URBANISMO |
title_short |
Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica |
title_full |
Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica |
title_fullStr |
Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica |
title_full_unstemmed |
Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica |
title_sort |
Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica |
author |
Aleixo, Paulo Arthur Silva |
author_facet |
Aleixo, Paulo Arthur Silva |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Caixeta, Eline Maria Mora Pereira |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/5246618096427219 |
dc.contributor.referee1.fl_str_mv |
Caixeta, Eline Maria Mora Pereira |
dc.contributor.referee2.fl_str_mv |
Oliveira, Adriana Mara Vaz de |
dc.contributor.referee3.fl_str_mv |
Pereira, Maíra Teixeira |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4164171066195216 |
dc.contributor.author.fl_str_mv |
Aleixo, Paulo Arthur Silva |
contributor_str_mv |
Caixeta, Eline Maria Mora Pereira Caixeta, Eline Maria Mora Pereira Oliveira, Adriana Mara Vaz de Pereira, Maíra Teixeira |
dc.subject.por.fl_str_mv |
Cultura arquitetônica Cultura artística Brasil, décadas de 1960 e 1970 Lina Bo Bardi Hélio Oiticica |
topic |
Cultura arquitetônica Cultura artística Brasil, décadas de 1960 e 1970 Lina Bo Bardi Hélio Oiticica Architectural culture Artistic culture Brazil, 1960s and 1970s Lina Bo Bardi Hélio Oiticica CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO::FUNDAMENTOS DE ARQUITETURA E URBANISMO |
dc.subject.eng.fl_str_mv |
Architectural culture Artistic culture Brazil, 1960s and 1970s Lina Bo Bardi Hélio Oiticica |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMO::FUNDAMENTOS DE ARQUITETURA E URBANISMO |
description |
In the vibrant Brazilian cultural production of the 1950s and 1960s, the approximation between the ideals of different fields of expression was common. This was a time when professionals in the arts and architecture were interested in moving out of their narrow spheres, taking a political stand by rethinking cultural production, aiming to strengthen the relationship with the popular strata and change the established situation. However, the 1964 coup d’état, which created a state of tension in the country's politics and culture, frustrated much of this artistic production, forcing the current thinkers to reorganize and rethink their acting strategies in the face of complicated reality established. In this scenario, the names of the Italian-Brazilian architect Lina Bo Bardi (Rome, 1914 - São Paulo, 1992) and the artist Hélio Oiticica (Rio de Janeiro, 1937 - Rio de Janeiro, 1980) are protagonists in the construction of a thought that sought, above all, ways to question the status quo and transform society. Acting in different places - Bo Bardi between Bahia and São Paulo, Oiticica between Rio de Janeiro and New York - and belonging to different generations and fields of production, their trajectories never crossed, despite having a strong affinity of convictions. The interventions of these figures have condensed but also served as a starting point for most of the concerns contained in the reflections of contemporary architects, artists and intellectuals. Thus, the present work seeks to initiate a reflection on the principles and vital interlocutions that Bo Bardi and Oiticica nurtured in the passage from the 1960s to the 1970s, trying to understand how their productions stood as voices of resistance to the established. To this end, it starts from successive approaches, isolating some influential figures and certain activities developed that, placed in the same perspective, can contribute to the image of a potent cultural phenomenon that fought for greater social and political engagement. |
publishDate |
2020 |
dc.date.accessioned.fl_str_mv |
2020-09-01T15:21:48Z |
dc.date.available.fl_str_mv |
2020-09-01T15:21:48Z |
dc.date.issued.fl_str_mv |
2020-03-27 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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dc.identifier.citation.fl_str_mv |
ALEIXO, Paulo Arthur Silva. Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica. 2020. 237 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás, Goiânia, 2020. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/10521 |
identifier_str_mv |
ALEIXO, Paulo Arthur Silva. Arte, arquitetura e cultura: caminhos para a resistência na obra de Lina Bo Bardi e de Hélio Oiticica. 2020. 237 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás, Goiânia, 2020. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/10521 |
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Universidade Federal de Goiás |
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UFG |
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Brasil |
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Universidade Federal de Goiás |
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