Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
dARK ID: | ark:/38995/0013000001rtc |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/7483 |
Resumo: | This doctoral thesis presents an examination of receipt of poetry, illustration and paratextualidade. In light of the aesthetics of reception, established by Hans Robert Jauss‟ theoretical (1979 ) and Wolfgang Iser‟s (1979 ), Semiotics, Charles Sanders Peirce‟s (2010 ) and Semiotics Umberto Eco‟s ( 1971-2007 ), it was established to reception lyric poetry Manoel de Barros , the reception of the poet as the painting Joan Miró‟s (1924) and Paul Klee‟s (1922), receiving his lyric by illustrators Ana Raquel Máximo, Martha Barros, Ziraldo Alves Pinto, and the reception of the poet for prefaciadores, convergence between poetry and design, as well as the interdependence at the reception of the poet from of headings, titles, pretexts, afterwords and other paratexts that complement the work Manoel de Barros‟ [Poemas concebidos em pecado] Poems conceived without sin ( 1937) [Escritos em verbal de ave] Writings on the verbal bird (2011 ) . The relationship between verbal and non - verbal language will be provided to the reader as an analysis project interart, intersemiotic and intertextual . Scrutinizes the role of illustrator at the reception the poetry Manoel de Barros‟ aimed at children and the convergences and divergences of physical images with poetic image (PAZ, 1986). For this purpose, the thesis also is anchored in the works [Para ler o livro ilustrado] To view the illustrated book Sophie Van der Linden‟s (2011) and those [Pelos jardins de boboli: a arte de ilustrar livros para crianças e jovens] Boboli gardens: the art of illustrating books for children and young people, Rui de Oliveira‟s (2008) and homology between poetry and painting Gotthold Ephraim Lessing‟s promulgated (1998). For the interpretation of all the lyrical poetry Barros‟, was established as the backbone of research on the author's intention, the intention of the reader and the intention of the text. |
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Camargo, Goiandira de Fátima Ortiz dehttp://lattes.cnpq.br/3029764057965151Camargo, Goiandira de Fátima Ortiz dehttp://lattes.cnpq.br/3029764057965151Ramos, Isaac Newton AlmeidaCurado, Maria EugêniaCorbacho, AntônioSouza, Jamesson Buarque dehttp://lattes.cnpq.br/5017383387520947Fraga, Rosidelma Pereira2017-07-07T19:09:05Z2014-04-28FRAGA, Rosidelma Pereira. Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade. 2014. 276 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/7483ark:/38995/0013000001rtcThis doctoral thesis presents an examination of receipt of poetry, illustration and paratextualidade. In light of the aesthetics of reception, established by Hans Robert Jauss‟ theoretical (1979 ) and Wolfgang Iser‟s (1979 ), Semiotics, Charles Sanders Peirce‟s (2010 ) and Semiotics Umberto Eco‟s ( 1971-2007 ), it was established to reception lyric poetry Manoel de Barros , the reception of the poet as the painting Joan Miró‟s (1924) and Paul Klee‟s (1922), receiving his lyric by illustrators Ana Raquel Máximo, Martha Barros, Ziraldo Alves Pinto, and the reception of the poet for prefaciadores, convergence between poetry and design, as well as the interdependence at the reception of the poet from of headings, titles, pretexts, afterwords and other paratexts that complement the work Manoel de Barros‟ [Poemas concebidos em pecado] Poems conceived without sin ( 1937) [Escritos em verbal de ave] Writings on the verbal bird (2011 ) . The relationship between verbal and non - verbal language will be provided to the reader as an analysis project interart, intersemiotic and intertextual . Scrutinizes the role of illustrator at the reception the poetry Manoel de Barros‟ aimed at children and the convergences and divergences of physical images with poetic image (PAZ, 1986). For this purpose, the thesis also is anchored in the works [Para ler o livro ilustrado] To view the illustrated book Sophie Van der Linden‟s (2011) and those [Pelos jardins de boboli: a arte de ilustrar livros para crianças e jovens] Boboli gardens: the art of illustrating books for children and young people, Rui de Oliveira‟s (2008) and homology between poetry and painting Gotthold Ephraim Lessing‟s promulgated (1998). For the interpretation of all the lyrical poetry Barros‟, was established as the backbone of research on the author's intention, the intention of the reader and the intention of the text.Esta tese de doutoramento proporciona um exame de recepção de poesia, ilustração e paratextualidade. À luz da estética de recepção, instituída pelos teóricos Hans Robert Jauss (1979) e Wolfgang Iser (1979), da Semiótica, de Charles Sanders Peirce (2010) e da Semiótica de Umberto Eco (1971-2007), procurou-se averiguar a recepção da poesia lírica de Manoel de Barros, a recepção do poeta quanto à pintura de Joan Miró (1924) e Paul Klee (1922), a recepção de sua lírica pelos ilustradores Ana Raquel Máximo, Martha Barros, Ziraldo Alves Pinto, a recepção de poesia pelos prefaciadores, a convergência entre poesia e desenho, bem como a interdependência na recepção do poeta a partir de epígrafes, títulos, pretextos, posfácios e outros paratextos que complementam a obra de Manoel de Barros de Poemas concebidos sem pecado (1937) a Escritos em verbal de ave (2011). A relação entre a linguagem verbal e não verbal será oferecida ao leitor como um projeto de análise interartística, intersemiótica e intertextual. Investiga-se o papel do ilustrador na recepção da poesia de Barros destinada ao público infantil e nas semelhanças e divergências das imagens físicas com a imagem poética (PAZ, 1986). Para tal finalidade, a tese ainda se ancora nas obras Para ler o livro ilustrado de Sophie Van der Linden (2011) e Pelos jardins de boboli: a arte de ilustrar livros para crianças e jovens, de Rui de Oliveira (2008) e na homologia entre poesia e pintura promulgada por Gotthold Efraim Lessing (1998). Para a interpretação de toda a poesia lírica de Barros, constitui-se como espinha dorsal o trabalho de investigação sobre a intenção do autor, a intenção do leitor e a intenção do texto.Submitted by JÚLIO HEBER SILVA (julioheber@yahoo.com.br) on 2017-07-07T17:23:46Z No. of bitstreams: 2 Tese - Rosidelma Pereira Fraga - 2014.pdf: 8774189 bytes, checksum: bf8e211b35d73b59c8e8398446f43e6e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Cláudia Bueno (claudiamoura18@gmail.com) on 2017-07-07T19:09:05Z (GMT) No. of bitstreams: 2 Tese - Rosidelma Pereira Fraga - 2014.pdf: 8774189 bytes, checksum: bf8e211b35d73b59c8e8398446f43e6e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2017-07-07T19:09:05Z (GMT). No. of bitstreams: 2 Tese - Rosidelma Pereira Fraga - 2014.pdf: 8774189 bytes, checksum: bf8e211b35d73b59c8e8398446f43e6e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2014-04-28Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Letras e Linguística (FL)UFGBrasilFaculdade de Letras - FL (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessManoel de BarrosPoesiaIlustraçãoRecepçãoParatextualidadeManoel de BarrosPoetryIllustrationReceptionParatextualidadeLETRAS::LITERATURA BRASILEIRARecepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidadeReception and convergence in the work of Manoel de Barros: poetry, illustration and paratextualityinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-1403758209736362229600600600600-5417850704678072988-324704315598873511-2555911436985713659reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade |
dc.title.alternative.eng.fl_str_mv |
Reception and convergence in the work of Manoel de Barros: poetry, illustration and paratextuality |
title |
Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade |
spellingShingle |
Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade Fraga, Rosidelma Pereira Manoel de Barros Poesia Ilustração Recepção Paratextualidade Manoel de Barros Poetry Illustration Reception Paratextualidade LETRAS::LITERATURA BRASILEIRA |
title_short |
Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade |
title_full |
Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade |
title_fullStr |
Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade |
title_full_unstemmed |
Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade |
title_sort |
Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade |
author |
Fraga, Rosidelma Pereira |
author_facet |
Fraga, Rosidelma Pereira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Camargo, Goiandira de Fátima Ortiz de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/3029764057965151 |
dc.contributor.referee1.fl_str_mv |
Camargo, Goiandira de Fátima Ortiz de |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/3029764057965151 |
dc.contributor.referee2.fl_str_mv |
Ramos, Isaac Newton Almeida |
dc.contributor.referee3.fl_str_mv |
Curado, Maria Eugênia |
dc.contributor.referee4.fl_str_mv |
Corbacho, Antônio |
dc.contributor.referee5.fl_str_mv |
Souza, Jamesson Buarque de |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5017383387520947 |
dc.contributor.author.fl_str_mv |
Fraga, Rosidelma Pereira |
contributor_str_mv |
Camargo, Goiandira de Fátima Ortiz de Camargo, Goiandira de Fátima Ortiz de Ramos, Isaac Newton Almeida Curado, Maria Eugênia Corbacho, Antônio Souza, Jamesson Buarque de |
dc.subject.por.fl_str_mv |
Manoel de Barros Poesia Ilustração Recepção Paratextualidade |
topic |
Manoel de Barros Poesia Ilustração Recepção Paratextualidade Manoel de Barros Poetry Illustration Reception Paratextualidade LETRAS::LITERATURA BRASILEIRA |
dc.subject.eng.fl_str_mv |
Manoel de Barros Poetry Illustration Reception Paratextualidade |
dc.subject.cnpq.fl_str_mv |
LETRAS::LITERATURA BRASILEIRA |
description |
This doctoral thesis presents an examination of receipt of poetry, illustration and paratextualidade. In light of the aesthetics of reception, established by Hans Robert Jauss‟ theoretical (1979 ) and Wolfgang Iser‟s (1979 ), Semiotics, Charles Sanders Peirce‟s (2010 ) and Semiotics Umberto Eco‟s ( 1971-2007 ), it was established to reception lyric poetry Manoel de Barros , the reception of the poet as the painting Joan Miró‟s (1924) and Paul Klee‟s (1922), receiving his lyric by illustrators Ana Raquel Máximo, Martha Barros, Ziraldo Alves Pinto, and the reception of the poet for prefaciadores, convergence between poetry and design, as well as the interdependence at the reception of the poet from of headings, titles, pretexts, afterwords and other paratexts that complement the work Manoel de Barros‟ [Poemas concebidos em pecado] Poems conceived without sin ( 1937) [Escritos em verbal de ave] Writings on the verbal bird (2011 ) . The relationship between verbal and non - verbal language will be provided to the reader as an analysis project interart, intersemiotic and intertextual . Scrutinizes the role of illustrator at the reception the poetry Manoel de Barros‟ aimed at children and the convergences and divergences of physical images with poetic image (PAZ, 1986). For this purpose, the thesis also is anchored in the works [Para ler o livro ilustrado] To view the illustrated book Sophie Van der Linden‟s (2011) and those [Pelos jardins de boboli: a arte de ilustrar livros para crianças e jovens] Boboli gardens: the art of illustrating books for children and young people, Rui de Oliveira‟s (2008) and homology between poetry and painting Gotthold Ephraim Lessing‟s promulgated (1998). For the interpretation of all the lyrical poetry Barros‟, was established as the backbone of research on the author's intention, the intention of the reader and the intention of the text. |
publishDate |
2014 |
dc.date.issued.fl_str_mv |
2014-04-28 |
dc.date.accessioned.fl_str_mv |
2017-07-07T19:09:05Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
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doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
FRAGA, Rosidelma Pereira. Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade. 2014. 276 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/7483 |
dc.identifier.dark.fl_str_mv |
ark:/38995/0013000001rtc |
identifier_str_mv |
FRAGA, Rosidelma Pereira. Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade. 2014. 276 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014. ark:/38995/0013000001rtc |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/7483 |
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por |
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por |
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600 600 600 600 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Letras e Linguística (FL) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Letras - FL (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
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UFG |
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bd3efa91386c1718a7f26a329fdcb468 4afdbb8c545fd630ea7db775da747b2f d41d8cd98f00b204e9800998ecf8427e d41d8cd98f00b204e9800998ecf8427e bf8e211b35d73b59c8e8398446f43e6e |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
tasesdissertacoes.bc@ufg.br |
_version_ |
1815172527647883264 |